{"title":"Free The Tone","description":"\u003cspan\u003eYukihiro Hayashi is someone who needs no introduction in the land of the rising sun. Yuki began his career some 10 years ago in the world of pro audio, designing audio systems and consoles for recording studios.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThis experience allowed him to make a name for himself and gain popularity in the Japanese music world. A few years later, Yuki was recruited by the greatest Japanese rock band of all time... X-Japan! He then becomes Hide's guitar-tech.\u003cbr\u003e In 1997, Yuki joined Victor Japan (JVC-Kenwood) and created for the brand mixers, consoles and power amps for Live. In 2002, he started to develop systems and pedalboards for the greatest Japanese artists, such as Luna Sea, l'Arc-En-Ciel, KAZ and many other international artists. He collaborates closely with Pete and Lynda Cornish for the realization of the common systems.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eIn 2011, Free The Tone, then another brand's Custom Shop, became independent to focus on the manufacture and design of ultra-high-end custom pedals, effects and rack systems.\u003c\/span\u003e","products":[{"product_id":"free-the-tone-future-factory-ff-1y","title":"Future Factory FF-1Y - RF Phase Modulation Delay","description":"This is not Yukihiro Hayashi's first delay. Time passes and he even manages to improve them year after year. Delay fans will surely remember the Providence Delay 80 which became a reference in Japan almost 15 years ago. Yukihiro Hayashi then designed a delay in the vein of the best rack delays of the 80's, capable of competing with references of the genre, such as the Pete Cornish delay and others... After having developed the Flight Time , superb machine dedicated to the TC2290 (with much more power than this one); he returns with the Future Factory, a totally unique digital delay. Benefiting from modulation and a stereo image that is totally out of the ordinary. Are you ready? Let's go!\u003cbr\u003e \u003cbr\u003eAs always, from the outside, the pedal looks extremely neat. Case adjusted to the thousandth of a millimetre, ultra-light and high-quality anodized aluminium, perfect finish... it's Free The Tone. The work inside is just as \"perfect\", high quality PCB, selected components, far from the standards of many other more or less high-end brands. Eight years have passed since the creation of the brand, and at our level, we can tell you that Free The Tone remains one of the absolute references on the market, in terms of design, manufacturing quality and musicality. The Japanese know how to do it and they prove it once again with this superb delay.\u003cbr\u003e The interface uses the very broad lines of Flight Time. It can be scary the first time you look at it, but it's actually very very simple and intuitive to use. Much more than cascading drop-down menus. \u003cbr\u003eOn the Future Factory program? a new kind of digital dual delay. Indeed, the DD-1Y is a Stereo delay (which can of course be used in Mono) with two completely separate delay lines, named A and B. On each of the two lines, you can assign all the functions of the pedal. Different tempos, different delays, different modulations, different EQs etc... It's really the equivalent of 2 delays in one, with the possibility of being routed in series or in parallel, or with a bypass for one or the other. Added to this, the midi functions, filters, killdry and everything you need to play this first-rate delay to the maximum.\u003cbr\u003e \u003cbr\u003eGuitar in hand, on two clean Two-Rock bases in stereo configuration (see our video below)... How can I tell you? It's a real wall that stands in front of you. The first thing that strikes you is the enormous spatialization generated by this delay. There's a kind of unique 3D depth with a wonderful modulation that adds even more to this feeling of extra depth and density. Each delay-ified note benefits from this signature which really makes it possible to create a soundscape in its own right. As always with the brand, the modulations, EQs and various filters are of extraordinary musicality. These functions have clearly become one of the specialties of the brand with the know-how acquired by producing the excellent Tri-Avatar and the Prog EQ. The modulation part, let's talk about it, because it is what makes all the difference overall. Indeed, by playing on the phase of the signal which changes randomly from a certain level, the FF-1Y makes it possible to create a very specific effect which generates this unique depth with a very wide image. Imagine, your delay lines sweeping from right to left with different depths, densities, modulation, speed... It's quite simply the dream of all fans of big delays like Lukather, Landau, LA Sound and others. .. And of all those who are looking for a solid base to generate ambient and other very large layers of effects, which the FF-1Y will enhance. \u003cbr\u003e\u003cbr\u003eIn conclusion, if you are looking for an extremely pure multi-line delay, with a very wide diffusion, in short, a delay that is impressive, the Future Factory FF-1Y is made for you! Let's be clear, all fans of big rack delays will jump on this new little Japanese marvel that will seriously shake up competing brands!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31484332179503,"sku":"","price":419.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_FutureFactoryFF-1Y_001.jpg?v=1591980789"},{"product_id":"free-the-tone-flight-time-ft-2y","title":"Flight Time FT-2Y - Digital Delay","description":"Delay fans will surely remember the Providence Delay 80 which became a benchmark in Japan over 10 years ago. Yukihiro Hayashi then designed a delay in the vein of the famous TC2290. It was at the end of 2014 that Yuki came back with the Flight Time, a Dolorean-style delay (if that reminds you of something). 2nd 2017, the brand releases version 2 by adding some small well-felt functions. Externally the pedal adopts the same type of case as the rest of the range, anodized and light. It is also manufactured, exceptionally, in northern Japan and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. \u003cbr\u003eOn the front, there is a set of screens which may seem \"busy\", but which in fact turn out to be of formidable ergonomics and simplicity :) Finally, let's remember, it's important: the Flight Time is designed in a 100% original way with exclusive functions, and above all, the admitted goal of doing better than the TC2290 and its predecessor the Delay 80!!\u003cbr\u003e \u003cbr\u003eStratocaster and Les Paul in hand, plugged into a high quality clean Two-Rock, a quick tour of the owner is in order. The Flight Time has full MIDI support and 99 presets. The two footswitches allow you to activate the effect and enter a value for the tap tempo. And also to scroll through the presets after pressing the TAP switch for 2 seconds. The mode of operation of the dials is very simple. Simply press one of the buttons to activate the dial concerned. We can then adjust the output level, the feedback, the presets etc... All by simply using the + and - and Enter keys. Simple! In the center you can access the modulation settings and the filters. Top right the rhythmic subdivisions. And finally, we will find some buttons for trail, repeat and phase mode.\u003cbr\u003e \u003cbr\u003eWhat to say? On a clean channel at the top... It's... FAT, rich, enveloping and pure. A clean crystal delay, but with a sound signature and a very warm color. We typically find the character of the 2290 (without the possibilities of the rack of course, we are only talking about the sound signature) with a \"we don't know what\" more... The modulation is just huge, it brings thickness and spatialization. Filters are awesome! They actually allow you to tune the echo response very precisely. We also find the Free The Tone key because they remain very musical whatever the setting adopted. In the digital delay style, that's all you can hope for. The Flight Time being a \"pro\" tool, we will also find a Kill Dry which will be well seen by those who use the pedal in a parallel loop, and the phase function, which will allow you to make yourself heard in a complex mix. \/ charge. \u003cbr\u003eThe icing on the cake, Flight Time is equipped with a BPM Analyzer. So what is it? Well if you're not perfectly in place when you play in a group, this one will vary the BPM on the fly and automatically correct your small differences ;) Nice!\u003cbr\u003e\u003cbr\u003e In conclusion, the Free The Tone Flight Time 2 is an elite timeframe. It does one type of delay, but it does it perfectly. If you are looking for an enveloping and complex \"studio\" type delay, this is THE reference delay in pedal format. Version 2 brings a Midi Out, a Line and Instrument Level switch, a 9V voltage and a slightly reworked circuit to make it, definitively, one of the best references on the market. A must!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485482500143,"sku":"","price":419.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_FlightTimeFT-2Y_001.jpg?v=1592335341"},{"product_id":"free-the-tone-ambi-space-as-1r","title":"Ambi Space AS-1R - Digital Reverb","description":"The 3rd MIDI pedal in the range, the long-awaited Ambi Space is a digital reverb incorporating a good part of the bases of the development of the excellent Flight Time! On the program, an ultra-complete Reverb that shakes up the Eventide, Strymon and others...\u003cbr\u003e Externally the pedal adopts the same type of casing as the Tri Avatar and Flight Time, namely, a very light casing and pleasant to the touch, with an anodized finish and a bronze color dress. It does it! It is also manufactured, exceptionally, in Iwate prefecture and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. We will appreciate the gesture! \u003cbr\u003eOn the front, there is a design which in fact proves to be of formidable ergonomics and simplicity. Finally, let's remember, it's a Free The Tone, which means a completely original circuit developed from A to Z by the brand. No, it's not yet another lambda Reverb, a very serious reference, as always with the Japanese brand.\u003cbr\u003e \u003cbr\u003eAt the grip, we therefore have 2 footswitches; one to activate the effect, the other to switch between MIDI presets. You can therefore store up to 4 presets within the Ambi Space. This will satisfy 99.99% of guitarists! The pedal is therefore controllable with an external MIDI controller. On the left, there is a rotary knob that allows you to navigate between the 6 Reverb modes available. A MIX knob adjusts the depth and density of the effect. The Tone acts like an EQ on the effect, allowing you to tune the effect response very precisely. This always in a very musical way (Free The Tone requires). Finally, the Decay adjusts the length of the reverb and the pre-delay its delay time. Ambi Space can be used in Manual or Preset mode. In preset mode, you can modify the parameters of an already saved preset. In Manual mode, you can create a preset from A to Z and choose the destination location. On the rear panel, the usual stereo In and Out, the possibility to adjust the level of the pedal (instr. or line) and to activate the KillDry and finally, a MIDI In. \u003cbr\u003e\u003cbr\u003eConnected to a very nice clean channel, with a stratocaster in hand, we attack with the different modes available,\u003cbr\u003e\u003cbr\u003e - Spring: This emulates, as its name suggests, a spring reverb. This mode is extremely realistic, the Ambi Space delivering an extremely detailed and never caricatural Spring, even with advanced settings.\u003cbr\u003e - Plate: One of the most impressive modes. The Ambi Space gives us a metallic reverb that's just right, without being too stiff or cold. La Plate benefits from a very beautiful all-natural diffusion without being too typical. It will therefore be ideal for those looking for great versatility.\u003cbr\u003e - Room: One of our favorite modes. A very realistic spatialization and a superb rendering, in particular thanks to its perfect integration of the Tone knob which will allow it to be sculpted in detail. \u003cbr\u003e- Hall: A magnificent reverb for those looking for more depth and a more 80's side. It will be perfect accompanied by a modulation. Its \"build up\" is a model of naturalness and its complexity a must of its kind.