{"title":"Effects \u0026 Routing","description":"The best effects brands in the world are at Guitars Rebellion. From analog pedals, to the most powerful digital machines and switchers, we offer everything the modern guitarist needs to design a high quality pedalboard or system.","products":[{"product_id":"king-tone-guitar-blues-power","title":"Blues Power","description":"Developing products that sound is above all having a \"musical ear\". Yes, it may seem surprising to talk about musicality when talking about musical instruments, but it's a fact. The ear and what our English-speaking friends call \"sound design\" are essential to obtain something of quality. Well that's what Jesse Davey has. An excellent ear for tweaking existing material and making it into something you, dear fellow guitarists, must have! This is the case with this Blues Power which stands out as an excellent overdrive pedal.\u003cbr\u003e\u003cbr\u003e Level finish, it's pretty. We match the great high-end \"boutique\" standards of the genre. Quality case, firm knobs with the face of hell, very thick PCB with a very well done assembly. What are the guitar people asking for? Nothing more everything is there! It's top quality and will last for years without flinching. \u003cbr\u003eSo what do we see on this pedal? Of course, the silver knobs that control Gain, Volume and the EQ section with Bass and Treble. Classic. And also, a 3-position toggle switch: Stock (standard, neutral), Glass (top of the spectrum and shine highlighted) and Edge (even more presence). Use this small switch in parallel with the EQ and you have maximum versatility to tune your sound as you see fit.\u003cbr\u003e\u003cbr\u003e To our ears, the Blues Power is a pedal that excels when used with single or P90 pickups. So we chose a Stratocaster and we have a nice clean base. At random, a Two-Rock Studio Classic Reverb, just to do it right. \u003cbr\u003eThe Blues Power is a low-gain Overdrive, with little headroom. It generally matches what you would have with an old blackface pushed to balls, all with a very wide frequency spectrum. Two possible uses: the first, on a clean channel, the second as a boost on a crunch channel or on a fuzz or other OD pedal. \u003cbr\u003eWhat really impresses with Blues Power is its uncompressed and open character. It's a light OD that breathes, with a lot of softness and transparency. Where many pedals of the same kind compress and bring a \"pinched\" side. The Blues Power plays the ultimate transparency and you actually keep the clean sound underneath it intact. The pedal stacks like a layer on your clean channel and reacts quickly when you modulate its attack. The switch is masterful, it allows you to modify the voicing in depth and adapt the response to the guitar used. We can also tweak the mids with two internal switches.\u003cbr\u003e This Blues Power therefore goes extremely well on a clean channel, but it also behaves wonderfully superimposed on a drive \/ crunch. Its extremely transparent allows it to add thickness without crushing and over-compressing the drive on which it is superimposed. In the top! Especially on a Fuzz!\u003cbr\u003e \u003cbr\u003eThe King Tone Guitar Blues Power is a pedal that will be intended for those who play... with their fingertips! Those who manage their gain with the volume knob, on the attack and who work on their sound by adding different textures and gain stages. A pedal while \"soft\" that will do wonders when used with quality single coil. One of our favorites!","brand":"King Tone Guitar","offers":[{"title":"Default Title","offer_id":30925017251887,"sku":"","price":399.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/files\/KingToneGuitar_BluesPower2024_001.jpg?v=1708155227"},{"product_id":"king-tone-guitar-the-octaland-mini","title":"The Octaland Mini","description":"Developing products that sound is above all having a \"musical ear\". Yes, it may seem surprising to talk about musicality when talking about musical instruments, but it's a fact. The ear and what our English-speaking friends call \"sound design\" are essential to obtain something of quality. Well that's what Jesse Davey has. An excellent ear for tweaking existing material and making it into something you, dear fellow guitarists, must have! This is the case with this The Octaland, a perfect and improved recreation of the great classics of the genre!\u003cbr\u003e\u003cbr\u003e Level finish, it's pretty. We match the great high-end \"boutique\" standards of the genre. Quality case, firm knobs, very thick PCB with a very well done assembly, all in a small format. What are the guitar people asking for? Nothing more everything is there! It's top quality and will last for years without flinching. \u003cbr\u003eSo what do we see on this pedal? Well it couldn't be simpler: a Volume, a Drive, a Blend which allows you to inject more or less octaves in parallel with the drive. The Voice knob acts as a tone and also allows you to change the clarity of the effect. Also, a 3-position toggle switch: Vintage (standard, neutral), Glass (top of the spectrum and presence highlighted) and Fat \/ Full (bottom of the spectrum boosted and more thickness). Use this small switch in parallel with the small Voice button and you have maximum versatility to tune your sound as you see fit.\u003cbr\u003e \u003cbr\u003eAttention! With The Octaland, we are on very vintage Fuzz Octavia, pure juice! Unlike most Fuzzs that need a slight crunch \/ break up to wake up, this Octaland Mini works just as well in this configuration as on a pure clean channel. We will appreciate the thing, this allowing us to use it in the way in a multitude of configurations. Fan of the sound of Hendrix and SRV? This pedal is for you! Stacked on a Marshall like amp, with a drive at 10:00 and a Toggle on Glass, we get a superb Octavia, perfectly defined and 100% responsive. By pushing the gain and switching to Fat\/Full, you get a devastating fuzzy drive that Bonamassa wouldn't deny with, and that's where the Octaland makes all the difference, the octavia effect still very present, even with a gain pushed to its last intrenchments. We do not lose the \"mix\" regardless of the setting, it remains perfectly defined. It sings, it's fluid, very tight, thick and very much old school! Stratocaster recommended to be able to take full advantage of all the nuances and possible interactions with the knobs and pickups of the guitar.\u003cbr\u003e \u003cbr\u003eThe King Tone Guitar The Octaland is a pedal that imposes. If you're looking for an octavia with a massive drive and lots of nuance, this is the one for you! You will tell us \"yes, but there are 150 fuzzes on the market and less expensive than that one\". Certainly... But we challenge you to find one with an octave of this quality and as much flexibility! ;) BBbbvvvvVVvvvvZzzz! Not a Zeppelin, it will end up on your pedalboard!","brand":"King Tone Guitar","offers":[{"title":"Default Title","offer_id":30940766240815,"sku":"","price":399.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/KingToneGuitar_TheOctalandMini_001.jpg?v=1602064571"},{"product_id":"strymon-magneto","title":"Magneto dTape Echo \u0026 Looper Eurorack Module","description":"Since its creation, the Californian brand has continued to surprise us and reshape the effects pedal market with great innovation, technology and creativity. In 2018, Strymon takes on the mysterious and very specific users of Euroracks and Modular Synths, with a sort of mega-El Capistan on steroids across the board!\u003cbr\u003e So what is Magneto? Well it's a Eurorack which according to our Americans is a kind of interstellar emachine capable of creating soundscapes and sounds from another world! Just that ;) You can add sound layers on layers of harmonics and rhythms of all kinds, this within an ultra enveloping stereo field. You will rediscover your modular machines by injecting the warmth of vintage devices and a \"retrofuturistic\" soul into your sound creations. \u003cbr\u003ePacked with powerful features while maintaining intuitive playability, Magneto is a multi-head stereo tape multi-delay that also functions as a looper, phrase sampler, vintage spring reverb, phase-aligned clock multiplier, oscillator chaotic, zero-latency sub-oscillator and more, with plenty of CV I\/O... With Magneto, transform a simple monophonic signal into complex orchestrations. Create new oscillator sounds using self-oscillation. Add a complex stereo dimension to your sound and color your sounds with the characteristic color of a high quality tape echo. Magneto transforms even the smallest rack into a fully expressive and immersive instrument.\u003cbr\u003e \u003cbr\u003eIt would be totally utopian to summarize all the power and the creative possibilities offered by Strymon within the Magneto. We therefore invite you to consult the list below (non-exhaustive) to find out more about what this ultra-powerful machine can offer you. The easiest way is still to consult the many videos offered by the brand to immerse yourself and let yourself be enveloped by Magneto.\u003cbr\u003e\u003cbr\u003e Strymon is once again hitting hard with a big kick in the world of modular. This first try is hardly transformed that we are already impatient to see what the Californian geeks are preparing for their next masterstroke!\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Tape echo simulation based on in-house dTape algorithm, with four playback heads and one record head\u003cbr\u003e - 3 operating modes: echo with inversion, looper and phrase sampler\u003cbr\u003e - Varispeed algorithm with 8:1 speed range and Stop\/Start effect \u003cbr\u003e- Maximum delay\/loop time: 15 seconds at maximum speed, two minutes at minimum speed\u003cbr\u003e - Minimum delay time: 200 microseconds at maximum speed\u003cbr\u003e - Control of tape mechanical aspects, machine condition, tape age and wear, wow and flutter, low-cut filter, - repeats (until auto -oscillation),\u003cbr\u003e - Transport controls (knobs and CV inputs) for real-time operation, including Infinite to capture a particular event or use Magneto as an oscillator, Restart and its dedicated CV input. Speed ​​and its CV input\u003cbr\u003e - Pitch quantization mode\u003cbr\u003e - Shift mode to create rhythmically pitched delays\u003cbr\u003e - 15 ranges to choose from\u003cbr\u003e - Level control of the reading heads\u003cbr\u003e - Individual assignment of feedback to heads regardless of playback level\u003cbr\u003e - 3 stereo panning options: left\/right\/left\/right, left\/right\/right\/left and a customizable Center \u003cbr\u003e- CV inputs and outputs for the clock with phase alignment and synchronization; range between 50ms and 15s\u003cbr\u003e - Recording input level for clean sounds up to saturation\u003cbr\u003e - Sound generator with self-oscillation\u003cbr\u003e - Independent spring reverb\u003cbr\u003e - Tap Tempo with time range between 50ms and 15s\u003cbr\u003e - Tap CV with time range between 10ms and 15s\u003cbr\u003e - 2 inputs and outputs left \/ right\u003cbr\u003e - Shipping and return\u003cbr\u003e - 1 input and 4 outputs for the clock\u003cbr\u003e - 96 kHz sampling rate\u003cbr\u003e - Dimensions: 28 HP - 41 mm depth","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31300218552367,"sku":"","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/StrymonMagneto.jpg?v=1592599779"},{"product_id":"strymon-aa-1","title":"AA.1 Amplifier Attenuator Eurorack Module","description":"Since its creation, the Californian brand has continued to surprise us and reshape the effects pedal market with great innovation, technology and creativity. In 2018, Strymon tackles the mysterious and very specific users of Euroracks and Synths.