The Azary from RedSeven is THE clean platform according to the Italians: a single-channel head with dual voices, designed to seamlessly blend big clean tones with 60s-style crunch, all with headroom and dynamics that would make our British and American friends green with envy. Born from a collaboration with Italian songwriter/guitarist Marco Azara, the Azary embodies the RedSeven DNA (handmade approach, obsession with big sound) while taking it into more vintage territory, with pedal enthusiasts clearly in mind.
The head adopts a relatively compact form factor. The front panel is clear and organized, and the large knobs make an immediate impression. Controls include Presence, Master, a 3-band EQ (Treble/Middle/Bass), Gain, plus an integrated digital reverb adjustable via Time (decay) and Mix (wet level). Two switches complete the package: Sun/Moon (the two "hearts" of the preamp) and Reverb On/Off. On the rear panel: a remote input for controlling the reverb (active only when the front panel switch is OFF), speaker outputs (with impedance matching), the IEC connector, and the fuses. The heart of the amp is based on 2× EL34 and 3× 12AX7 tubes, with custom-made, oversized transformers manufactured in Italy. All of this is built around a premium PCB and features meticulous assembly.
In terms of sound, the Azary is designed as a pedalboard platform, delivering a massive clean tone and responsive touch. Frankly, we've never had such a clean channel for under €1700. It's unprecedented and blows away everything else in this price range, as well as many much more expensive amps.
The attack is ultra-fast, the bass is tight, and there's an explosive edge to the attack that makes the Azary impressive from the very first minutes of playing. Pushing the gain creates a subtle but highly addictive breakup, which can be perfectly cleaned up with the volume knob, while maintaining the shimmy and dynamics.
The Sun/Moon mods allow you to change the gain stage structure, switching from a wide, clean sound with high headroom to a denser, crunchier voicing, all while remaining on the same channel. The 3-band EQ, combined with the Presence control, is remarkably effective, and the digital spring reverb (based on an Accutronics) adds cohesion and depth. It can be adjusted using the Time knob for length and the Mix knob to blend the signal.
In short: the Azary is for guitarists who want the simplicity of a single-channel amp, but with two true signature tones instantly available, and an amp that serves as an impressive foundation for your pedals. Compared to the competition, it stands out as a benchmark thanks to the beauty of its clean and crunch tones and its uncompromising, high-end, boutique construction, made in Europe.
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