\u003cbr\u003e - Cave \u0026amp; Serene: These two modes are aimed at fans of ambient, electro and other complex pads. Here, no \"hovering\" Reverb strictly speaking, but two harmonically very rich modes, which base their rendering on multiple lines of delays and rhythmic patterns placed in parallel, which gives very interesting \"cascading\" effects for more adventurous and creative among you.\u003cbr\u003e \u003cbr\u003eAs always with Free The Tone, the transparency and naturalness of the pedal are impressive. The controls are very progressive and not caricatural. The Ambi Space does not give in excess but in efficiency and ease of use. Here, no drawer sub-menus, but an extremely easy-to-use reverb with formidable efficiency. It allows you to combine the best of both worlds by keeping your analog signal intact, this one being processed by a mixer in parallel.\u003cbr\u003e\u003cbr\u003e In summary, the new Free The Tone Ambi-Space is an absolute success. Yukihiro Hayashi hits the mark, as always. The Ambi Space will be the Reverb for those looking for power, flexibility (4 presets) and \"plug 'n play\" access, even for those allergic to digital and other too many buttons. An obvious alternative, ultra-qualitative, compared to other big bikes available on the market.","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485499473967,"sku":"","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_AmbiSpaceAS-1R_001.jpg?v=1592334999"},{"product_id":"free-the-tone-tri-avatar-ta-2h","title":"Tri-Avatar TA-2H - Multi-Dimensional Chorus","description":"Yuki Hayashi continues on his merry way by offering us the Chorus Tri-Avatar on the occasion of the Winter NAMM Show 2016. You think you know everything about choruses, you think you've heard everything? Well, think again! The Tri-Avatar pushes the limits of musicality a little further and manages to surprise us! Externally the pedal adopts the same type of casing as the rest of the range, anodized, light, with a bluish dress of any beauuuteeeyyeu. It is also manufactured, exceptionally, in the north of Japan and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. We will appreciate the gesture! \u003cbr\u003eOn the front, there are screens that may seem \"busy\", but which in fact turn out to be of formidable ergonomics and simplicity :) Finally, let's remember, it's a Free The Tone, which means a completely original circuit developed from A to Z by the brand. It's not a Tri-Chorus, it's not a TCF or a CE-2, it's the Tri-Avatar and believe us, it's going to beat more than one of our \"good old \" references.\u003cbr\u003e \u003cbr\u003eLet's take a quick tour of the owner. 2 footswitches; one to activate the effect, the other to switch between MIDI presets. You can therefore store up to 4 presets within the Tri-Avatar. This will satisfy 99.99% of guitarists!. The pedal is therefore controllable with an external MIDI controller. There is a Level to adjust the overall output level of the pedal, a MIX button that allows you to adjust the amount of effect relative to the dry signal (which remains 100% analog). This MIX button will be very useful when the pedal is used in a parallel loop. 3 Depth buttons (left, center, right) allow you to adjust the depth of the effect and have separate control over the 3 phases. There is of course a Speed ​​control to adjust the speed of the effect. And finally, a Hi-Cut button which will more or less soften the top of the spectrum which will be ideal for going from a round and warm chorus to a much more 80's \/ bright effect. The Tri-Avatar can be used in Manual or Preset mode. In preset mode, you can modify the parameters of an already saved preset. In Manual mode, you can create a preset from A to Z and choose the destination location. \u003cbr\u003eOn the rear panel, the usual stereo In and Out, an input for an expression pedal that will control the Rate and Hi-Cut functions on the fly and finally, a MIDI In.\u003cbr\u003e \u003cbr\u003eAs for the sound, let me tell you right away, the Free The Tone Tri-Avatar is already impressive in Mono, but it's nothing compared to Stereo use thanks to which it reveals all its qualities and, above all , the interest of having the 3 depth settings. Indeed, the Left leaves on the left output, the second phase (central) sends on left and right and the Right leaves on the right output. We therefore obtain a chorus with a depth and spatialization totally out of the ordinary. The Tri-Avatar TA-2H is ultra rich, precise, never messy in the low end, it retains all the attack and dynamics without tunneling or crushing your original sound. It's \"lush\", extremely dense and detailed. Having a Mix knob and a Hi-Cut allows you to really sculpt your sound down to the smallest detail and obtain a wide range of nuances. Whether you are looking for a subtle, very light and discreet Chorus, or a big, slamming and deep 80's Chorus, the Tri-Avatar can do it without any problem. During our tests, we compared it to references of its kind (BOSS CE-1 and CE-2, Jacques, Arion, etc.), none could stand the comparison as the Tri-Avatar crushes them in terms of diffusion, dynamics and above all, silence of use. Indeed, the Tri-Avatar is absolutely \"dead silent\" and absolutely transparent compared to other models. We can therefore note the care given to the power supply stage. As always with Free The Tone, the devil is in the details and these make the difference. \u003cbr\u003eWe also spent a lot of time testing the pedal on big lead sounds. It stacks perfectly, bringing just enough pitch to reproduce the best lead sounds like Landau, Lukather, Tim Pierce and others. This is once again where we see the difference with the competition, the Tri-Avatar maintaining an unparalleled attack and dynamics, and a ridiculously low noise level.\u003cbr\u003e \u003cbr\u003eIn summary, the Free The Tone Tri-Avatar benefits from a HUGE spatialization and a truly impressive 3D rendering as shown in our video below. It's one of the richest choruses on the market (racks and pedals included) and we were truly amazed by its extreme musicality. As always with Free The Tone, the settings are ultra efficient, musical and well thought out. If we add to that the HTS system and the MIDI presets that you can save, we get an impressive Chorus that will make everyone agree. Don't miss our \"stereo jack\" video below to judge the pedal before you spend your pennies! You won't be disappointed for sure! :)","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485516185647,"sku":"","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_Tri-AvatarChorusTA-2H_001_1268abf6-1a68-4b02-8b6e-8767386b0b9f.jpg?v=1641292731"},{"product_id":"free-the-tone-programmable-analog-10-band-eq-pa-1qg","title":"Programmable Analog 10 Band EQ PA-1QG","description":"Announced at the NAMM Show 2018, the Programmable Analog 10 Band EQ is Yuki Hayashi's new \"performance\". For decades, effects manufacturers have almost systematically provided us with EQs in pedal format with audiofile qualities... Often very questionable! And limited functions. Well dear guitarist friends, that period is over! Free The Tone offers us a high-end EQ with the PA-1QG! \u003cbr\u003eExternally the pedal adopts the same type of casing as the rest of the range, anodized, light, with a pearl white dress of any beauuuteeeyyeu. It is also manufactured, exceptionally, in the north of Japan and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. We will appreciate the gesture!\u003cbr\u003e On the front, there is a design that reveals formidable ergonomics and simplicity. Finally, let's remember, it's a Free The Tone, which means a completely original circuit developed from A to Z by the brand. No, it's not yet another lambda EQ, but a very serious reference, as always with the Japanese brand.\u003cbr\u003e \u003cbr\u003eQuick overview. 2 footswitches; one to activate the effect, the other to switch from one MIDI preset to another and up to 99. You can therefore access 4 presets within the PA-1QG, this, on the fly. This will satisfy 99.99% of guitarists!. The pedal is therefore controllable with an external MIDI controller. At the interface level, almost everything is done with the Parameter button which allows you to adjust the frequencies and the overall level of the effect, as well as to scroll through the presets. We will go from one frequency range to another with two small arrows and... That's almost all! Simple and efficient. On the rear panel, the usual In and Out audios and Midi as well as an instrument level \/ line level switch.\u003cbr\u003e \u003cbr\u003eGuitar under the fingers, as much to tell you right away, forget what you have known (MXR, Empress...) here we are on ultra-optimized. Above all else, the first major optimization is the signal-to-noise ratio. The Prog. Analog 10 Band EQ works in absolute silence and it is very significant, even with advanced settings. Second important point, it is transparent and impressively natural! Each note is like \"coated\" with a skilful mix of thickness, increased dynamics and excessive complexity in the treble. What does the PA-1QG do? It boosts and magnifies your signal at all levels, with a rare musicality and quality similar to the professional EQs found in racks in the heart of professional studios. Where many products of the genre do more damage than they correct things, the Free The Tone proves to be a tool for sculpting your sound, extremely precise and quickly essential. Oh... Important detail, the PA-1QG is so natural and transparent that it can act as a clean boost, volume pedal (long live MIDI), buffer (it is equipped with the HTS circuit, the brand's high quality buffer) and can be used both in the effects loop and on the front of the amp. \u003cbr\u003e\u003cbr\u003eThe Free The Tone Programmable Analog 10 Band EQ is, at the time of writing, surely the best pedal format EQ available on the market. Best for its on-board functions, its ease of use, its extreme musicality and all the services it will provide to the demanding musicians that we are! Note, there is also a Low version, just ask us! ;) A must of its kind.","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485521428527,"sku":"","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_ProgrammableAnalog10BandEQPA-1QG_001.jpg?v=1592335462"},{"product_id":"free-the-tone-string-slinger-ss-1v","title":"String Slinger SS-1V - Overdrive","description":"It took two years of intensive development to see the birth of the new range of effects from the very serious Japanese brand. The Integrated series, is entirely designed and manufactured by the Custom Shop, based in Yokohama. The String Slinger SS-1V is a very high-end pedal equipped with the best and most reliable components on the market. Here, production was not taken into account with a cost price in mind, but with a need for a goal to be achieved. \u003cbr\u003eThe Free The Tone String Slinger adopts a new case specific to the Integrated range. Extremely well finished, painted in the cabin, with an irreproachable finish and ultra easy access to the battery. Appreciable thing, it will be noted that the food was placed on the top. The pedal has a sober and classy aesthetic. And believe us, it's as pretty on the outside as it is on the inside! Very high-end PCB, sorted components, perfect welds... It's beautiful, a real exercise in style. In terms of controls, very classic. Level, Tone, Drive and that's it!\u003cbr\u003e \u003cbr\u003eStatocaster and 339 in hand, we stack it on a Two-Rock Studio Pro 35. To get all the quintessence of the String Slinger, you need a suitable amp. Namely, a clean channel with plenty of headroom, because the pedal will exploit this reserve of \"complexity\" at 100%. With the Integrated series, Free The Tone simply wants to recreate the naturalness, dynamics and compression of a real tube amp. The goal is to replace a second channel. On a clean channel, your lead channel is the String Slinger! Pedal engaged, the first thing you notice is the ultra transparency of the SS-1V. Gain at 09:00, tone at 12:00 and Level at 11:00, you have the equivalent of a clean boost, except that the clean boost adds dynamics and volume; the SS-1V adds dynamics, compression, volume and above all, and that's all the difference, it thickens and thins your sound. With this configuration you therefore have a very dense \"big\" clean with a slight break-up, more lows, more mids, more binder, without ever modifying the original character of your clean. \u003cbr\u003eBy slightly lowering the Level, with the Tone at 2:00 p.m. and the Drive at 1:00 p.m., you get a drive that symbolizes the very concept of the String Slinger, namely, a Philipp Sayce-style overdrive, punchy, nasty, with a soft attack at the bottom and slightly pinched at the top of the spectrum, all with an ultra-fast response. The dynamics are huge, it's tight, it slaps and you are challenged to tell the difference with a very good crunch channel in the blind test;) Fan of SRV, Sayce, Patlansky and other angry bluesmen playing on Strat is for you! With the gain at the bottom, we fall back on this typical grain of a Black Face pushed to burne, with a slightly extended gain range for even more versatility.