\u003cbr\u003e Alongside the release of the Magneto, Strymon is releasing the AA.1 So what is it? Well it's a bridge between the world of guitar and that of Eurorack and Synth-Modular. Small rack in 4HP format, it is an amplification and attenuation module with everything you need to interface your modular with effects pedals, your guitar or your bass. The specs are as follows: at the input (stereo) an amp with +18 dB of gain and at the output an attenuator allowing the gain to be lowered to -18 dB. For eurorackiens, it is fed by +12\/-12\/+5.\u003cbr\u003e\u003cbr\u003e With the Strymon AA.1, you can literally integrate and mix everything within these two separate worlds.\u003cbr\u003e For example:\u003cbr\u003e \u003cbr\u003e- Use a guitar or bass as an audio source\u003cbr\u003e - Patching an effect pedal within a eurorack system\u003cbr\u003e - Send a stereo instrument level to your audio interface\u003cbr\u003e\u003cbr\u003e In general, Euroracks send and enter audio signals with very high levels. These can overload the input stage of a pedal or an interface. The AA.1 solves this problem by adapting the input and output levels to the hardware used.\u003cbr\u003e\u003cbr\u003e Strymon is once again hitting hard with a big kick in the world of modular. This first try is hardly transformed that we are already impatient to see what the Californian geeks are preparing for their next masterstroke!\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e AMPLIFY\u003cbr\u003e Gain: +18dB\u003cbr\u003e Max Input Level (before soft clipping): 2.25Vpp\u003cbr\u003e Max Output: 18Vpp\u003cbr\u003e Input Impedance: 1MΩ\u003cbr\u003e Output Impedance: 1kΩ\u003cbr\u003e 20Hz – 20kHz, +\/- 1dB\u003cbr\u003e ATTENUATOR:\u003cbr\u003e Gain: -18dB\u003cbr\u003e Max Input Level (Nominal): 20Vpp\u003cbr\u003e Max Output Level (Nominal): 2.5Vpp\u003cbr\u003e Input Impedance: 8 kΩ \u003cbr\u003eOutput Impedance: 880Ω\u003cbr\u003e 20Hz – 20kHz, +\/- 1dB\u003cbr\u003e POWER\u003cbr\u003e +12V track: 10mA max\u003cbr\u003e -12V rail: 10mA max\u003cbr\u003e +5V rail: 0mA\u003cbr\u003e DIMENSIONS\u003cbr\u003e 4 HP Eurorack format module\u003cbr\u003e Rack Depth: 1.5″ (38mm)","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31300264493103,"sku":"","price":141.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/StrymonAA.1.jpg?v=1589300401"},{"product_id":"strymon-midi-exp-cable-st-st","title":"MIDI-EXP Cable ST\/ST","description":"\u003cdiv align=\"justify\"\u003e\u003cspan\u003eWith the Strymon MIDI-EXP Cable SA, Straight MIDI to Straight 1\/4\" TRS, you can save and recall up to 300 presets on your Sunset \/ Riverside. You have full control over all pedal functionality. All buttons, switches and bypass status can be recalled within a MIDI preset, through any compatible MIDI controller.Your Sunset \/ Riverside turns into a real sound factory, with almost endless possibilities by becoming true pre-amps.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\u003cdiv align=\"justify\"\u003e \u003cspan\u003eFrom now on, you can integrate and control your favorite Strymon pedal within complex audio systems and benefit from the ultra versatility of Strymon pedals.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31302700761135,"sku":"","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_MIDI-EXPCable.jpg?v=1590171941"},{"product_id":"strymon-big-sky","title":"BigSky Multidimensional Reverb","description":"BigSky is the third fully MIDI and \"Multi-Effects\" pedal from the Californians at Strymon. An ultra-complete machine entirely dedicated to reverb(s) (and many more!) of all kinds, the BigSky offers you 12 types, all different and totally configurable down to the smallest detail! On the program, huge Halls, fast and complex Plates, a fully customizable Spring (you can even choose the number of springs!), a custom Swell, ultra-complex Blooms, nebulous Clouds, an impressive multi Shimmer -lines and other totally exclusive reverb(s). \u003cbr\u003eThe Strymon BigSky is more than just an effect pedal. Above all, it will be an extremely sophisticated tool for composition and musical creation for guitarists, keyboards, DJs, singers, creators of electronic music or films, etc... With colossal computing power and more than 300 presets available, the BigSky offers you the must of its kind in pedal format and puts within your reach sonic possibilities previously reserved for large studio bikes worth several thousand euros.\u003cbr\u003e\u003cbr\u003e I see some who say \"ohlala the gas plant!\" Well no. No way! Not a single second. The BigSky is extremely simple and quick to learn, the interface is logical and clear. Strymon has made it efficient and accessible by allowing you to interact with parameters that really have an impact on sound and that will allow you to develop your ideas and your creativity, without having a BAC +10!\u003cbr\u003e \u003cbr\u003eThe BigSky being the first Strymon pedal really open to all types of instruments and uses, the Californian geeks had the excellent idea of ​​integrating a high-quality speaker simulator into it that will allow you to use the latter in multiple scenarios. For example, you can use the pedal directly on a mixer or a sound system. Ideal if you want to process, not an electric guitar, but a voice, an acoustic guitar, a violin or any other amplified instrument. For \"electric\" guitarists, one could for example use the BigSky at the end of the pedalboard. This then acts as an audio interface with your computer or headset. You can then use all of your OD's, distortions and other pedals without any amp, the BigSky takes care of everything!\u003cbr\u003e \u003cbr\u003eAs usual from Strymon, the pedal offers an expression input to control a knob or group of knobs on the fly. What could be more impressive than being able to control, for example, the tone of a shimmer and its diffusion in real time? Or go from a simple room to a hall reverb \"in the clouds\"? All this, the BigSky offers it to you, the possibilities are then almost limitless!\u003cbr\u003e BigSky is also full MIDI support. You can therefore control it through any MIDI controller. Also, save and send presets from your computer with the Strymon editor. Or combine it with the Strymon TimeLine and Mobius for monumental computing power and endless creative possibilities! The equivalent of 36 pedals in just 3 units, woah! \u003cbr\u003eAdd to that the spillover and a Killdry function to use the pedal in a mixer or a parallel loop and you have, THE most complete reverb pedal on the market.\u003cbr\u003e\u003cbr\u003e And the sound in all this? One word sums it all up...\"Excellence\". This is due to the very design of the BigSky. This is almost completely transparent. With a dry signal and a mix (programmable) 100% analog and never converted, it does not alter the original character of your instrument and the rest of your audio system. Here, no drastic and unwelcome digital conversion, no noise, outrageous attenuation... The BigSky is transparent for your signal, natural and extremely musical. The dynamics and the original response of the instrument (or other!) are preserved and the overall quality of the effect is equivalent to the best \"rack\" references of its kind (but for a fraction of the price!) \u003cbr\u003eWe could write hundreds of lines about the amazing qualities and possibilities of the BigSky, but the easiest way is simply to try it. Because once the first chord is played, it's a safe bet that you will stay with your head in this \"big cloud\" for a very, very, very long time...\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Handcrafted, studio-class reverb\u003cbr\u003e - 12 different reverb modes: Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections\u003cbr\u003e - 7 buttons on the front to sculpt your sound: Decay, Pre-Delay, Mix, Tone, Mod, Param 1, Param 2 (assignable by preset)\u003cbr\u003e - 300 presets\u003cbr\u003e - Infinite Sustain and Freeze function at the touch of a footswitch (assignable by preset)\u003cbr\u003e - Spillover and Persist modes to keep reverb tails, even when changing banks\u003cbr\u003e - High quality speaker simulator for recording and use on PA systems\u003cbr\u003e - Full MIDI support\u003cbr\u003e - Chassis in anodized aluminum, laser engraved \u003cbr\u003e- Rugged construction with studio-grade knobs, buttons and jacks\u003cbr\u003e - Stereo inputs and outputs, input for expression pedal and external tap switch (controllable on the fly and by preset)\u003cbr\u003e - 100% analog dry signal, zero latency, zero digital conversion\u003cbr\u003e - Ultra low noise level and 24-bit 96kHz converters, 32-bit processing\u003cbr\u003e - Signal noise at 115dB, frequency response from 20Hz to 20kHz\u003cbr\u003e - Input level at +8dBu max, line and instrument level compatible\u003cbr\u003e - True bypass, analog buffer, killdry, +\/- 3db boost (assignable by preset)\u003cbr\u003e - Made and designed in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31343445147695,"sku":"","price":459.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_BigSky_004.jpg?v=1588796651"},{"product_id":"strymon-timeline","title":"TimeLine Multidimensional Delay","description":"\u003cp\u003eAfter the El Capistan and Brigadier tidal wave, Strymon does it again with the TimeLine, an ultra-complete machine entirely dedicated to delays of all kinds! With the TimeLine, you have 12 different types of totally configurable delays! It is impossible to review them all on this page, but you will find, among other things, a Tape Echo, Analog delay, digital delay, Dual Delay, a Reverse mode, etc. Each mode has a dedicated settings menu where you can adjust the advanced functions specific to each of them. From the High Pass filter to the dynamics of the attack, including settings for sensitivity, depth, LFO and more, the TimeLine allows you to sculpt your sound in the smallest details. In terms of general settings, we find the usual settings for time, feedback and mix. These are common to all modes. The secondary Filter, Grit, Speed ​​and Depth settings change according to the chosen Delay.