\u003cbr\u003e \u003cbr\u003eWhat to say? The Free The Tone String Slinger is a big slap in the face of the competition. The pedal is ultra well made, sounds wonderful, with an impressive signal to noise ratio. If you are a Strato player at heart and you like the artists mentioned above, the SS-1V will be a must. The String Slinger is certainly also premium priced, but it deserves every penny spent!\u003cbr\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485717086255,"sku":"","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_StringSlingerOverdrive_001.jpg?v=1592335499"},{"product_id":"free-the-tone-fire-mist-fm-1v","title":"Fire Mist FM-1V - Distortion","description":"It took two years of intensive development to see the birth of the new range of effects from the very serious Japanese brand. The Integrated series, is entirely designed and manufactured by the Custom Shop, based in Yokohama. The Fire Mist FM-1V is a very high-end pedal equipped with the best and most reliable components on the market. Here, production was not taken into account with a cost price in mind, but with a need for a goal to be achieved. \u003cbr\u003eThe Free The Tone Fire Mist adopts a new case specific to the Integrated range. Extremely well finished, painted in the cabin, with an irreproachable finish and ultra easy access to the battery. Appreciable thing, it will be noted that the food was placed on the top. The pedal has a sober and classy aesthetic. And believe us, it's as pretty on the outside as it is on the inside! Very high-end PCB, sorted components, perfect welds... It's beautiful, a real exercise in style. In terms of controls, very classic. Level, Tone, Drive and that's it!\u003cbr\u003e \u003cbr\u003eThe Fire Mist is a rather high gain OD\/distortion (without going to extremes) and primarily designed to work in conjunction with humbuckers (although it works well on single coil as well). We stack that on a Two-Rock Studio Pro 35. To get all the quintessence of the Fire Mist, you need a suitable amp. Namely, a clean channel with plenty of headroom, because the pedal will exploit this reserve of \"complexity\" at 100%. With the Integrated series, Free The Tone simply wants to recreate the naturalness, dynamics and compression of a real tube amp. The goal is to replace a second channel. On a clean channel, your lead channel is the Fire Mist! Pedal engaged, the first thing you notice is the ultra transparency of the FM-1V. Gain at 10:00, tone at 12:00 and Level at 11:00, you have a big ACDC-style crunch with a thick drive and bite (the Tone knob being ultra-responsive and bringing presence but also a little gain and extra edge when pushed). The pedal is reminiscent of old Plexi sounds and Late 70's \/ Early 80's sounds. \u003cbr\u003eBy slightly lowering the Level, with the Tone at 2:00 p.m. and the Drive at 2:00 p.m., you get a drive that symbolizes the very concept of the Fire Mist, namely, a distortion à la Van Halen, Gary Moore. Very rich in harmonics, complex, which can be both dark and sharper (thanks again to the superb Tone equalization) and with a tone of sustain. It's really stunning, the dynamics are enormous, the pedal reacts very subtly to the slightest change in attack and it can be totally controlled via the guitar's volume knob as it thins out to perfection. Pushed to the limit, we get a fluid distortion, with a loaded lower midrange and an extremely detailed and rich upper end of the spectrum. The pedal compresses a little more but never excessively. At no time do you feel like you're playing a pedal, but a real amp channel. It's simple, there are amp channels that don't have the same dynamics and quick response. A good Les Paul in hand, and you get the epitome of Fire Mist and the best Marshall-like sounds. \u003cbr\u003e\u003cbr\u003eWhat to say? The Free The Tone Fire Mist is a big slap in the face of the competition. The pedal is ultra well made, sounds wonderful, with an impressive signal to noise ratio. If you like double microphones, and you are a fan of the artists mentioned above, the FM-1V will be a must. The Free The Tone Fire Mist is, of course, at an equally high-end price, but it deserves every penny spent!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485735436335,"sku":"","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_FireMistOverdrive_001.jpg?v=1592335230"},{"product_id":"free-the-tone-black-vehicle-bv-1v","title":"Black Vehicle BV-1V - Bass Overdrive","description":"\u003cp\u003eIt took two years of intensive development to see the birth of the new range of effects from the very serious Japanese brand. The Integrated series, is entirely designed and manufactured by the Custom Shop, based in Yokohama. The Black Vehicle BV-1V is a very high-end pedal equipped with the best and most reliable components on the market. Here, production was not taken into account with a cost price in mind, but with a need for a goal to be achieved.\u003cbr\u003e The Free The Tone Black Vehicle adopts a new box specific to the Integrated range. Extremely well finished, painted in the cabin, with an irreproachable finish and ultra easy access to the battery. Appreciable thing, it will be noted that the food was placed on the top. The pedal has a sober and classy aesthetic. And believe us, it's as pretty on the outside as it is on the inside! Very high-end PCB, sorted components, perfect welds... It's beautiful, a real exercise in style.\u003cbr\u003e \u003cbr\u003eIn terms of controls: Level, Mix, Bass, Treble, Gain and pre-boost \/ post-boost. These controls have very specific modes of operation with a unique interaction between the EQ section and the Mix control. Indeed, Bass and Treble only impact the effected signal, the Mix allowing to measure the quantity of dry signal and wet signal. This helps minimize phase errors and prevents the sound from being drowned out when the amount of gain is large. Clear contours and first-rate dynamics are retained. The “Pre Boost” controls the amount of signal sent to the Overdrive section and the “Post Boost” adjusts the output level. These controls allow you, for example, to only increase the volume without changing the character of your sound, increase the amount of distortion without changing the volume, etc... You have great flexibility in the settings. Note, the pedal is equipped with the latest HTS buffer (Holistic Tonal Solution) which allows you to keep all of your signal and not degrade it even with long cable lengths.\u003c\/p\u003e\n\n \u003cp\u003eThe Black Vehicle is an ultra versatile Overdrive - Distortion. It covers a maximum of styles without having to add other pedals. If you have a fuzz on top of that, that's all you need! \u003cbr\u003eThe first thing you notice once plugged in is the very low noise it generates even with high gain settings. The second thing is an immediately identifiable \"amp like\" side from the first notes. It's fat, very thick, very fluid, it doesn't sound \"pedal\" but clearly like a tube pre-amp. You've got all the dynamics and responsiveness of a real amp at your toes. Likewise, the Black Vehicle cleans very well at the volume knob, so you can sculpt it with your bass controls without having to tweak the controls. pedal settings. It gives you a whole range of sounds, from light overdrive to very dense fat drive with huge sustain. This drive is very complex, with lots of headroom and an extremely rich top end. It's sparkly, it slaps, the dynamics of your bass is not impacted thanks to the very effective EQ section and Mix control. The 2 boosts are incredibly effective. If you have a small rig and only need to bring a single drive pedal, the Black Vehicle will create a comfort zone in any circumstance.\u003c\/p\u003e\n\n \u003cp\u003eWith the Black Vehicle BV-1V Bass Overdrive, Free The Tone offers us a real Swiss army knife of insolent quality. As always with the Japanese brand, nothing has been left to chance, everything is precise and designed to offer you the best of its kind. A benchmark of its kind!\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31489045692463,"sku":"","price":359.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_BassOverdrive_001.jpg?v=1592335117"},{"product_id":"free-the-tone-mc-3-midi-controller","title":"MC-3 - MIDI Controller","description":"The Free The Tone MC-3 is a lightweight and extremely small MIDI controller that will allow you to simplify the management of your MIDI effects on your pedalboard. Made from top-notch materials and components and 100% in Japan, the MC-3 sports the same black anodized finish as the other products in the routing range (ARC-3, ARC-53, etc...). Ultra light, extremely well finished and benefiting from many functions, it will make life easier for all owners of pedals integrating MIDI functions such as Strymon, Eventide, TC Electronic and others...\u003cbr\u003e \u003cbr\u003eIndeed, with the MC-3, you can create presets, send program and control changes (through two different modes of use) and automate access to presets from all your pedals and other MIDI devices. In addition, associated with Free The Tone hardware, it allows you to extend the possibilities of interaction with them: Remote switching for the ARC-3, remote Tap Tempo for the Flight Time, etc...\u003cbr\u003e\u003cbr\u003e Indispensable for all owners of MIDI pedals who do not want to bother with a huge control pedalboard.\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e Terminal: MIDI OUT (DIN 5-pin connector)\u003cbr\u003e Power supply: 9 V battery (006P) or AC adapter\u003cbr\u003e Consumption current: max. 25mA \/9VDC\u003cbr\u003e Dimensions (W x D x H, incl. protuberances such as footswitches): 120 x 95.7 x 54.1 mm (4.72 x 3.77 x 2.13 inches)\u003cbr\u003e Weight (excl. battery): approx. 315g (0.69 lbs)","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31489058930735,"sku":"","price":235.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/GuitarsRebellion_Comingsoonpedale-1_01ca2b28-492f-433d-ab02-c021018ea8f9.jpg?v=1592223601"},{"product_id":"free-the-tone-arc-4","title":"ARC-4 Audio Routing Controller","description":"\u003cp\u003eIn Japan, controllers designed specifically for pedals have been around for over 25 years. Yukihiro Hayashi was the forerunner in the field by developing the Providence PEC-1 many years ago, then its updated version integrating MIDI support (PEC-2) and a more compact version called PEC-04. It was in 2013 that Yuki, after founding his own brand, launched his latest high-end audio MIDI controller, completely redesigned and improved. This is called the ARC-3. \u003cspan\u003eSuccessor of the excellent ARC-3, the ARC-4 takes up the basics while maintaining its status as the flagship of the Japanese brand\u003c\/span\u003e and now benefits from its latest technical innovations as well as a revised and corrected interface while integrating many new features.\u003cbr\u003e \u003cbr\u003eDeveloped over the past few years, the ARC-4 is the ideal control interface for professional guitarists and bassists, having been proven for over 100 hours live on the biggest Japanese stages (Tokyo Budokan, Tokyo Dome, Yokohama Arena etc...) and the biggest recording studios. The most important Japanese groups use it: Luna Sea, L'Arc-En-Ciel, One Ok Rock, Aimer, Tube, Mr. Children, Gazette and many others. All the difference is there, as always with Free The Tone, the biggest Japanese groups and professionals in the sector have a role in the development of the brand's products. The ARC-4 is designed for musicians first and foremost, so it benefits from an extremely clear, intuitive interface and a \"bulletproof\" design.