\u003cbr\u003e \u003cbr\u003eTimeLine is not only an effect pedal, it is also a very complete Looper! You get a Stereo Looper allowing 30 sec. recording with the possibility of overdubs, define an entry \/ exit point, route it pre or post delay. You can also access Reverse and Half Speed ​​mode via a MIDI footswitch. You can also connect an expression pedal to control any button \/ combination of buttons \/ parameter on the fly. The icing on the cake, you can switch from Stereo mode to Feedback Loop mode to use any insert effect and process the echo as you wish. For example, you can \"flangerize\" the repetitions of the TimeLine with an Orbit Flanger or add a Rotary effect with Lex etc...\u003cbr\u003e \u003cbr\u003eThe TimeLine makes it easy to save 200 MIDI presets. No complicated backup procedure or huge manual to read here, you can create an original preset in less than 30 seconds. Total MIDI support allows the TimeLine to be integrated into the most complex configurations with maximum flexibility (CC and PC supported).\u003c\/p\u003e\n\n \u003cp\u003eLet's talk a bit about sound. Well it's Strymon! The signal remains intact, it is never converted wildly. The 100% analog input stage retains all the thickness and density of your original sound. So you have a 100% analog \"dry\" signal, paralleled with the digitally generated effect, which benefits from 24-bit 96kHz converters. Whether you're looking for classic or totally psychedelic delays, the TimeLine has it for you. The analog, bucket, tape modes are astoundingly realistic, the creative delays are almost limitless. In short, it's very high-end, professional, as always with the brand.\u003c\/p\u003e\n\n\u003cp\u003e The TimeLine benefits from stereo inputs and outputs and a true bypass. It is entirely made in the USA and built around a brushed aluminum frame, like all the brand's models. A psychedelic delay for creatives!\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Handcrafted, studio-class delay \u003cbr\u003e- 12 delay types: dTape™, dBucket™, Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi\u003cbr\u003e - 7 potentiometers allow you to sculpt your custom sound: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth\u003cbr\u003e - Additional menus \/ settings for maximum flexibility and configurable delays down to the smallest detail\u003cbr\u003e - 200 accessible MIDI presets, backup and recall immediately accessible through a single footswitch\u003cbr\u003e - LED screen to show information about presets, BPM\/time readout and other parameters\u003cbr\u003e - MIDI implementation for full interaction with complete MIDI configurations (rack, studio use, etc.)\u003cbr\u003e - 3 main footswitches for preset selections, bypass, looper control modes, and Tap Tempo\u003cbr\u003e - 30-second Looper mode, 24-bit stereo, routable pre- or post-delay, and MIDI integration\u003cbr\u003e - Stereo inputs and outputs \u003cbr\u003e- Possibility to connect an expression pedal to control, on the fly, the parameters of one or more buttons (saving by active preset)\u003cbr\u003e - MIDI input and output\u003cbr\u003e - Configurable I\/O configuration: Stereo or Mono outputs with Delay Feedback Loop insert\u003cbr\u003e - 115db signal to noise ratio, high quality 24-bit 96kHz A\/D and D\/A converters\u003cbr\u003e - Analog dry path, the “dry” signal is never converted. Zero latency\u003cbr\u003e - High performance DSPs\u003cbr\u003e - 32-bit processing\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31344121249839,"sku":"","price":465.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_TimeLine_001.jpg?v=1588796820"},{"product_id":"strymon-bluesky-v2","title":"blueSky Reverberator V2","description":"The Strymon blueSky. The pedal that revolutionized the world of compact Reverbs. In the summer of 2022, it will be updated to version 2. The blueSky offers you some of the most complex and majestic reverbs on the market. Studio quality reverbs. With the blueSky you transform a single note into a magnificent and almost infinite wave of sound. In this version 2, the algorithms have been revised, the processing of the effect has been improved and the analog signal provided by the pedal is even more qualitative.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eNever has a reverb pedal swept the guitar market (and synths, studios, etc.) to such an extent. The Strymon bluesy quite simply set the bar so high when it was released more than 10 years ago, that it still remains the absolute reference for its ease of use, its sonic complexity and the almost infinite possibilities it offers. offer. This, not to mention the mind-boggling quality algorithms that have propelled the blueSky onto all the biggest stages and studios around the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Whether you're a spring reverb fan, a studio rack enthusiast, or an Ambient music maker looking for new sonic textures, the sounds you've been looking for are right here in blueSky.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFor this version 2, Strymon has remained faithful to the original box by adding an additional control. Beautiful aluminum chassis, ultra light, PCB at the top, the manufacturing quality is there, it's Strymon, we are at the top of the basket. With its ultra-quiet, high-performance 24-bit 96 kHz A\/D and D\/A converters and a frequency response of 20 Hz to 20 kHz, the blueSky is as at home on a studio console as in front of a tube amp. .\u003cbr data-mce-fragment=\"1\"\u003e It is made for duration.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe new functions of version 2:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003e- Tone Shaping\u003c\/strong\u003e - Strymon added a dedicated Shimmer button. A new MOD switch allows you to select a modulation for each type of Reverb. The Spring algorithm has been updated, as has the Shimmer algorithm, which now reaches a fabulous level of complexity. \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e- MIDI - USB\u003c\/strong\u003e - Instrument \/ Line Level - The addition of MIDI protocol and a USB port gives you the ability to control each pedal parameter and recall them via 300 presets. There are two input modes to choose from, each optimized for a specific type of setup (bass guitars with active pickups, synthesizers, effects loops, vocals and more…)\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003e- Hardware\u003c\/strong\u003e - A new high-end JFET analog input stage ensures superb responsiveness to your playing, and lets you select mono or stereo input with the press of a rear panel button. You can now control the blueSky with an expression pedal or a MultiSwitch Plus. An all-new ARM processor delivers more processing power for every nuance of sound, with less power drained from your pedalboard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eControls:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e - 3 different types of reverb: Plate, Room and Spring \u003cbr data-mce-fragment=\"1\"\u003e- 3 modulation intensities: Off, Light and Deep\u003cbr data-mce-fragment=\"1\"\u003e - The buttons: Mix for the WET\/DRY balance, Decay for the depth of the effect, pre-delay for the offset between the attack and the start of the effect, High \u0026amp; Low to adjust the frequencies and Shimmer to control that wonderful pitch-regenerative effect\u003cbr data-mce-fragment=\"1\"\u003e Many and varied secondary functions\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe sound:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe blueSky is capable of excelling in all styles, from the vintage Plate, to the spring reverb which makes a nice \"douing\" with each strong attack, to the enormous pads and atmospheres, with colossal spatialization and diffusion. ! Transparency, dynamic, natural effect. Everything is here. Whatever use you make of it, the blueSky remains perfectly defined, natural and completely transparent. It acts as a layer on your original sound without ever distorting it. Whether you're a guitarist, keyboard player or anything else, the blueSky is highly addictive and will develop your creative side for sure!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eInputs, outputs and footswitches:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Ultra low noise, high impedance Class A stereo JFET TRS input.\u003cbr data-mce-fragment=\"1\"\u003e ● Independent low impedance TS stereo outputs.\u003cbr data-mce-fragment=\"1\"\u003e ● Input for expression pedal and MiniSitch, MultiSwitch Plus or TRS MIDI. \u003cbr data-mce-fragment=\"1\"\u003e● USB port for controlling via MIDI from a computer or for performing firmware updates.\u003cbr data-mce-fragment=\"1\"\u003e Dedicated Favorite \u0026amp; On\/Off Footswitches\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAudio quality:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Premium JFET analog input stage\u003cbr data-mce-fragment=\"1\"\u003e 24-bit 96 kHz A\/D and D\/A converters with very low noise and high audio quality\u003cbr data-mce-fragment=\"1\"\u003e 520MHz Superscalar ARM processor\u003cbr data-mce-fragment=\"1\"\u003e ● 32-bit floating point processing\u003cbr data-mce-fragment=\"1\"\u003e ● Frequency response from 20 Hz to 20 kHz\u003cbr data-mce-fragment=\"1\"\u003e ● Audio input impedance: 1 M Ohm\u003cbr data-mce-fragment=\"1\"\u003e Audio output impedance: 100 ohms\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAnd more:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Strong and lightweight sky blue anodized aluminum chassis\u003cbr data-mce-fragment=\"1\"\u003e ● 9 V DC power supply included\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e●\u003c\/span\u003e Power requirements: 9 volts DC maximum, center negative, with a minimum current of 300 mA.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e●\u003c\/span\u003e Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31413747744815,"sku":"","price":376.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_blueSkyv2_001.jpg?v=1656438355"},{"product_id":"strymon-flint-v2","title":"Flint Tremolo \u0026 Reverb V2","description":"The Strymon Flint, an incredibly popular Reverb Tremolo pedal, featured on the pedalboards of top musicians and on hundreds of albums. In the summer of 2022, it will be updated to version 2. The Flint offers you the inimitable sound of the reverbs that marked their era and the most beautiful tremolos of the 60s, this, in studio quality. With the Flint you have the best of the legendary sounds of the amps of the early 60s, up to the best racks of the 80s. In this version 2, the algorithms have been revised, the processing of effects has been improved and the analog signal provided by the pedal is even more qualitative.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e2 magnificent pedals, it's great, but these same 2 pedals in one, it's even better!\u003cbr data-mce-fragment=\"1\"\u003e The Flint gives you 3 tremolos (the '61 Harmonic Tremolo, the '63 Power Tube Tremolo, and the '65 Photocell Tremolo) and 3 types of reverb (the '60s Spring Tank Reverb, the '70s Electronic Plate Reverb, and the '80s Hall Rack Reverb).\u003cbr data-mce-fragment=\"1\"\u003e With nine parameters available, you get extensive control over both effects. Go from splashy twangy reverbs, to pulsating tremolos, to haunting pads of reverb ideal for creating atmospheres and ambient sounds. All in a compact box with extensive connectivity.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFor this version 2, Strymon has remained faithful to the original box. Outwardly nothing changes, it's inside that it happens! Beautiful aluminum chassis, ultra light, PCB at the top, the manufacturing quality is there, it's Strymon, we are at the top of the basket. With its ultra-quiet, high-performance 24-bit 96kHz A\/D and D\/A converters and a frequency response of 20Hz to 20kHz, the Flint is as at home on a studio console as it is in front of a tube amp. . It is made for duration.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe new functions of version 2:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eExtensive Control\u003c\/strong\u003e - Do you like slow tremolos? The Speed ​​knob range has been extended to slow the tremolo to nearly 1Hz at its minimum setting. On the reverb side, the pre-delay time is now adjustable. We now have a pre-delay for the Reverb and we can also modify the order of the effects, namely: reverb \u0026gt; tremolo or tremolo \u0026gt; reverb. \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMIDI - USB\u003c\/strong\u003e - Instrument \/ Line Level - The addition of MIDI protocol and a USB-C port gives you the ability to control every parameter on the pedal and recall them via 300 presets. There are two input modes to choose from, each optimized for a specific type of setup (bass guitars with active pickups, synthesizers, effects loops, vocals and more…)\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eHardware\u003c\/strong\u003e - A new premium JFET analog input stage ensures superb responsiveness to your playing, and lets you select mono or stereo input at the push of a rear panel button. You can now control the Flint with an expression pedal or a MultiSwitch Plus. An all-new ARM processor delivers more processing power for every nuance of sound, with less power drained from your pedalboard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eControls:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e- 3 different types of reverb: Spring (60's, vintage Fender style amps), Plate (multiple parallel delay lines with filtered feedback paths), Hall (digital studio rack with multiple modulated delay lines)\u003cbr data-mce-fragment=\"1\"\u003e - 3 different types of tremolo: '61 Harm (which alternates low and high frequencies for a hypnotic effect), '63 Tube (volume pulsations created by modulating the bias point of the output tubes), '65 Photo (a more precise and sharp volume, thanks to the use of a photocell and a light-dependent resistor)\u003cbr data-mce-fragment=\"1\"\u003e - The buttons: REVERB: Mix for the WET\/DRY balance, Decay for the depth of the effect, Color which acts as a Tone. TREMOLO: Intensity for the depth of the effect, Speed ​​for the speed of the LFO.\u003cbr data-mce-fragment=\"1\"\u003e - Many and varied secondary functions\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe sound:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eWhere the blueSky offers us a colossal \"3D\" spatialization with pads, modulations, shimmer and total interaction with the different types of reverbs. The Flint works with nuances and allows subtle control of the effect by playing on the differences in complexity \/ dynamics and colors, depending on the modes chosen. The tremolos work in total symbiosis with the different reverbs and allow the creation of atmospheres and light and complex sound \"backgrounds\", or quite simply a simple background effect that will be left constantly activated. The new analog input stage works wonders, we keep all the dynamics and the thickness of the original signal which is never converted, the digital effect being put in parallel via an internal mixer. The Flint is impressively dense and realistic and turns out to be much more than a simple tremolo \/ reverb, it's a real composition tool!\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eInputs, outputs and footswitches:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Ultra low noise, high impedance Class A stereo JFET TRS input.\u003cbr data-mce-fragment=\"1\"\u003e ● Independent low impedance TS stereo outputs.\u003cbr data-mce-fragment=\"1\"\u003e ● Input for expression pedal and MiniSitch, MultiSwitch Plus or TRS MIDI.\u003cbr data-mce-fragment=\"1\"\u003e ● USB port for controlling via MIDI from a computer or for performing firmware updates.\u003cbr data-mce-fragment=\"1\"\u003e Dedicated footswitches for each effect\/\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAudio quality:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Premium JFET analog input stage\u003cbr data-mce-fragment=\"1\"\u003e 24-bit 96 kHz A\/D and D\/A converters with very low noise and high audio quality\u003cbr data-mce-fragment=\"1\"\u003e 520MHz Superscalar ARM processor\u003cbr data-mce-fragment=\"1\"\u003e ● 32-bit floating point processing\u003cbr data-mce-fragment=\"1\"\u003e ● Frequency response from 20 Hz to 20 kHz\u003cbr data-mce-fragment=\"1\"\u003e ● Audio input impedance: 1 M Ohm\u003cbr data-mce-fragment=\"1\"\u003e Audio output impedance: 100 ohms\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAnd more:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Strong and lightweight sky blue anodized aluminum chassis\u003cbr data-mce-fragment=\"1\"\u003e ● 9 V DC power supply included \u003cbr data-mce-fragment=\"1\"\u003ePower requirements: 9 volts DC maximum, center negative, with a minimum current of 300 mA.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e●\u003c\/span\u003e Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31413757935663,"sku":"","price":369.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Flintv2_001.jpg?v=1656438610"},{"product_id":"strymon-dig-v2","title":"Dig Dual Digital Delay V2","description":"The Strymon DIG, the digital delay par excellence. What guitarist hasn't dreamed of owning a TC2290 and a Lexicon PCM in one pedal? Fan of 80's \/ 90's delay, modulated delay and full stereo, you are where you need to be! \u003cbr data-mce-fragment=\"1\"\u003eConcretely, what is the DIG? The rack delays of the 80s ushered in a new era of audio effects. These racks, overpowering for the time, made it possible to generate delays of a purity and depth never equaled before. Over 30 years later, these sounds remain as distinctive, inspiring and legendary as ever.\u003cbr data-mce-fragment=\"1\"\u003e Our in-depth investigation of digital delay technology reveals the unique personalities these delays possess. With 2 separate delays, 3 different machines and a section dedicated to modulation, you have the best delays of the time at your fingertips.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFor this version 2, Strymon has remained faithful to the original box by adding an additional control. Beautiful aluminum chassis, ultra light, PCB at the top, the manufacturing quality is there, it's Strymon, we are at the top of the basket. With its ultra-quiet, high-performance 24-bit 96 kHz A\/D and D\/A converters and a frequency response of 20 Hz to 20 kHz, the DIG is as at home on a studio console as in front of a tube amp. . It is made for duration.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe new functions of version 2:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e - \u003cstrong\u003eTone knob\u003c\/strong\u003e - This new knob controls the response of the feedback filter to sculpt the sound of your echoes. Quick and intuitive to use, it's actually two filters in one control: Turn left for a high cut and right for a low cut. Set it to 12 o'clock for a flat response. \u003cbr data-mce-fragment=\"1\"\u003e- \u003cstrong\u003eMIDI - USB\u003c\/strong\u003e - Instrument \/ Line Level - The addition of MIDI protocol and a USB-C port gives you the ability to control each pedal parameter and recall them via 300 presets. There are two input modes to choose from, each optimized for a specific type of setup (bass guitars with active pickups, synthesizers, effects loops, vocals and more…)\u003cbr data-mce-fragment=\"1\"\u003e - \u003cstrong\u003eHardware\u003c\/strong\u003e - A new high-end JFET analog input stage ensures superb responsiveness to your playing, and lets you select mono or stereo input with the press of a rear panel button. You can now control the DIG with an expression pedal or a MultiSwitch Plus. An all-new ARM processor delivers more processing power for every nuance of sound, with less power drained from your pedalboard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eControls: 3 Modes:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eADM\u003c\/strong\u003e - A 1-bit, high-sample-rate conversion technique that evolved from telecommunications-specific voice coding techniques. This mode will appeal to pros who have known the TC2290 well. Indeed, the ADM is a delay \"so 80's\" which recreates the technology used within this machine. The conversion, the way the signal is sustained, limited, pre-emphasized and re-processed, creates a percussive broadband delay that adds character as the input dynamics increase.\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003e12 bit\u003c\/strong\u003e - A 12 bit, 32kHz PCM conversion made possible by monolithic type chips developed in the late 70's. a warm, dimensional delay A slightly darker, warmer delay Directly inspired by the Lexicon and similar machines. \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e24\/96\u003c\/strong\u003e - Totally original and designed by Strymon. A clean, high definition, wideband delay with a hint of dynamics that allows it to work perfectly with the analog dry signal.\u003cbr data-mce-fragment=\"1\"\u003e The buttons: Mix 1 \u0026amp; 2 are WET\/DRY balances for each delay, Time 1 \u0026amp; 2 control the delay of the two available delay lines, Tone allows you to adjust the frequencies and Repeats the number of repetitions.