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eFor this version 4, all functions have been improved. Now each bank and preset can be named. A Setlist mode has been added to allow you to combine banks with setlists at will. Support for a MIDI clock and bank select function is also added. You can easily synchronize the ARC-4 with external sequencer software. In addition, the ARC-4 offers you many practical features such as Stereo Loops, Boost, Phase Invert, etc... Everything you need for gigs or recording.\u003c\/p\u003e\n\n\u003cp\u003e What makes the difference between the Free The Tone ARC-4 and all other switchers of its kind?\u003c\/p\u003e\n\n \u003cp\u003eTransparency - The ARC-4 is the nerve center of your system, it must offer zero coloration, zero loss of dynamics and absolutely no modification of your original sound. The only thing it should do is allow your effects to sound their best without any degradation. It does, with the greatest transparency and best buffer of its kind on the market.\u003cbr\u003e Reliability - Every piece of PCB, every switch, every section that makes up the ARC-4 is replaceable without any tools, except a screwdriver to open the case, in less than a few seconds. This unique design allows the ARC-4 to be the most reliable and best-engineered machine available today. \u003cbr\u003eEase of use - A paramount thing for all guitar tech and users on the planet. The programming is extremely simple and the maintenance is a model of its kind. The foot-switches are stepped and spaced 80mm apart for optimal use. The number of sub-menus has been reduced to a strict minimum and the interface has been designed to have as many direct accesses as possible and to be able to edit presets very quickly.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e The specifications are exhaustive:\u003cbr\u003e - Entirely made in Yokohama, Japan\u003cbr\u003e - Quality of Military Grade components, minimum tolerance thresholds\u003cbr\u003e - Aluminum frame, screen and circuit insulated (water, humidity etc...)\u003cbr\u003e - Simplified repair and maintenance thanks to an intelligent design\u003cbr\u003e - Clear and logical interface, control panel grouping access to all the different functions for quick and intuitive use\u003cbr\u003e - Master \/ Slave function via Link cable to be able to combine two ARC-3s (one on stage, the other backstage) \u003cbr\u003e- Mute function (can be assigned to different locations in the audio chain) that can be controlled remotely\u003cbr\u003e - Advanced MIDI functions (copy, swap, PC, CC...)\u003cbr\u003e - Ultra transparent HTS buffer and phase inversion\u003cbr\u003e - Number of effect loops: 8 [Serial loops: 7 (mono loops: 5 \/ stereo loops: 2), independent loop: 1]\u003cbr\u003e - Number of presets: 200 banks x 10 presets. A total of 2000 accessible presets.\u003cbr\u003e - Additional (remote) controls: 4 (latch or momentary)\u003cbr\u003e - Input impedance: 1 MΩ (HTS-IN)\u003cbr\u003e - Output load impedance: min. 10kΩ (HTS-OUT \/ OUT-A \/ OUT-B)\u003cbr\u003e - Boost: 0 to +14dB\u003cbr\u003e - Mains adapter: 12VDC\u003cbr\u003e - Consumption: approx. 750mA\u003cbr\u003e - Dimensions: 38.6 cm (W) x 15.2 cm (D) x 8.15 cm (H all inclusive)\u003cbr\u003e - Weight: 2.1 kg (without accessories)\u003c\/p\u003e\n\n \u003cp\u003eThe ARC-4 will be the centerpiece of your system and will centralize \/ automate your configuration. The possibilities for interaction and connection are exhaustive, so the ARC-4 will be an indispensable tool for all guitarists with an advanced audio system. To top it off, the ARC is one of the most compact machines on the market. Tested and approved on some of the biggest stages in the world. THE benchmark of its kind.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31504097902639,"sku":"","price":999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_ARC-4AudioRoutingController_001.jpg?v=1593707696"},{"product_id":"free-the-tone-arc-53m","title":"ARC-53M Audio Routing Controller","description":"In Japan, controllers designed specifically for pedals have been around for over 15 years. Yukihiro Hayashi was the forerunner in the field by developing the Providence PEC-1 many years ago, then its updated version integrating MIDI support (PEC-2) and a more compact version called PEC-04. It was in 2013 that Yuki launched its latest high-end audio MIDI controller, completely redesigned and improved. Little brother of the ARC-3, the ARC-53M takes up the main lines and most of the functions, while adopting an ultra-compact format. The Free the Tone ARC-53M benefits from the brand's latest technical innovations, as well as a revised and corrected interface that incorporates many new features.\u003cbr\u003e \u003cbr\u003eDeveloped over the past two years, the ARC-53 is the ideal control interface for professional guitarists and bassists, having been proven for 100 hours live on the biggest Japanese stages (Tokyo Budokan, Tokyo Dome, Yokohama Arena etc...) and in the biggest recording studios. All the difference is there, as always with Free The Tone, the biggest Japanese groups and professionals in the sector have a role in the development of the brand's products. The ARC-53M, nomadic version of the ARC-3, is designed for musicians first and foremost, so it benefits from an extremely clear, intuitive interface and a \"bulletproof\" design. ;)\u003cbr\u003e\u003cbr\u003e - Entirely made in Yokohama, Japan\u003cbr\u003e - Quality of Military Grade components, minimum tolerance thresholds\u003cbr\u003e - Aluminum chassis, insulated screen and circuit (water, humidity etc...)\u003cbr\u003e - Angled panel for more comfort. Great sturdiness and maximum visibility \u003cbr\u003e- Simplified repair and maintenance thanks to an intelligent design\u003cbr\u003e - Clear and logical interface, control panel grouping access to all the different functions for quick and intuitive use\u003cbr\u003e - 5 loops including 1 independent that can be routed to the desired location in the audio chain\u003cbr\u003e - HTS Buffer\/Driver\u003cbr\u003e - Preset \/ Bank or Direct mode (activation of loops on the fly) in one click\u003cbr\u003e - Mute function\u003cbr\u003e - Advanced MIDI functions (copy, swap, PC, CC...)\u003cbr\u003e - 200 accessible presets\u003cbr\u003e - Isolated tuner\u003cbr\u003e - Silent foot-switches. Space of 7 cm between each switch for optimal comfort of use.\u003cbr\u003e - Latch \/ Momentary functions to switch amp channels, effects loops, etc...\u003cbr\u003e \u003cbr\u003eOnce plugged in, the ARC-53M benefits from the same \"professional\" processing quality as the ARC-3. It is therefore extremely transparent. The operating silence is a model of its kind and the responsiveness of the system is simply uncriticable. This will be the centerpiece of your configuration and will centralize \/ automate all your equipment. The possibilities of interaction and connection are simple but exhaustive, the ARC-53M will therefore be an essential tool for all guitarists wishing to benefit from advanced control over effects, without weighing down their pedalboard. To avoid spoiling anything and \"with equivalent functions\", the ARC-53M is the most compact switcher on the market.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e Input Impedance: 1 MΩ (HTS-IN)\u003cbr\u003e Output Impedance: Less than 200Ω\u003cbr\u003e Power Supply: Dedicated AC adapter - For Europe: FA-1220D-EU\u003cbr\u003e Power Consumption: 12VDC, approx. 400mA (Max.) \u003cbr\u003eDimensions: 330 x 60.5 x 92.5 mm, 12.99 x 2.38 x 3.64 inches (incl. protuberances such as footswitches, jacks, etc.)\u003cbr\u003e Weight (excl. AC adapter): approx. 1.1kg (38.8oz)","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31504102621231,"sku":"","price":599.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeeTheTone_ARC-53MBlack_001.jpg?v=1617283815"},{"product_id":"free-the-tone-junction-box-jb-41s","title":"Junction Box JB-41S","description":"Junction box allowing you to organize your pedalboard as well as possible, to expand the available connections and to centralize it. The JB-41 has 4 inputs \/ outputs and a MIDI Thru. A totally essential tool for those who have an advanced pedalboard \/ system (stereo, effects loops etc...)\u003cbr\u003e Attention, the JB-41 is made entirely by hand, to order and in extremely limited quantities. To book in advance!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31504104292399,"sku":"","price":159.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/GuitarsRebellion_Comingsoonpedale-1_f53d5c49-c46a-499e-90be-c60211664b0e.jpg?v=1592223575"},{"product_id":"free-the-tone-junction-box-jb-82s","title":"Junction Box JB-82S","description":"Junction box allowing you to organize your pedalboard as well as possible, to expand the available connections and to centralize it. The JB-82 has 8 inputs \/ outputs and a MIDI Thru. A totally essential tool for those who have an advanced pedalboard \/ system (stereo, effects loops etc...)\u003cbr\u003e Attention, the JB-82 is made entirely by hand, to order and in extremely limited quantities. To book in advance!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31504106029103,"sku":"","price":189.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/GuitarsRebellion_Comingsoonpedale-1_22045fdc-e2bd-401f-a834-14e2d6cd376d.jpg?v=1592223589"},{"product_id":"free-the-tone-sl-4","title":"SL-4 | Plug Jack Solderless Ultra-Compact","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSOLD INDIVIDUALLY\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003eWith only 5mm of footprint when plugged in, the SL-4 is one of the most compact solderless plugs on the market. Its main innovation over the SL-8: the tip and the core wire connection pin are now integrated into a single piece, for more direct signal transmission. Assembly is simple and fast. The CU-416 cable is inserted directly inside the plug, with a tip piercing its center to establish the electrical connection. An adjustable screw then partially penetrates the cable sheath to ensure grounding and mechanical retention. This is the exact point that sets the SL-4 apart from generic solderless systems: pull-out resistance is unmatched. The cap is replaceable and available in 6 colors via the SLC-4A series, ideal for visually coding inputs, outputs, and effect loops. The SL-4 comes in straight (SL-4S) and L-angle (SL-4L) configurations, each available in nickel (NI) or gold (GD) finish. The paired cable, the CU-416, is 4mm in diameter, features shape memory, and can be cut to any desired length with standard wire cutters. It also supports DC power from 9V to 24V.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CU-416 is the cable of neutrality and precision. Its sonic character is natural and balanced: present and detailed mids, tight and dynamic bass. The solderless construction ensures total consistency from one cable to the next, without the inevitable variations of hand-soldered connections. It is the thinnest cable in the Free The Tone lineup, the ideal choice for compact pedalboards where every centimeter counts. The CU-416 is also backward compatible with the older SL-8 plugs, making a gradual migration to the new series straightforward.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe SL-4 combined with the CU-416 is aimed at guitarists who want a precisely organized pedalboard with zero compromise on signal quality. It is the go-to solderless system for compact setups. For a reinforced frequency range in the lower end of the spectrum or increased solidity for use without a fixed pedalboard, the SL-5 series paired with the CU-5050 cable is the alternative to consider.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Straight","offer_id":31511318102063,"sku":"","price":9.9,"currency_code":"EUR","in_stock":true},{"title":"L-shaped","offer_id":31511318134831,"sku":"","price":9.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_SL-4SolderlessPlug_001.jpg?v=1593791123"},{"product_id":"free-the-tone-cu-416","title":"CU-416 | Solderless Cable for Audio \u0026 DC Pedalboard Wiring","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CU-416 is the cable at the heart of Free The Tone's solderless system. It is the common cable across both plug families: the SL-4 audio plugs for connections between pedals, and the SL-21DCL DC plugs for power supply connections. One cable, two uses, one standard of quality. Made in Japan.