\u003cbr data-mce-fragment=\"1\"\u003e Many secondary functions are also available…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe sound:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eFans of the brand will not be disappointed. Those who know the superb machines recreated within DIG will be amazed by the quality of this one. In fact... It's simple, one could go so far as to say that DIG does better than the original machines, all with amazing flexibility and ease of use, and in an extremely compact format. The different voicings are rich, complex, excessively tweakable and above all ultra musical. Fan of U2, Toto, Dream Theater and others, the DIG is made for you. And that's not all! Note that you can also use the pedal in configurations: Series, Parallel and Ping Pong. You can sync the 2 delays, make them independent and literally do whatever you want with them. DIG is a modern, ultra-complete and totally essential delay!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eInputs, outputs and footswitches:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Ultra low noise, high impedance Class A stereo JFET TRS input. \u003cbr data-mce-fragment=\"1\"\u003e● Independent low impedance TS stereo outputs.\u003cbr data-mce-fragment=\"1\"\u003e ● Input for expression pedal and MiniSitch, MultiSwitch Plus or TRS MIDI.\u003cbr data-mce-fragment=\"1\"\u003e ● USB port for controlling via MIDI from a computer or for performing firmware updates.\u003cbr data-mce-fragment=\"1\"\u003e Dedicated footswitches for each effect\/\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAudio quality:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Premium JFET analog input stage\u003cbr data-mce-fragment=\"1\"\u003e 24-bit 96 kHz A\/D and D\/A converters with very low noise and high audio quality\u003cbr data-mce-fragment=\"1\"\u003e 520MHz Superscalar ARM processor\u003cbr data-mce-fragment=\"1\"\u003e ● 32-bit floating point processing\u003cbr data-mce-fragment=\"1\"\u003e ● Frequency response from 20 Hz to 20 kHz\u003cbr data-mce-fragment=\"1\"\u003e ● Audio input impedance: 1 M Ohm\u003cbr data-mce-fragment=\"1\"\u003e Audio output impedance: 100 ohms\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAnd more:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Strong and lightweight sky blue anodized aluminum chassis\u003cbr data-mce-fragment=\"1\"\u003e ● 9 V DC power supply included\u003cbr data-mce-fragment=\"1\"\u003e Power requirements: 9 volts DC maximum, center negative, with a minimum current of 300 mA.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e●\u003c\/span\u003e Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31413768093743,"sku":"","price":349.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_DIGv2_001.jpg?v=1656438488"},{"product_id":"strymon-el-capistan-v2","title":"El Capistan dTape Echo V2","description":"The Strymon El Capistan literally revolutionized the deley pedal market when it was released. Never before had a pedal so well reproduced the characteristics of a tape echo. In the summer of 2022, The El Capistan is updating to version 2. The El Capistan allows you to access the best of Tape Echo, this, within a compact box with possibilities of interaction extremely pushed. If you've always dreamed of using an Echoplex (EP2) or a Roland RE-201 without the bulk and flaws of these, look no further, the Californians at Strymon have done it for you and they offer you great Moreover!\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eEl Capistan benefits from 3 different types of tape machine within the same pedal, each with 3 unique modes and extensive control over the quality of the tape, the hardware of the machine and the slightest audio characteristics of these legendary machines.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e You can recreate the sound of a brand-new tape machine and deconstruct it on the fly, to recreate the sound of a near-dead machine. All the nuances, all the unique details of \"tape\" sounds are recreated here. All in a compact box with extensive connectivity.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFor this version 2, Strymon has remained faithful to the original box by adding an additional control. Beautiful aluminum chassis, ultra light, PCB at the top, the manufacturing quality is there, it's Strymon, we are at the top of the basket. With its ultra-quiet, high-performance 24-bit 96 kHz A\/D and D\/A converters and a frequency response of 20 Hz to 20 kHz, the El Capistan is as at home on a studio console as it is in front of an amp. with lamps. It is made for duration.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe new functions of version 2:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eExtended Control\u003c\/strong\u003e - A control for the onboard Spring Reverb has been added. This ultra-authentic spring reverb blends beautifully with recreated tape echoes. Some algorithms have been revised to be even more faithful and realistic. \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMIDI - USB\u003c\/strong\u003e - Instrument \/ Line Level - The addition of MIDI protocol and a USB-C port gives you the ability to control every parameter on the pedal and recall them via 300 presets. There are two input modes to choose from, each optimized for a specific type of setup (bass guitars with active pickups, synthesizers, effects loops, vocals and more…)\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eHardware\u003c\/strong\u003e - A new premium JFET analog input stage ensures superb responsiveness to your playing, and lets you select mono or stereo input at the push of a rear panel button. You can now control the El Capistan with an expression pedal or a MultiSwitch Plus. An all-new ARM processor delivers more processing power for every nuance of sound, with less power drained from your pedalboard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eControls:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003e3 different types of tape echo:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFixed Tape Head\u003c\/strong\u003e - We created a classic delay with tape speed controlled via the Time knob. The toggle-switch mode offers three playback heads, each at a specific distance from the recording head for a specific time interval. Choose between: (A) short delay with sixteenth note tempo, (B) medium delay with eighth note tempo, and (C) long delay with quarter note tempo.\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eMulti Tape Head\u003c\/strong\u003e - It has the same three tape heads as the fixed version, but uses two of the three tape heads simultaneously to create intertwining delay lines. The toggle-switch mode selects the two active reading heads: (A) Heads 1 and 2 are active. (B) Heads 2 and 3 are active. (C) Heads 1 and 3 are active. The Time knob sets the tape speed. \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSingle Tape Head\u003c\/strong\u003e - This machine runs the tape at a fixed speed while the Time knob sets the delay time by adjusting the position of a sliding recording head. This tape machine has a sound-on-sound (looper) mode. The toggle-switch mode offers the following options: (A) Double speed for better fidelity with shorter delay times. (B) Normal speed for degraded fidelity with longer delay times. (C) Sound-on-sound mode to achieve tape looping with instant cut, loop erase and two tape speeds.\u003cbr data-mce-fragment=\"1\"\u003e - The buttons: Mix for the WET\/DRY balance, Time for the delay time, Wow \u0026amp; Flutter for the modulation part, Tape Age to adjust the aging of the tape and Repeat for the number of repetitions.\u003cbr data-mce-fragment=\"1\"\u003e - Many secondary functions are available: Crinkle, Bias, boost and more…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe sound:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe El Capistan is an almost infinite sound machine. The kind of pedal that has the ability to awaken your creative side. It's simple, the effect generated by it is so complex, so unpredictable, so rich and potentially unstructured, that you can stay for (very) long minutes, just listening to how the El Capistan oscillates and transports your notes. . It is of a musicality potentially never equaled within a delay pedal. The possibilities are limitless, the musicality, the way the frequencies fit together are unique. The El Capistan has its own highly addictive sonic signature that liberates your ideas, whether for a simple slapback or an ambient pad that tends towards the atmospheric and the infinite.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eInputs, outputs and footswitches:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Ultra low noise, high impedance Class A stereo JFET TRS input.\u003cbr data-mce-fragment=\"1\"\u003e ● Independent low impedance TS stereo outputs. \u003cbr data-mce-fragment=\"1\"\u003e● Input for expression pedal and MiniSitch, MultiSwitch Plus or TRS MIDI.\u003cbr data-mce-fragment=\"1\"\u003e ● USB port for controlling via MIDI from a computer or for performing firmware updates.\u003cbr data-mce-fragment=\"1\"\u003e Dedicated footswitches for each effect\/\u003cbr data-mce-fragment=\"1\"\u003e Audio quality:\u003cbr data-mce-fragment=\"1\"\u003e ● Premium JFET analog input stage\u003cbr data-mce-fragment=\"1\"\u003e 24-bit 96 kHz A\/D and D\/A converters with very low noise and high audio quality\u003cbr data-mce-fragment=\"1\"\u003e 520MHz Superscalar ARM processor\u003cbr data-mce-fragment=\"1\"\u003e ● 32-bit floating point processing\u003cbr data-mce-fragment=\"1\"\u003e ● Frequency response from 20 Hz to 20 kHz\u003cbr data-mce-fragment=\"1\"\u003e ● Audio input impedance: 1 M Ohm\u003cbr data-mce-fragment=\"1\"\u003e Audio output impedance: 100 ohms\u003cbr data-mce-fragment=\"1\"\u003e And more:\u003cbr data-mce-fragment=\"1\"\u003e ● Strong and lightweight sky blue anodized aluminum chassis\u003cbr data-mce-fragment=\"1\"\u003e ● 9 V DC power supply included\u003cbr data-mce-fragment=\"1\"\u003e Power requirements: 9 volts DC maximum, center negative, with a minimum current of 300 mA.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e●\u003c\/span\u003e Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31413777596463,"sku":"","price":419.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_ElCapistanv2_001.jpg?v=1656438553"},{"product_id":"strymon-deco-v2","title":"Deco Tape Saturation \u0026 Doubletracker V2","description":"The Strymon DECO is an UFO among hundreds of other pedals available on the market. Concretely, what is it? DECO recreates the sound and behavior of 2 vintage \"reel-to-reel\" tape machines as well as the possibilities linked to their common interaction. DECO reminds us of the forgotten art of manipulating old tape machines from the 50's \/ 60's by bringing you the vintage tape effects of the early recording studios, right on your pedal board.