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt 4mm in diameter, the CU-416 is the thinnest cable in the Free The Tone lineup. It features shape memory that makes routing on a pedalboard easy, and can be cut to any desired length with standard wire cutters: no fixed lengths, no excess cable. It is the ideal choice for compact pedalboards where every centimeter counts. It is also backward compatible with the older SL-8 plugs.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eFor audio connections, the CU-416 delivers a natural and balanced sound: present and detailed mids, tight and dynamic bass. The solderless construction ensures total consistency from one cable to the next, without the inevitable variations of hand-soldered connections. For power supply connections, the CU-416 acts as a shielded DC cable: its shielding blocks external electromagnetic interference on the DC line, and its very low resistance minimizes transmission loss from the power supply to the pedals. Effects are powered without stress, with stable voltage. Compatible with DC power from 9V to 24V.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CU-416 is for guitarists who want full control over their pedalboard, from audio signal to power supply. Paired with SL-4 plugs for audio and SL-21DCL plugs for DC, it provides a complete and consistent wiring solution. For setups that require a reinforced frequency range in the lower end of the spectrum or increased solidity for use without a fixed pedalboard, the CU-5050 cable paired with SL-5 plugs is the alternative to consider.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"1.0m","offer_id":31511322394671,"sku":"","price":7.0,"currency_code":"EUR","in_stock":true},{"title":"2.0m","offer_id":31511322427439,"sku":"","price":14.0,"currency_code":"EUR","in_stock":true},{"title":"3.0m","offer_id":31511322460207,"sku":"","price":21.0,"currency_code":"EUR","in_stock":true},{"title":"5.0m","offer_id":31511322492975,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"10.0m","offer_id":31511322525743,"sku":"","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_CU-416Cable.jpg?v=1593790839"},{"product_id":"free-the-tone-slc-4a","title":"SLC-4A Solderless Plug Cap (4 Pieces Pack)","description":"\u003cp\u003eThe Free The Tone SL-4 plug is an ultra-compact connector \/ plug. With a size of only 5mm, it allows you to keep a maximum of space on your pedalboard and also to reduce as much as possible the distance between the conductor and the tip of the jack by promoting an optimal contact surface. It was specially developed for the CU-416 cable. Since the Free The Tone patch cable is solderless, it is not affected by the variable quality of the solders and therefore allows high quality sound reproduction that is equivalent from one cable to another.\u003c\/p\u003e\n\n\u003cp\u003e The SLC-4A is the top of the connector. This is available in different colors and sold separately from the SL-4 connector. You can thus customize your wiring with different color codes.\u003c\/p\u003e\n\n \u003cp\u003eThe SL-4 is paired with the Free The Tone CU-416 cable. A very high-end \"patch\" cable made in Japan, which has been designed to be mounted directly without soldering. It can therefore be cut with a simple cutting pliers to the desired length to create precise wiring and organize your pedalboard in an optimal way. The CU-416 offers a very simple, fast and reliable assembly with resistance to tearing (big weak point of \"solder-less\") without equivalence. Indeed, its patented system allows you to connect the cable directly inside the plug, a tip being inserted in its center. An adjustable screw securely holds it by perforating it in part.\u003cbr\u003e For optimal installation, the CU-416 has a shape memory and is only 4mm in diameter. It can be used to wire pedalboards, racks and also serve as a DC cable (9V - 24V power supply).\u003c\/p\u003e\n\n \u003cp\u003eThe CU-416 respects all the nuances of your playing, producing a sound with rich and detailed mids as well as tight and dynamic bass.\u003c\/p\u003e\n\n\u003cp\u003e If you've always dreamed of an organized, tailor-made pedalboard, without compromising on quality, the Free The Tone CU-416 is made for you!\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Straight (4pcs) \/ Blue","offer_id":31524581834799,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Straight (4pcs) \/ Red","offer_id":31524581867567,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Straight (4pcs) \/ Green","offer_id":31524581900335,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Angle (4pcs) \/ Blue","offer_id":31524581933103,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Angle (4pcs) \/ Red","offer_id":31524581965871,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Angle (4pcs) \/ Green","offer_id":31524581998639,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_SLC-4AL.jpg?v=1593785645"},{"product_id":"free-the-tone-dvl-1h-series-direct-volume","title":"DVL-1H Series \/ Direct Volume","description":"\u003cp\u003e In the volume pedal market, competitors do not jostle, especially when it comes to high-end products. Let's be clear, it is very difficult to find a pedal that combines all the required qualities. Yes, but that was before! Before the DVL-1H! After two years of development and the design of a 100% custom chassis, Free The Tone launches its volume pedal, and the least we can say is that the Free The Tone DVL-1H is impressive!\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Entirely made in Japan, this volume pedal benefits from the best materials available and precision manufacturing. \u003cbr\u003eMost volume pedals suffer from the same recurring defects: fragility of the parts used, little transparency, not very progressive control and weaknesses relating to the construction which result in a short lifespan, particularly with intensive use.\u003cbr\u003e To solve all these problems, the brand has developed its own aluminum \/ steel frame 5 mm thick. This provides ultra rigidity and precise assembly to prevent the structure from deforming when you press on it and avoid the famous \"click\" of the case when you press too hard on it.\u003cbr\u003e The brand has also developed a reinforced and braided strap which, unlike ropes and other plastic parts, will not break over time and allows much better fluidity and progressiveness with use. \u003cbr\u003eThe custom potentiometer and \u003cspan\u003ethe\u003c\/span\u003e \u003cspan\u003eselected components\u003c\/span\u003e make it possible to sweep over the entire stroke without loss of volume and to obtain maximum transparency with impeccable linearity.\u003c\/p\u003e\n\n\u003cp\u003e The DVL-1 volume pedal is available in two versions, H (high impedance, \u003cspan\u003e500kΩ\u003c\/span\u003e ) and L (low impedance, \u003cspan\u003e50KΩ\u003c\/span\u003e ). It's a must of its kind, its price is accordingly, but it's also a pedal that won't let you down for 10 years. With this DVL-1, Free The Tone continues to do what it knows how to do: to offer products with exemplary design and reliability, cut for the stage and for demanding professionals.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31795674578991,"sku":"","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_DVL-1HSeries-DirectVolume_006.jpg?v=1586682621"},{"product_id":"free-the-tone-sl-21dcl-solderless-plug","title":"SL-21DCL | Ultra-Compact Solderless DC Jack Plug","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSOLD INDIVIDUALLY\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003eThe SL-21DCL is Free The Tone's solderless DC jack plug, developed over a long R\u0026amp;D period to deliver high usability, safety, and durability. It extends the brand's solderless approach to power supply wiring: DC cables are made to the exact desired length, without any soldering, using the same CU-416 cable as the SL audio plug series.\u003cbr\u003e\u003cbr\u003eThe SL-21DCL features a unique dual structure developed by Free The Tone that serves two functions simultaneously: keeping the retaining screw in place and ensuring electrical insulation of the connector. The cap and body are made of nonconducting plastic with a metallic look. This material choice is a safety decision: the connector can come into contact with other plugs on the pedalboard without any risk of short circuit, exactly like a standard molded plastic DC cable. Assembly follows the same principle as the SL audio plug series: the CU-416 cable is cut to the desired length with standard wire cutters, inserted into the plug, and the screw is tightened. Precise, reusable DC cables made in minutes.\u003cbr\u003e\u003cbr\u003eLike audio signal cables, DC power supply cables have a direct influence on sound. Using the CU-416 cable for power supply lines, its shielding blocks external electromagnetic interference and its very low resistance minimizes transmission loss. Effects are powered without stress, with stable voltage from the power supply to the pedal. The flexibility of the CU-416 makes routing inside compact pedalboards straightforward.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe SL-21DCL is for guitarists who want to take the solderless approach to its logical conclusion: audio wiring and DC power with the same cable, the same technology, the same level of care. It is the natural complement to the SL-4 plugs for a pedalboard fully organized in CU-416.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"L-shaped","offer_id":32406268608559,"sku":"","price":9.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/SL-21DCLSolderlessPlug_001.jpg?v=1593792900"},{"product_id":"free-the-tone-pt-3d-dc","title":"PT-3D DC","description":"When designing a professional pedalboard (we will say, quality and can be abused on a tour, all without flinching), the power supply part is often neglected by guitarists and guitar-techs. Big mistake, this one being essential so that your small (or large) family of pedals can coexist on the same board and above all, do it in the best conditions. Indeed, having a good power supply means: limiting buzzes, hiss and other parasites, gaining space by clearing multiple sockets and separate power supplies. And of course, having the best possible sound, because the quality of the current delivered directly impacts the sound reproduction of your equipment.\u003cbr\u003e \u003cbr\u003eThis is why Yukihiro Hayashi (who makes pedalboards and systems for the biggest Japanese bands) developed the PT-3D. The Free The Tone PT-3D benefits from a construction never seen before for a product of this type. Indeed Yuki has chosen to use 100% Japanese materials from aeronautics. The result? 190 grams on the scale and only 5.5 cm wide! The PT-3D is a featherweight power supply, but rest assured, that doesn't take away from its power. It has 6 regulated, stabilized and filtered outputs (to power your classic OD, boost and distortion pedals) and 2 500mA outputs to power all digital pedals on the market (Strymon, Line6, Eventide, etc.) . These outputs are fully isolated and deliver up to 1A peak. Likewise, each output is protected against short circuits and electromagnetic radiation from the power supply is non-existent.\u003cbr\u003e \u003cbr\u003eIn the end, the Free The Tone PT-3D will be a benchmark in this area for many reasons. Its extreme miniaturization and its great power allow it to be integrated on any type of pedalboard, mini or large format. Its weight and dimensions offer you the possibility of installing several power supplies on the same pedalboard without weighing it down \/ loading it. Finally, the quality of the current delivered makes your effects simply sound better and quieter. Essestial!\u003cbr\u003e Note: The PT-3D is made entirely in Japan, with exclusively Japanese components. The packaging includes the necessary DC cables.\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - 2x Stabilized isolated outputs 9VDC 500mA\u003cbr\u003e - 6x \u003cspan\u003estandard\u003c\/span\u003e low noise stabilized 9VDC 100mA outputs\u003cbr\u003e - Each output has a short circuit protection circuit\u003cbr\u003e - Dimensions (W x D x H): 120 x 55 x 35 mm\u003cbr\u003e - Weight: 190g \u003cbr\u003e- Accessories: 4 x 30cm DC power cables, 4 x 50cm DC power cables, 1 x power adapter\u003cbr\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":32473128828975,"sku":"","price":189.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_PT-3D_001.jpg?v=1595932252"},{"product_id":"free-the-tone-crunchy-chime-cc-1b-booster","title":"Crunchy Chime CC-1B - Booster","description":"An evolved and updated version of the Final Booster, the Free The Tone Crunchy Chime CC-1B is a clean boost with an EQ section that will allow you to add dynamics and complexity to your sound.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eExternally, the pedal adopts the same type of casing as the rest of the range, namely a very light and pleasant to the touch casing, with an anodized finish and a bronze-orange color. It does it! It is also manufactured, exceptionally, in Iwate prefecture and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. We will appreciate the gesture!\u003cbr data-mce-fragment=\"1\"\u003e On the front, there is a Boost button to adjust the level of the effect, a 2-band EQ (Bass, Treble) and a Mode mini-switch which allows you to extend the frequency spectrum by including very low frequencies for those who would like to use the Crunchy Chime with a 7-string guitar or bass.\u003cbr data-mce-fragment=\"1\"\u003e Finally, let's remember, it's a Free The Tone, which means a completely original circuit developed from A to Z by the brand. No, it's not yet another lambda clone, but an original creation, as always with the Japanese brand.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eYou can use the Crunchy Chime before your drive pedals, to attack your pedalboard if you want to add a \"breakup\" to your audio chain. But we rather recommend that you use it at the end of the chain to gain clarity and to be able to correct your entire chain if necessary via the very effective on-board EQ.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eConcretely, what does this booster bring you? It brings you a gain in volume, greater complexity in the sound by adding harmonic content, mainly at the top of the spectrum. It improves your dynamics and gives you faster response with clearer, more articulate notes. The majority of boosters on the market have a tendency to bring treble, tighten the low end and add too much shine to your sound. This is not the case with the Crunchy Chime, which is totally transparent and brings you harmonics, without that \"bright\" and dry side that other models of the genre can have. it doesn't distort your sound, it doesn't change it. It retains its original character while extending the frequency spectrum. \u003cbr data-mce-fragment=\"1\"\u003eSome amps, including vintage amps, don't have enough headroom to allow for a wider frequency range and more harmonic content. This results in less compatibility with some pedals. That's why Free The Tone added 2-band EQ and 1\/2 mode. With these additional controls, you can act on frequencies while maintaining a natural sound, as if you were not using EQ to make tonal adjustments or to boost\/cut a specific part of the spectrum. Everything is “flat” at 12:00 p.m. You are free to adjust as you see fit depending on how your amp reacts.\u003cbr data-mce-fragment=\"1\"\u003e Also, the Crunchy Chime embeds a premium buffer to maintain and consolidate your signal in complete transparency.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAs always with the Japanese brand, the quality is impressive. Transparency, dynamics, musicality, our friends from Yokohama are cautious and focus on the little details that make all the difference.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":40231041794095,"sku":"","price":219.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_CrunchyChimeCC-1B_001.jpg?v=1637238408"},{"product_id":"free-the-tone-silky-groove-sg-1c-compressor","title":"Silky Groove SG-1C - Compressor","description":"A revamped and updated version of the Silky Comp, the Free The Tone Silky Groove SG-1C is a high-flying compressor. it takes up the sound signature of its predecessor by offering even more features.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eExternally the pedal adopts the same type of casing as the rest of the range, namely, a very light casing and pleasant to the touch, with an anodized finish and a vanilla color dress. It does it! It is also manufactured, exceptionally, in Iwate prefecture and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. We will appreciate the gesture!\u003cbr data-mce-fragment=\"1\"\u003e On the front, there is a Level knob to adjust the output level. A Mix which allows to blend the dry signal and the compressed signal. Sustain adjusts the depth of the compression and Attack adjusts the dynamics by compensating for the tunneling effect that the compressors bring.\u003cbr data-mce-fragment=\"1\"\u003e Finally, let's remember, it's a Free The Tone, which means a completely original circuit developed from A to Z by the brand. No, it's not yet another lambda clone, but an original creation, as always with the Japanese brand.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eDuring the development of the Silky Groove, the brand paid particular attention to the way the dry signal and the compressed signal are mixed so that this balance is as natural as possible. This allows a very fast response and very dense notes. This put in parallel with the button Attack really allows to measure the dynamics of the effect where many compressors have a tendency to crush everything. This allows you to use the Silky Groove in many, many configurations. You can use it as a clean boost, limiter, compressor, sustainer and adjust the presence of the effect depending on the chosen use. This, all in finesse.\u003cbr data-mce-fragment=\"1\"\u003e The pedal also embeds the HTS system, a premium buffer to maintain and consolidate your signal without distorting your signal.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eIt's Free The Tone, the quality is impressive. Transparency, dynamics, musicality, Yuki Hayashi is cautious and focuses on the little details that make all the difference.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":40231068467247,"sku":"","price":229.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_SilkyGrooveSG-1C_001.jpg?v=1637238359"},{"product_id":"free-the-tone-red-jasper-rj-2v-overdrive","title":"Red Jasper RJ-2V Overdrive","description":"\u003cp\u003e The Free The Tone Red Jasper, a big, big reference for us for years. This superb overdrive pedal has not been available since 2018 due to lack of available components. It is with undisguised joy that we welcome this version 2 in this summer of 2022! Pedal with crazy dynamics and impressive headroom, the recipe is the same, with a few well-received little improvements.\u003c\/p\u003e\n\n \u003cp\u003eAesthetically, the pedal takes up the graphic style of the other models in the Standard Series range. A pretty aluminum case, very light and very pleasant to the touch. Inside, the Yokohama brand does not change anything as usual: it's just perfect at all levels. The pedal is entirely made in Japan and benefits from a perfect finish and the best components available. Well... It's Japanese!\u003cbr\u003e \u003cbr\u003eOn the front, very classic, a Level for the output level, a Drive for the gain and a Hi-Cut to adjust the high frequencies. Small novelty which is important: there are 2 dip-switches inside the pedal which allow you to adjust the amount of low injected into the effect. Indeed, depending on the amp or your setup, you may want to gain clarity at the bottom of the spectrum, or adjust the presence of the effect at low frequencies. This is so that the delivered drive passes optimally through the Mix. That's what these mode-switches are for.\u003c\/p\u003e\n\n \u003cp\u003eConnected to a Classic Reverb with an ES-335 ... pwaaa ... it's total hell! everything at 12 o'clock and the hi-cut deactivated, we obtain a light drive, à la Robben Ford, Larry Carlton which benefits from a ton of headroom. It sparkles, it's complex, rich, it reacts instantly. It \"grates\" slightly in the mediums when you press a little. The \"honk\" of the 335 is felt immediately. We switch to a Les Paul type guitar, raising the gain and lowering the treble slightly: We then obtain a felted, organic, very articulated drive. By stacking the boost of the brand, we obtain an ultra-convincing Gary Moore sound. It's beautiful, the \"good\" frequencies are there, it cleans the volume knob like an amp... What can I say... AGAIN?! But yes! We want more!\u003c\/p\u003e\n\n \u003cp\u003eA very nice success, a player pedal that will highlight games with nuances. If you're looking for a low-mid gain pedal that stacks up beautifully on just about anything and enhances your playing... The Free The Tone Red Jasper is your ally of choice! Cheer!\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":41166426538031,"sku":"","price":269.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_RedJasperRJ-2V_001.jpg?v=1660412397"},{"product_id":"free-the-tone-integrated-gate-ig-1n","title":"Integrated Gate IG-1N","description":"\u003cp\u003eThe Free The Tone Integrated Gate IG-1N is a \"premium\" Noise Gate, the fatal weapon for those who can't stand extraneous noise. Almost inevitable noise because generated by the pickups of your guitar, the various effects pedals (especially the distortions) and the amps which can be more or less well designed. The brand being known for its high-end products, it was out of the question to offer a Noise Gate of the same type as what some brands offer with more or less success.\u003c\/p\u003e\n\n\u003cp\u003e Aesthetically, the pedal takes up the graphic style of the other models in the Standard Series range. A pretty blue aluminum case, very light and very pleasant to the touch. Inside, the Yokohama brand does not change anything as usual: it's just perfect at all levels. The pedal is entirely made in Japan and benefits from a top finish and the best components available. Well... It's Japanese! \u003cbr\u003eOn the front, it could hardly be simpler: a single button in addition to the mode selector. The pedal has a MIDI input, it can be activated through this.\u003c\/p\u003e\n\n\u003cp\u003e You plug in the pedal, there are many possibilities: out of the guitar, after the distortion pedals... It depends on what you're looking for. The Threshold knob adjusts the level of the signal that triggers the noise gate. The mode button allows you to switch between 2 modes:\u003cbr\u003e - \u003cstrong\u003eNoise\u003c\/strong\u003e \u003cstrong\u003eReduction\u003c\/strong\u003e : When the input signal level becomes lower than the set threshold value, the noise reduction circuit starts to lower the output level and adjusts the sound attenuation gradually.\u003cbr\u003e - \u003cstrong\u003eNoise\u003c\/strong\u003e \u003cstrong\u003eGate\u003c\/strong\u003e : Mutes the input signal when its level falls below the set threshold value. \u003cbr\u003eIt is therefore a question of choosing between a progressive mode and a more radical mode when it is required (generally when you need a very high degree of attenuation).\u003cbr\u003e The great strength of the Integrated Gate IG-1N is its ultra transparency and its extremely natural attenuation. Nothing to do with a Hush or an ISP. Here, you don't lose dynamics, no treble frequencies, you don't distort your sound, don't compress it. How can it be? Well, all this little world is managed by a small CPU which constantly monitors and analyzes the input waveforms and performs high-speed control of them, in order to obtain an optimal output level based on it. This generates a natural attenuation without equivalence.\u003cbr\u003e This is what makes this pedal unique. It's simple, we haven't found a more transparent Noise Gate than the \u003cspan data-mce-fragment=\"1\"\u003eIntegrated Gate IG-1N on the market. Full stop!\u003c\/span\u003e \u003cbr\u003eAnother strong point, the pedal integrates the HTS circuit (Holistic Tonal Solution) which is a high-end buffer. Unlike conventional circuits, the HTS performs impedance conversion while extending sonic characteristics in a natural and transparent way. Even when the effect is off, the HTS circuit works. Finally, the pedal has a Lo-Z\/Hi-Z switch that allows you to adjust its impedance (this allows you to choose the most appropriate impedance depending on the instrument used).