\u003cbr data-mce-fragment=\"1\"\u003e So we have a \"dual\" pedal with a Tape Overdrive on one side that sweetens your sound with soft, warm and naturally musical compression and saturation. This can simply color your sound or serve as a drive just like a classic overdrive would. \u003cbr data-mce-fragment=\"1\"\u003eOn the other side, a tape machine called \"Doubletracker\" which makes it possible to obtain a whole range of tape modulations (Flanger, Chorus...) and a tape delay of the Slapback or Tape Echo type. The Doubletracker offers the power to shift your sound in time and achieve fabulous effects.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e For this version 2, Strymon has remained faithful to the original box by adding an additional control. Beautiful aluminum chassis, ultra light, PCB at the top, the manufacturing quality is there, it's Strymon, we are at the top of the basket. With its ultra-quiet, high-performance 24-bit 96 kHz A\/D and D\/A converters and a frequency response of 20 Hz to 20 kHz, the DECO is as at home on a studio console as in front of a tube amp. . It is made for duration.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe new functions of version 2:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMore options\u003c\/strong\u003e - A new Tape Cassette mode has been added which uses an automatic level control (ALC) process found on many high end tape machines. This gives a more compressed and fat sound. Also, a Tone button has been added to adjust the tone of the drive slice.\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eMIDI - USB\u003c\/strong\u003e - Instrument \/ Line Level - The addition of MIDI protocol and a USB-C port gives you the ability to control every parameter on the pedal and recall them via 300 presets. There are two input modes to choose from, each optimized for a specific type of setup (bass guitars with active pickups, synthesizers, effects loops, vocals and more…) \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHardware\u003c\/strong\u003e - A new premium JFET analog input stage ensures superb responsiveness to your playing, and lets you select mono or stereo input at the push of a rear panel button. You can now control the a DECO with an expression pedal or a MultiSwitch Plus. An all-new ARM processor delivers more processing power for every nuance of sound, with less power drained from your pedalboard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eControls:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e - The buttons: Saturation to adjust the drive, Volume for the output level, Tone to add more or less treble. Time lets you adjust the delay time, Wobble adds a random modulation, Blend lets you mix the two slices together. Blend type adjusts the phase of the effect and its distribution within the stereo image.\u003cbr data-mce-fragment=\"1\"\u003e - Many secondary functions are available.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe sound:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eTape (analog) overdrive has a very wide operating range. We can obtain a whole range of nuances ranging from ultra-transparent clean boost to thrust overdrive. Indeed, the overdrive delivered by the DECO is extremely malleable. Set to 9:00, the Saturation knob adds just a slight harmonic content to your sound. Ideal for obtaining a denser, fatter, richer clean, but without distorting it because the effect is stacked like a layer on your original sound. By pushing the gain, you get a smoother overdrive, with a slight compression that increases as you push the amount of saturation. The grit is smooth, rich in overtones and the pedal clean to perfection when adjusting the amount of gain via the guitar's volume knob. \u003cbr data-mce-fragment=\"1\"\u003eThe double tracker part takes up the basics of El Capistan with different possibilities. We find this magnificent algorithm allowing this slight \"detune\" which has now become one of the sound signatures of the brand. It's simple, once the Doubletracker is engaged, everything is wider, more spatialized, with a specific color typical of tape machines. The Chorus mode is absolutely beautiful and unique. The Lag Time knob is incredibly effective and really allows you to magnify everything that passes through the pedal.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAll this works superbly with a guitar, but it would be extremely simplistic to think that DECO is a pedal only reserved for guitarists. Indeed, it could be defined as a \"studio\" pedal. The only thing to do is let your creativity speak. You can plug in what you want and process for example, a guitar, a voice, a keyboard, loops, use the pedal as an insert on a PropTools and virtually integrate it anywhere in your sound chain to give it the characteristic sounds of reel-to-reel machines. \u003cbr data-mce-fragment=\"1\"\u003eYou want to give a '50-'60s touch to your songs? Bring harmonic content and spacialization to your sound? Treat your audio chain in a subtle or more unstructured way? Whatever your register, electro, pop, rock etc... The Deco will add the \"Strymon touch\" and an inimitable sound signature to your creations. Matched to a Strymon Flint, your creativity will be almost limitless!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eInputs, outputs and footswitches:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Ultra low noise, high impedance Class A stereo JFET TRS input.\u003cbr data-mce-fragment=\"1\"\u003e ● Independent low impedance TS stereo outputs.\u003cbr data-mce-fragment=\"1\"\u003e ● Input for expression pedal and MiniSitch, MultiSwitch Plus or TRS MIDI.\u003cbr data-mce-fragment=\"1\"\u003e ● USB port for controlling via MIDI from a computer or for performing firmware updates.\u003cbr data-mce-fragment=\"1\"\u003e Dedicated footswitches for each effect\/\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAudio quality:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Premium JFET analog input stage\u003cbr data-mce-fragment=\"1\"\u003e 24-bit 96 kHz A\/D and D\/A converters with very low noise and high audio quality \u003cbr data-mce-fragment=\"1\"\u003e520MHz Superscalar ARM processor\u003cbr data-mce-fragment=\"1\"\u003e ● 32-bit floating point processing\u003cbr data-mce-fragment=\"1\"\u003e ● Frequency response from 20 Hz to 20 kHz\u003cbr data-mce-fragment=\"1\"\u003e ● Audio input impedance: 1 M Ohm\u003cbr data-mce-fragment=\"1\"\u003e Audio output impedance: 100 ohms\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAnd more:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Strong and lightweight sky blue anodized aluminum chassis\u003cbr data-mce-fragment=\"1\"\u003e ● 9 V DC power supply included\u003cbr data-mce-fragment=\"1\"\u003e Power requirements: 9 volts DC maximum, center negative, with a minimum current of 300 mA.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e●\u003c\/span\u003e Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31442538594351,"sku":"","price":392.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Decov2_001.jpg?v=1656438437"},{"product_id":"strymon-riverside","title":"Riverside Multistage Drive","description":"Fans of the brand have been waiting for it, hoping for it... when will the first drive pedal be made by the Californian brand??!! Well here it is! In the greatest secrecy in this month of October 2016. For a very long time, Strymon geeks have stayed away from Overdrives and other Distortions, waiting to be able to bring something really \"new\", as they have always done with their splendid Reverbs and other Delays that have become real references. The Riverside is not an \"overdrive pedal\", but a pre-amp or even a real miniature amp with multiple gain stages.\u003cbr\u003e \u003cbr\u003eSo what is Riverside? Above all, it is a totally different design from other overdrives \/ distortions available on the market. Classic OD pedals typically use an all-analog design. The Riverside is in fact a hybrid which bases its architecture on an analogue JFET Class A input stage (and not only) whose signal will be managed by a SHARC DSP (the most powerful at present). This will allow you to control \"on the fly\" additional gain stages, dynamics, harmonics and many other parameters to sculpt your sound. This specific integration provides the best of both worlds. The analog part is able to deliver an optimal signal and an extremely fine interaction with your guitar, while maximizing its dynamic range and offering a unique character to the drive delivered. The digital part will then allow access to possibilities that are usually impossible to obtain unless you use several pedals. This is one of the specificities of the Riverside. The scope of the Riverside is vast: it is possible to obtain the lightest and most subtle clean boost with absolute transparency, or the heaviest and most complex high gain distortion, by simply turning a few knobs. Generally, pedals trying to do everything end up doing nothing good. This is not the case with the Riverside which covers absolutely all the needs of a current guitarist in terms of drive. \u003cbr\u003ePlease note that the Riverside is an Analog-Digital pedal, but it does not use any modeling technology and does not base its signature on any existing amp \/ model as 90% of manufacturers on the market do. The Riverside is a 100% original circuit, with its own \"cascading gain\" architecture which is ideal for delivering rich and extremely complex drives.\u003cbr\u003e\u003cbr\u003e Let's take a quick tour of the owner. The RS uses the same lines as the other brand pedals. Namely a configuration with 5 buttons and two mini switches on the front. We therefore find,\u003cbr\u003e \u003cbr\u003e- The DRIVE button: This allows you to adjust the amount of Gain delivered by the pedal. Are you going to tell us, \"nothing original\"? Well yes! Because the Riverside's DRIVE button works completely uniquely. Indeed, when you adjust it, the RS modifies on the fly, the response, the dynamics and the equalization for an optimal rendering. This is to avoid any loss of dynamics and to maintain a perfectly intelligible drive, even within a complex formation. DRIVE also adjusts the intensity of the built-in Noise Gate (secondary function).\u003cbr\u003e - The LEVEL knob: It allows to adjust the output volume and the intensity of the Boost (secondary function).\u003cbr\u003e - The BASS, MIDDLE, TREBLE buttons: The RS benefits from active and parametric equalization. Each button is thoroughly controlled by the DSP. You will be impressed by the efficiency of the EQ which is of extraordinary power. The EQ is post-gain and offers a huge range of action. \u003cbr\u003e- The GAIN mini-switch: This allows you to switch from a low-gain setting allowing subtle Clean Boosts and Overdrive, to a High-Gain mode that will deliver everything you need, from Rock to the most extreme distortions .