\u003cbr\u003e\u003cbr\u003e An essential tool, which has long suffered from a low quality offer. It is now well corrected and we can only tell you all the good things we think about the Free The Tone Integrated Gate IG-1N. A must have!\u003cbr\u003e\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":41168542498863,"sku":"","price":239.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_IntegratedGateIG-1N_001.jpg?v=1660465903"},{"product_id":"free-the-tone-cosmic-wave-cw-1y-multiple-filtering-delay","title":"Cosmic Wave CW-1Y Multiple Filtering Delay","description":"With already 2 high-end delay models in its line up, the Japanese brand has built a solid reputation in the field, by offering some of the best references on the market. Free The Tone offers us this time the Cosmic Wave CW-1Y, an extraordinary and almost limitless delay which, as we will see, once again demonstrates Yukihiro Hayashi's mastery in the field. The delay is really an effect which makes it possible to evaluate the seriousness and the technicality of a brand, in the same way as a reverb. What is more, when digital functions are incorporated into the development. \u003cbr data-mce-fragment=\"1\"\u003eThe Free The Tone Cosmic Wave is a complex delay that fits within a very compact chassis. It benefits from stereo inputs and outputs, a high quality buffer and extensive connectivity for connecting a footswitch, a CV type controller or an expression pedal. It also benefits from MIDI functions and recordable presets. In terms of controls, the pedal has a Tap Tempo, 2 presets immediately accessible by foot, a screen to display the parameters and 4 knobs to adjust the Mix, Feedback, Tone and time. by Delay. Each knob also allows you to modify the parameters that appear on the different pages \/ screens within a preset. Inside, it's beautiful, well designed, it doesn't blow and it's built to last!\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAs much to tell you right away, it is almost impossible to review all the possibilities offered by the Cosmic Wave. To be as concise and private as possible, the Cosmic Wave is a sort of psychedelic rather than vintage \u003ca href=\"https:\/\/www.guitarsrebellion.com\/collections\/strymon\/products\/strymon-el-capistan-v2\" target=\"_blank\" title=\"Strymon El Capistan - Guitars Rebellion\" rel=\"noopener noreferrer\"\u003eStrymon El Capistan\u003c\/a\u003e . It allows you to modify, destructure, dress your sound, as few machines can do. The secret of the Cosmic Wave are these tools to degrade and filter your signal in depth. You can assign 5 of these parameters per preset.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e In the program:\u003cbr data-mce-fragment=\"1\"\u003e - Cosmic Filter (A, B, C, D, E)\u003cbr data-mce-fragment=\"1\"\u003e - Bandpass Filter (40-18k, 50-15k, 60-12k, 60-9k, 60-2k)\u003cbr data-mce-fragment=\"1\"\u003e - 3-Band EQ (3-Band parametric)\u003cbr data-mce-fragment=\"1\"\u003e -Tone\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAs well as an additional Bit-Crusher type effect (ranging from 24 bits to 8 bits) and\/or Reverse delay. You can also adjust the Pre-Delay, the Kill-Dry and activate or not the Trail mode for each preset separately.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Plugged in, the Cosmic Wave delivers absolutely formidable delays. From the purest and crystalline, to the most unstructured and “noisy”. The possibilities are enormous and the effect takes on its full interest by pushing the feedback. This allows you to create layers, loops and restructure them on the fly. The Bit-Crusher, filters and modulations are impressively effective and allow you to be creative and always qualitative!\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFree The Tone has mastered the art of creating digital delays that sound huge and have a musicality rarely heard. It's beautiful, it's rich, it's well thought out, light years away from what some brands offer in expensive multi-effects or “overheard” 100% analog pedals. The Yokohama brand hits hard and it is once again a premium delay that it offers us.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":44053447770431,"sku":"","price":299.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_CosmicWaveMultipleFilteringDelay_001.jpg?v=1669132787"},{"product_id":"free-the-tone-overdriveland-odl-1-cs","title":"Overdriveland ODL-1-CS | Overdrive Dumble","description":"\u003cp\u003eThe Free The Tone Overdriveland ODL-1-CS is a dual overdrive pedal based on the legendary Dumble Overdrive Special amp. After more than three years of development, the design of its own components and around ten prototypes, the ODL-1 is finally here. What sets it apart from 99% of the pedals on the market claiming to replicate the legendary sound of these amps? It's simple: it's the only pedal that recreates the character and dynamics of \"one of the Dumble amps actually built\". In this case, the ODS. Why this one and not another? Because Yuki Hayashi owns three original Dumbles, which other manufacturers don't!\u003c\/p\u003e\n\u003cp\u003eSo, what is he actually saying? He's saying that 99% of the \"Dumble\" pedals on the market have nothing to do with THE Dumble sound, because there is no ONE Dumble sound, but as many sounds as there are amps, each one having been custom built. And to recreate the sound of one of them, you'd still need to have one at hand, right?\u003c\/p\u003e\n\u003cp\u003eSimply put, the Overdriveland ODL-1-CS, built in the brand's Custom Shop, is a little bomb and the only realistic and authentic option for anyone looking to make this legendary sound their own. All without spending 100,000 euros and without any marketing smoke and mirrors.\u003c\/p\u003e\n\u003cp\u003eYuki Hayashi's ambition with this pedal? An honest approach: recreating the \"drive\" of such an amp inside a pedal, with all its complexity, was impossible. So Yuki focused on what could be \"miniaturized\": the dynamics, the response, the headroom and the overall \"grain\" of the OD Special. A fan of Larry Carlton, Robben Ford, Eric Johnson, Stevie Ray Vaughan or John Mayer? To stack the odds in your favor: if you own a Two-Rock amp, you'll get even closer to the original concept.\u003c\/p\u003e\n\u003cp\u003eOn the outside, the die-cast, laser-engraved enclosure is classy and understated. The pedal features two channels: a Normal channel and a Drive channel. The Normal channel interacts with the following controls: Norm. Level, Tone, Gain and the Glass and Jazz\/Rock mini-switches. The Drive channel interacts with the following controls: Drive Level, Tone, Gain, Drive and Push, as well as the EQ \/ Glass and Jazz\/Rock mini-switches and the Hi-Cut mini-knob.\u003c\/p\u003e\n\u003cp\u003eCustom Shop build means hand-picked components, some of them made specifically for this model. The PCB is \"state of the art\" and the pedal is rock-solid reliable.\u003c\/p\u003e\n\u003cp\u003eWhat strikes you from the very first notes is the extreme dynamics and articulation of the ODL-1-CS. The Normal channel delivers the equivalent of a clean channel on steroids. Little gain, but insane dynamics, huge attack and controls of rare musicality. For fans of John Mayer, SRV and the like, it's a must, especially with nuanced pickups. The Drive channel lets you tackle Bonamassa-style playing or muscular blues-rock leads.\u003c\/p\u003e\n\u003cp\u003eLet's talk about the controls. Push adjusts the input signal by modulating the gain and adding a kind of Loudness effect, with extra low end and \"oomph\" on the attack. Combined with the power stage, it recreates the dynamics and attack of the ODS. The pedal runs at 19 V internally: you get a ton of available headroom and a very fast response. That's where all the Overdriveland magic lies: in how it handles dynamics. You can adjust it by lowering or raising the supply voltage.\u003c\/p\u003e\n\u003cp\u003eThe EQ section is devastatingly effective. The Tone is usable throughout its entire range and the mini-switches are real game-changers. You get versatility pushed to the max and total control to sculpt the effect exactly the way you want.\u003c\/p\u003e\n\u003cp\u003eEngage the Drive switch and the ODL-1-CS takes you to another level of gain and \"massiveness\". The extra gain stage hits the Normal channel and pushes it to its limits. The grain is dense, massive, with headroom to spare. It's genuinely impressive to hear a pedal sound like a real high-end amp channel. If you have a fairly bright guitar and play with this much headroom, you might want a little less stiffness and dynamics. That's where the Hi-Cut and Jazz mode come in. They let you soften the pedal and get a more \"spongy\" response.\u003c\/p\u003e\n\u003cp\u003eIcing on the cake, the Overdriveland features the HTS system, the brand's ultra-transparent buffer.\u003c\/p\u003e\n\u003cp\u003eThe Free The Tone Overdriveland ODL-1-CS is impressive. Seriously. If you pair it with a high-quality amp, it might just make your jaw drop. Forget run-of-the-mill drives: the ODL-1-CS clearly plays in a different league. An exceptional pedal, the kind very few can claim to be.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":47857599676744,"sku":null,"price":419.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/files\/FreeTheTone_OverdrivelandODL-1-CS_001.jpg?v=1702462000"},{"product_id":"free-the-tone-overdriveland-odl-1","title":"Overdriveland ODL-1","description":"\u003cp data-mce-fragment=\"1\"\u003e The Free The Tone Overdriveland ODL-1 is a dual overdrive pedal based on the legendary Dumble Overdrive Special amp. After more than 3 years of development, the development of their own components and around 10 prototypes, the ODL-1 is finally available. The difference with 99% of the pedals on the market which are advertised as replicating the legendary sound of these amps? Well it's simple: it's the only pedal that recreates the character and dynamics of \"one of the actually made Dumble amps.\" In this case the ODS. Why this one and not the others? Because Yuki Hayashi has 3 original Dumbles, which other manufacturers don't have! \u003cbr\u003eSo what does the gentleman say? Well he says that 99% of the “Dumble” pedals on the market have nothing to do with THE Dumble sound because there is not ONE Dumble sound, but as many sounds as amps made because they were all custom made. And to recreate the sound of one of them, would you still have to have it on hand?\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e So, to put it simply, the Overdriveland ODL-1 that we have here in its Standard version is a little bomb and the only realistic and authentic option available for those looking to make this legendary sound their own. This, without spending 100,000 euros and without marketing trickery. \u003cbr\u003eYuki Hayashi's ambition with this pedal? An honest approach: Recreating the “drive” of such an amp within a pedal with all its complexity was impossible. Yuki therefore focused on what was “miniaturizable” by focusing on the dynamics, response, headroom and general “grain” of the OD Special. Fan of Larry Carlton, Robben Ford, Eric Johnson, Stevie Ray Vaughan and John Mayer? To put the odds on your side, if you are lucky enough to own a Two-Rock amp, it will bring you even closer to the original concept and the desired objective.\u003cbr\u003e \u003cbr\u003eExternally, the priority box is made of brushed aluminum. It presents with class and simplicity. The pedal has 2 channels, a normal channel and a drive channel. The normal channel interacts with the controls: Norm. Level, Tone, Gain and the Glass and Jazz\/Rock mini-switches. The Drive channel interacts with the controls: Drive Level, Tone, Gain, Drive and Push, as well as the Glass, Jazz\/Rock and Hi-Cut mini-switches.\u003cbr\u003e Japanese manufacturing requires, the PCB is \"state of the art\" and the pedal will be extremely reliable.