\u003cbr\u003e - The PUSH mini-switch: This activates a Midrange boost located just after the first analog gain stage. It affects a frequency range between 300Hz and 1KHz and helps thicken the sound, add gain and tighten the low end to gain precision.\u003cbr\u003e\u003cbr\u003e Front,\u003cbr\u003e\u003cbr\u003e - The Presence switch: This mini 3-position switch allows you to adjust the high end of the spectrum, especially when using the Riverside as a pre-amp, plugged into a power section or other. Extremely effective for using the pedal on a very large number of amps.\u003cbr\u003e - In \u0026amp; Out: Enough to connect your pedal to an amp, a power amp, a mixer, an audio interface and more... \u003cbr\u003e- Boost output: Allows you to activate a post gain Boost of +6db or to trigger another Strymon pedal remotely.\u003cbr\u003e - Expression: Allows you to control any parameter or group of knobs with an expression pedal. Can also act as a volume pedal.\u003cbr\u003e \u003cbr\u003eNow let's talk about sound. It's simple, the Strymon Riverside is... perfect clean boost, perfect mid boost, low-gain, mid-gain, high-gain overdrive, rock distortion, metal and basically everything you need from the slightest boost, to the most colossal distortion... After a few hours of play, several things strike you. At no time do we feel the usual \"digital\" side. Namely, stiffness and over-compression. Here, we have transparency, dynamics, an excellent response, a very musical natural compression, ultra-efficient settings and ultra-wide possibilities of integration in a configuration of any type... The goal being to recreate saturation of an amp and all that makes its qualities. The Riverside is not a simple Drive pedal, it's a real pre-amp that can perfectly replace the pre-amplification stage of your favorite amp. You can plug it into just about anything and everything, even live console or via an audio interface for recording. The headroom and the \"airy\" side are impressive, unique for a pedal of this kind. \u003cbr\u003eThe icing on the cake, the Riverside is equipped with a kind of intelligent Noise Killer. Indeed, here, no question of \"gate, threshold\" and others. This is not an ordinary noise gate, it works a bit like an \"envelop filter\", with very advanced dynamics management, so as never to degrade the signal. Formidably effective and natural.\u003cbr\u003e\u003cbr\u003e As always, Strymon redistributes the cards on a market that is nevertheless rich in alternatives and competitors. The Strymon Riverside is an ultra-high-end, ultra-complete pedal \/ pre-amp. The possibility of saving an additional preset via its Favorite function further increases the possibilities offered. It could almost be the only drive pedal on your pedalboard as it does so many things perfectly. An absolute must have! GR award!\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Custom cascading multistage distortion topology provides a wide range of tube-inspired drive tones \u003cbr\u003e- Digitally controlled analog class A JFET input gain stage maximizes headroom while adding up to 20dB of pure analog gain\u003cbr\u003e - Precision crafted DSP gain stages provide detailed complexity and responsiveness\u003cbr\u003e - Low gain channel for smooth classic overdrive\u003cbr\u003e - High gain channel for modern saturated distortion\u003cbr\u003e - 3-band EQ with independent Bass, Middle and Treble controls\u003cbr\u003e - Selectable post-analog gain mid-band EQ push\u003cbr\u003e - Presence switch to tailor the sound for use with all amplifiers from dark to bright\u003cbr\u003e - Optional variable-threshold noise reduction helps tame noisy guitar pickups\u003cbr\u003e - High impedance mono input, Mono output\u003cbr\u003e - Favorite footswitch to save a favorite setting\u003cbr\u003e - Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode) \u003cbr\u003e- Boost pedal input allows connection of an external footswitch for up to +6dB of analog boost, or to toggle the Favorite preset on other Strymon pedals (Favorite Out mode)\u003cbr\u003e - Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003cbr\u003e - Premium analog front end and output section\u003cbr\u003e - Super high performance SHARC DSP in a compact form factor\u003cbr\u003e - 32-bit floating point processing\u003cbr\u003e - True Bypass (electromechanical relay switching)\u003cbr\u003e - Strong and lightweight anodized gold aluminum chassis\u003cbr\u003e - 9V DC power supply included\u003cbr\u003e - Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA of current\u003cbr\u003e - Designed and built in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31442565169199,"sku":"","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Riverside.jpg?v=1589671838"},{"product_id":"strymon-sunset","title":"Sunset Dual Overdrive","description":"Nothing can stop the Californian geeks of Strymon! After reverbs, delays, modulations, power supplies and lately, the Riverside (superb pre-amp), Strymon is now tackling OD \/ Distortion pedals with the Sunset, an impressive Swiss army knife offering you the equivalent of 6 pedals ( and even more possibilities) in one. For a very long time, Strymon geeks have stayed away from overdrives and other distortions while waiting to bring something really \"new\", as they have always done with their splendid reverbs and other delays which have become real references. With the Sunset, Strymon offers you a large part of the pedals that have marked the genre with tenfold possibilities and still this technology far ahead of its competitors.\u003cbr\u003e \u003cbr\u003eSo what is Sunset? Above all, it is a totally different design from other overdrives \/ distortions available on the market. Classic OD pedals typically use an all-analog design. The Sunset is in fact a hybrid which bases its architecture on an analogue JFET Class A input stage (and not only) whose signal will be managed by a SHARC DSP (the most powerful at present). This will allow you to control \"on the fly\" additional gain stages, dynamics, harmonics and many other parameters to sculpt your sound. This specific integration provides the best of both worlds. The analog part will allow you to deliver an optimal signal and an extremely fine interaction with your guitar by maximizing its dynamic range and offering a unique character to the drive delivered. The digital part will then allow access to possibilities that are usually impossible to obtain unless you use several pedals. This is one of the specificities of the Sunset. The Sunset allows you to do everything from the lightest and most subtle clean boost with absolute transparency, to complex and smooth high gain distortion. \u003cbr\u003eGenerally, pedals trying to do everything do, in the end, nothing good. This is not the case with the Sunset which covers absolutely all the needs of a current guitarist in terms of Drive.\u003cbr\u003e Please note, the Sunset is an Analog-Digital pedal, but it does not use any modeling technology. It is based on the great classics that have marked most guitarists and recreates their respective design while adding the usual \"Strymon touch\".\u003cbr\u003e\u003cbr\u003e The Sunset uses the same lines as the other brand pedals. 6 buttons (and not 5 as on the other models) and two mini switches on the front. The pedal is divided into two slices left and right. On each slice, we find the same controls, namely:\u003cbr\u003e \u003cbr\u003e- The DRIVE button: This allows you to adjust the amount of Gain delivered by the pedal. Are you going to tell us, \"nothing original\"? Well yes! Because the DRIVE button of the Sunset has a completely unique operation. Indeed, when you adjust it, the Sunset modifies on the fly, the response, the dynamics and the equalization for an optimal rendering. This is to avoid any loss of dynamics and to maintain a perfectly intelligible drive, even within a complex formation. The left DRIVE also adjusts the intensity of the built-in Noise Gate (secondary function).\u003cbr\u003e - The LEVEL knob: It adjusts the output volume.\u003cbr\u003e - The TONE button: It adjusts the high frequencies. Note that this changes behavior for each mode. \u003cbr\u003e- The Left mini-switch: This allows you to choose from 3 modes (Ge: germanium diode circuit with dry parallel pat, Klon Centaur style. Texas: Single stage soft-clipper with a bump in the upper medium, TS style. Treble : Clean boost with action on the low end of the spectrum via Tone, XOtic style).\u003cbr\u003e - The Right mini-switch: This allows you to choose from 3 modes (2 Stage: soft-clipping stage followed by a hard-clipping stage, complex and very dynamic Overdrive. Hard: High gain single stage hard-clipping circuit, like RAT.JFET: Clean boost which boosts and enriches your signal).\u003cbr\u003e\u003cbr\u003e Front,\u003cbr\u003e\u003cbr\u003e - The Presence switch: This mini 3-position switch allows you to adjust the top of the spectrum and the amount of headroom.\u003cbr\u003e - The AB switch: To configure the signal routing. A+B, A followed by B or B followed by A.\u003cbr\u003e - In \u0026amp; Out: Enough to connect your pedal to an amp, a power amp, a mixer, an audio interface and more... \u003cbr\u003e- Fav output: To connect a Favorite Switch and recall an additional preset.\u003cbr\u003e - Expression: Allows you to control any parameter or group of knobs with an expression pedal. Can also act as a volume pedal.\u003cbr\u003e\u003cbr\u003e When it comes to sound, the Strymon Sunset is... perfect clean boost, perfect treble and mid boost, low-gain, mid-gain, high-gain overdrive, rock distortion and basically everything you need. need the slightest boost to 80's high-gain distortion. After a few hours of play, several things strike. At no time do we feel the usual \"digital\" side. Namely, stiffness and over-compression. Here, we have transparency, dynamics, an excellent response, a very musical natural compression, ultra-efficient settings and ultra-wide possibilities of integration in a configuration of any type... The goal is to offer a maximum versatility in a single box. \u003cbr\u003eThe Sunset is extremely transparent, it delivers ultra-dynamic drives, with very marked personalities and exemplary musicality. All this with an impressive headroom and this typically analog \"airy\" side. What makes it unique for a pedal of this kind.\u003cbr\u003e\u003cbr\u003e The icing on the cake, the Sunset is equipped with a kind of intelligent Noise Killer. Indeed, here, no question of \"gate, threshold\" and others. This is not an ordinary noise gate, it works a bit like an \"envelop filter\", with very advanced dynamics management, so as never to degrade the signal. Formidably effective and natural.