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eWhat we immediately notice from the first minute plugged in is the extreme dynamics and articulation that the ODL-1 benefits from. The Normal channel produces the equivalent of a clear channel under stereo. Little gain, but crazy dynamics with a huge attack and controls of a musicality rarely seen. Fan of John Mayer, SRV and others... this is a must, especially with nuanced microphones. The Drive channel allows you to attack Bonamassa styles or muscular Blues-Rock leads. \u003cbr\u003eLet's talk a little about controls. The Push allows you to adjust the input signal by modulating the gain and adding a Loudness effect with bass and \"umppff\" to the attack. This works in perfect harmony with the power stage which, together, recreate the dynamics and attack of the ODS. With the pedal running at 14.5V internally, you have a ton of headroom available and a very fast response. All the magic of Overdriveland is there. Dynamics management. You can influence this by decreasing or increasing the desired voltage.\u003cbr\u003e The EQ section is extremely effective. The Tone can be used throughout the race and the mini-switches are real game-changers. You have maximum versatility and total control over the effect that you can sculpt to measure. \u003cbr\u003eEngage the Drive switch and the ODL-1 propels you to another level of gain and \"massiveness\". The additional gain stage attacks the Normal channel and allows it to be pushed into these corners. The grain is dense, massive, the headroom is available in abundance. It's definitely impressive to see a pedal sound like a real (quality) amp channel. If you have a pretty bright guitar, when playing with this much headroom you might want a little less stiffness and dynamics, which is where the Hi-Cut and Jazz mode come in. They allow you to soften the pedal and obtain a more “spongy” dynamic.\u003cbr\u003e The icing on the cake is that the Overdriveland is equipped with the HTS system, the brand's ultra-transparent buffer.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Free The Tone Overdriveland ODL-1 is impressive. Really. If you have a very high quality amp to support it, it could well make your jaw drop. Forget ordinary drives, the ODL-1 is clearly in another league. An exceptional pedal, as very few can claim.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":48823703994696,"sku":null,"price":349.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/files\/FreeTheTone_OverdrivelandODL-1_001.jpg?v=1721870303"},{"product_id":"free-the-tone-sl-5","title":"SL-5 | Ultra-Compact Solderless Jack Plug","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSOLD INDIVIDUALLY.\u003cbr\u003eIn 2019, Free The Tone developed two new series as part of a complete redesign of its solderless lineup: the SL-4 for the CU-416 cable (4mm) and the SL-5 for the CU-5050 cable (5mm). The SL-5 is new to the lineup. It is the first Free The Tone solderless plug compatible with the CU-5050, a cable with a different sonic profile from the CU-416: reinforced frequency range in the lower end of the spectrum, and increased solidity for those who want to use their pedals without a fixed pedalboard.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eConstructively, the SL-5 shares the same mechanical philosophy as the SL-4. The tip and core wire connection pin are integrated into a single piece for direct, lossless signal transduction. Assembly is identical: the CU-5050 cable is inserted directly into the plug, a tip pierces the cable center, and an adjustable screw ensures grounding and mechanical retention. The SL-5 is available in straight (SL-5S) and L-shaped (SL-5L) configurations, in nickel (NI) finish. Caps are replaceable via the SLC-5A series (6 colors, sold separately) in two variants: SLC-5AS for the straight plug and SLC-5AL for the L-shaped plug. The paired CU-5050 cable is 5mm in diameter, built with 50 strands of 0.08mm oxygen-free copper (OFC), giving it high flexibility and durability. Its high-density braided shield provides near-immunity to external electromagnetic interference.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CU-5050 offers a reinforced frequency range in the lower end of the spectrum compared to the CU-416: low end and low-mids more present and better defined. It is the cable for bassists, 7- and 8-string guitars, drop tunings, or those who simply want a bit more body in the low end. Its more substantial construction (5mm diameter, 50-strand OFC, high-density braided shield) also delivers increased solidity for those who want to use their pedals without a fixed pedalboard, with the repeated connections and disconnections that entails.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eFor a more neutral sound and ultra-compact wiring, the SL-4 series with the CU-416 cable is the right choice.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Straight","offer_id":53545631613256,"sku":null,"price":9.9,"currency_code":"EUR","in_stock":true},{"title":"L-shaped.","offer_id":53545631646024,"sku":null,"price":9.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/files\/FreeTheTone_SL-5SolderlessPlug.jpg?v=1784295579"},{"product_id":"free-the-tone-overdriveland-odl-1a-cs","title":"Overdriveland ODL-1A-CS | Overdrive Dumble","description":"\u003cp\u003eThe Free The Tone Overdriveland ODL-1A-CS is a dual overdrive pedal based on the legendary Dumble Overdrive Special amp. After more than three years of development, the creation of its own components and around ten prototypes, the ODL-1 is finally available. What sets it apart from the 99% of pedals on the market advertised as replicating the legendary sound of those amps? It's simple: it's the only pedal that recreates the character and dynamics of \"one of the Dumble amps actually built\". In this case, the ODS. Why that one and not another? Because Yuki Hayashi owns three original Dumbles, which other builders don't!\u003c\/p\u003e \u003cp\u003eSo what does the man say? He says that 99% of the \"Dumble\" pedals on the market have nothing to do with THE Dumble sound, because there isn't ONE Dumble sound, but as many sounds as there were amps built, each one made to order. And to recreate the sound of one of them, you'd need to have it on hand, wouldn't you?\u003c\/p\u003e \u003cp\u003eSo, to put it simply, the Overdriveland ODL-1A-CS, built at the brand's Custom Shop, is a little bomb and the only realistic and authentic option available for anyone looking to make that legendary tone their own. And that without spending 100,000 euros and without any marketing smoke and mirrors.\u003c\/p\u003e \u003cp\u003eYuki Hayashi's ambition with this pedal? An honest approach: recreating the \"drive\" of such an amp inside a pedal with all its complexity was impossible. So Yuki focused on what could be \"miniaturized\": the dynamics, the response, the headroom and the overall \"grain\" of the OD Special. A fan of Larry Carlton, Robben Ford, Eric Johnson, Stevie Ray Vaughan or John Mayer? To stack the odds in your favour: if you own a Two-Rock amp, you'll get even closer to the original concept.\u003c\/p\u003e \u003cp\u003eOn the outside, the die-cast, laser-engraved enclosure looks classy and simple. The pedal has two channels: a Normal channel and a Drive channel. The Normal channel works with the Norm. Level, Tone and Gain controls and the Glass and Jazz\/Rock mini switches. The Drive channel works with the Drive Level, Tone, Gain, Drive and Push controls, along with the EQ \/ Glass and Jazz\/Rock mini switches and the Hi-Cut mini knob.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eCustom Shop build means the components are hand-picked, and some are even made specifically for this model. The PCB is state of the art and the pedal is utterly reliable. Worth noting: the 1A version adds a channel control that lets you switch from the Normal channel to the Drive channel with an external switch.\u003cbr\u003e\u003c\/p\u003e \u003cp\u003eWhat strikes you from the very first notes is the extreme dynamics and articulation of the ODL-1A-CS. The Normal channel delivers the equivalent of a clean channel on steroids. Not much gain, but insane dynamics, a huge attack and controls with rare musicality. For fans of John Mayer, SRV and the like, it's a must, especially with nuanced pickups. The Drive channel lets you take on Bonamassa-style playing or muscular blues-rock leads.\u003c\/p\u003e \u003cp\u003eA word about the controls. The Push adjusts the input signal by shaping the gain and adding a sort of Loudness effect, with low end and \"umph\" on the attack. Combined with the power stage, it recreates the dynamics and attack of the ODS. The pedal runs at 19V internally: you get a ton of headroom and a very fast response. That's where all the magic of the Overdriveland lies: the way it handles dynamics. You can adjust it by lowering or raising the supply voltage.\u003c\/p\u003e \u003cp\u003eThe EQ section is formidably effective. The Tone is usable across its whole sweep and the mini switches are real game-changers. You get versatility pushed to the maximum and full control to shape the effect exactly as you want it.\u003c\/p\u003e \u003cp\u003eHit the Drive switch and the ODL-1A-CS takes you to another level of gain and sheer size. The extra gain stage drives the Normal channel and pushes it to its limits. The grain is dense and massive, with headroom in abundance. It's clearly impressive to hear a pedal sound like a real high-end amp channel. If you have a fairly bright guitar and play with that much headroom, you might want a little less stiffness and dynamics. That's where the Hi-Cut and the Jazz mode come in. They soften the pedal and deliver a spongier feel.\u003c\/p\u003e \u003cp\u003eThe icing on the cake, the Overdriveland features the HTS system, the brand's ultra-transparent buffer.\u003c\/p\u003e \u003cp\u003eThe Free The Tone Overdriveland ODL-1A-CS is impressive. Really. If you have a high-quality amp to go with it, it could well drop your jaw. Forget run-of-the-mill drives: the ODL-1A-CS clearly plays in another league. An exceptional pedal, as very few can claim to be.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":54113560691016,"sku":null,"price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/files\/FreeTheTone_OverdrivelandODL-1A-CS_001.jpg?v=1790147854"},{"product_id":"free-the-tone-cu-7030-cable-instrument","title":"CU-7030 | Instrument Cable","description":"\u003cp\u003eAt Free The Tone, an instrument cable is developed around one fixed idea: \"a sound that makes you want to keep playing.\" Getting there took time. Five years of research, more than 20 prototypes tested, new materials and new structures explored. The goal: a truly pleasant sound, with no compromise on electrical performance or durability.\u003c\/p\u003e\n\u003cp\u003eThe CU-7030 is the result of that work. It is the brand's ultimate value-for-money instrument cable. It delivers the tonal comfort the brand has been chasing for years. You can spot it at a glance: a black protective jacket with touches of blue and a zinc alloy plug cap stamped with Free The Tone's signature wave.\u003c\/p\u003e\n\u003cp\u003eCovering a shielded cable with a protective jacket is nothing new. But Free The Tone studied the question in detail: how the jacket material affects the sound, the cable's flexibility, its tendency to tangle. The result is a fiber woven directly around the cable's outer layer. The texture is unique, and so is the feel in hand.\u003c\/p\u003e\n\u003cp\u003eThe plug cap is also new. For the first time, Free The Tone manufactures its caps by die-casting. The cast zinc alloy brings greater durability and strength. And it is not only about toughness: this cap tames harsh high-frequency harmonics. The sound gets smoother, with no loss of definition.\u003c\/p\u003e\n\u003cp\u003eThe CU-7030 was extensively tested by musicians and with a wide range of guitars, basses and amps to fine-tune its response and sound quality. Try this: roll back your guitar's volume or tone knob slightly. The change is subtle, but very pleasant. The cable is an essential link in your setup. With the CU-7030, you hear the difference.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Straight \/ 3.0m","offer_id":54121035530568,"sku":null,"price":39.95,"currency_code":"EUR","in_stock":true},{"title":"Straight \/ 5.0m","offer_id":54121035563336,"sku":null,"price":45.5,"currency_code":"EUR","in_stock":false},{"title":"Angle \/ 3.0m","offer_id":54121035628872,"sku":null,"price":39.95,"currency_code":"EUR","in_stock":true},{"title":"Angle \/ 5.0m","offer_id":54121035661640,"sku":null,"price":45.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/files\/FreeTheTone_CU-7030_001.jpg?v=1790178835"}],"url":"https:\/\/www.guitarsrebellion.com\/en\/collections\/free-the-tone.oembed?page=2","provider":"Guitars Rebellion","version":"1.0","type":"link"}