\u003cbr\u003e \u003cbr\u003eAs always, Strymon redistributes the cards on a market that is nevertheless rich in alternatives and competitors. The Strymon Sunset is an ultra high-end and ultra complete pedal. The possibility of saving an additional preset via its Favorite function further increases the possibilities offered, as do its \"on the fly\" expression functions. It could almost be the only drive pedal on your pedalboard as it does so many things perfectly. Almost infinite possibilities and extraordinary musicality. No doubt, we are at Strymon!\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Six drive circuit topologies with custom tuned voicing for each drive type\u003cbr\u003e - Precision crafted drive circuits stackable in multiple combinations for a wide variety of complex, responsive tones.\u003cbr\u003e - Analog class A JFET input gain stage maximizes headroom while adding up to 20dB of pure analog gain\u003cbr\u003e - Drive and Tone control ranges optimized for each circuit topology \u003cbr\u003e- Series, reverse series, and parallel drive circuit stacking via Config switch\u003cbr\u003e - Bright switch to tailor the sound for use with all amplifiers from dark to bright\u003cbr\u003e - Optional variable-threshold noise reduction for taming noisy guitar pickups\u003cbr\u003e - High impedance mono input. Single-output\u003cbr\u003e - Favorite Input to connect an external MiniSwitch to recall a Favorite preset\u003cbr\u003e - Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters\u003cbr\u003e - Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003cbr\u003e - Premium analog front end and output section\u003cbr\u003e - Super high performance SHARC DSP in a compact form factor. 32-bit floating point processing\u003cbr\u003e - True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass\u003cbr\u003e - 9V DC power supply included. Maximum 9 volts DC center-negative, with a minimum of 250mA of current\u003cbr\u003e - Dimensions: 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003cbr\u003e - Designed and built in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31442610094127,"sku":"","price":310.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Sunset_001.jpg?v=1593690699"},{"product_id":"strymon-orbit","title":"Orbit dBucket Flanger","description":"With the Orbit dBucket, Strymon has painstakingly replicated key aspects of the finest vintage analog flangers. Of course, Strymon has gone much further than that by integrating new unique functions such as Zero mode, an expression pedal output to control any parameter in real time, a \"favorite\" button to save a preset, etc. ... Add to that stereo outputs, true bypass, anodized aluminum finish, and Strymon build quality, and you have one of the best flangers on the market, which we're sure will give you 100% satisfaction!\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications: \u003cbr\u003e- Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip.\u003cbr\u003e - Super low noise, high performance A\/D and D\/A converters w\/ 110dB signal to noise\u003cbr\u003e - High performance DSP stuffed into a compact form factor\u003cbr\u003e - 3 LFO types (log, lin, through zero)\u003cbr\u003e - 3 Feedback types (positive, negative, pos\/neg)\u003cbr\u003e - TRUE BYPASS (electromechanical relay switching)\u003cbr\u003e - Stereo output\u003cbr\u003e - Expression pedal input with selectable control over any knob parameter\u003cbr\u003e - Favorite footswitch for saving your favorite setting\u003cbr\u003e - Powered with a standard 9V center negative DC supply. Compatible with all major DC supply brands. Current consumption 250mA\u003cbr\u003e - Premium analog front end and output section\u003cbr\u003e - No-nonsense user interface\u003cbr\u003e - Strong and lightweight purple anodized aluminum chassis\u003cbr\u003e - Crafted in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31449162678319,"sku":"","price":309.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Orbit.jpg?v=1589671808"},{"product_id":"strymon-ola","title":"Ola dBucket Chorus \u0026 Vibrato","description":"With the Ola Chorus, our favorite team of geeks wanted to offer an extremely organic, complete and versatile Chorus. No suspense, the result lives up to our expectations, as always with the Californians from Strymon! \u003cbr\u003eThe Ola Chorus has 3 main modes of use. 2 Chorus modes (dBucket chorus and multi chorus) and 1 vibrato mode are available. The Chorus dBucket mode is an extremely warm and deep chorus based on a logarithmic type LFO using a single delay line. The Multi Chorus mode is a tri-chorus using 3 separate delay lines in the purest \"LA Sound\" style with the ability to never become messy and always remain perfectly defined and dynamic. The attack is not \"puffy\" and you retain the response of your instrument (ideal for solos) even with a high Mix level. The Vibrato mode is based on a sinusoidal LFO and allows you to recreate a \"classic\" vibrato from the best references of the genre. Each effect can be associated with a dynamic mode of your choice, normal, envelope (the effect is injected dynamically according to the intensity of your playing) and ramp (the effect arrives through a fade-in more or less progressive). \u003cbr\u003eYou will find the usual speed and depth controls, but also a 100% analog Mix and a Tone button to sculpt your chorus \/ vibrato by acting on the top of the spectrum. A Ramp-Env button will adjust the sensitivity of the dynamic modes. Regarding the \"audiophile\" qualities of the Chorus Strymon, the Ola is ultra natural, organic and warm. Subtle or very present, it never sounds cold or \"cliché\" but on the contrary, in a natural way with a spatialization to make the best \"rack\" references of its kind pale!\u003cbr\u003e Finally, the Favorite function (widespread throughout the range) allows you to save an additional preset, so two totally different sounds immediately accessible. The equivalent of two pedals in one! The Ola is true bypass and has stereo inputs and outputs. It is entirely made in the USA and built around a brushed aluminum frame, like all the brand's models.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications: \u003cbr\u003e- Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip.\u003cbr\u003e - Super low noise, high performance A\/D and D\/A converters w\/ 110dB signal to noise\u003cbr\u003e - High performance DSP stuffed into a compact form factor\u003cbr\u003e - 3 modulation types (chorus, muti-mode chorus, vibrato)\u003cbr\u003e - 3 dynamic modes (normal, ramp, envelope)\u003cbr\u003e - Controllable ramp speed | envelope sensitivity\u003cbr\u003e - Global tone control for the overall color of your modulation\u003cbr\u003e - Mix control for dialing in various modulation intensities\u003cbr\u003e - TRUE BYPASS (electromechanical relay switching)\u003cbr\u003e - Stereo input and output\u003cbr\u003e - Favorite footswitch for saving your favorite setting\u003cbr\u003e - Powered with a standard 9V center negative DC supply. Compatible with all major DC supply brands. Current consumption 250mA\u003cbr\u003e - Premium analog front end and output section\u003cbr\u003e - No-nonsense user interface\u003cbr\u003e - Strong and lightweight blue anodized aluminum chassis\u003cbr\u003e - Crafted in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31449176834095,"sku":"","price":327.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Ola.jpg?v=1592599299"},{"product_id":"strymon-lex-v2","title":"Lex Rotary V2","description":"The Strymon Lex, without a doubt the best Leslie simulator in the world. After the enormous success of the El Capistan Tape echo, Strymon does it again with Lex, a high-end and extremely complete rotary speaker. There's something unique about the sound of a true vintage Leslie cabinet: The organic chorus as the treble horn and bass rotor begin to accelerate. The grit of the internal tube pre-amp that creates additional harmonics that swirl around the room. Plug in, close your eyes and let yourself be transported by this great classic, recreated with mind-blowing realism and depth. Lex offers you a complete Leslie system reproduced with ultra precision: the low frequency rotor, the treble, the tube pre-amp, the finely tuned microphone placement and all the complex sonic interactions between these elements. Powerful and intuitive controls let you quickly create the sound you have in mind.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFor this version 2, Strymon has remained faithful to the original box by adding an additional control. Beautiful aluminum chassis, ultra light, PCB at the top, the manufacturing quality is there, it's Strymon, we are at the top of the basket. With its ultra-quiet, high-performance 24-bit 96kHz A\/D and D\/A converters and a frequency response of 20Hz to 20kHz, the Lex is as at home on a studio console as it is in front of a tube amp. . It is made for duration.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe new functions of version 2:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eUser Interface\u003c\/strong\u003e - A more powerful and intuitive user interface gives you instant control over mic position and distance, WET\/DRY balance, throttle rate, output level, and the ability to adjust rotor speed . Everything you need, down to the smallest detail. \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMIDI - USB\u003c\/strong\u003e - Instrument \/ Line Level - The addition of MIDI protocol and a USB-C port gives you the ability to control every parameter on the pedal and recall them via 300 presets. There are two input modes to choose from, each optimized for a specific type of setup (bass guitars with active pickups, synthesizers, effects loops, vocals and more…)\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eHardware\u003c\/strong\u003e - A new premium JFET analog input stage ensures superb responsiveness to your playing, and lets you select mono or stereo input at the push of a rear panel button. You can now control the Lex with an expression pedal or a MultiSwitch Plus. An all-new ARM processor delivers more processing power for every nuance of sound, with less power drained from your pedalboard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eControls:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe buttons: Volume for the output level, Speed ​​for the speed of the effect, Mix Distance for the positioning of the microphone, Horn Level for the presence in the treble, Preamp Drive to add a slight drive at the beginning of the chain and Dry which allows you to have a WET\/DRY balance.\u003cbr data-mce-fragment=\"1\"\u003e Many secondary functions are available, Cab Filter, Bi-Amp etc…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe sound:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eWe have tried everything on the market. there are some very good Leslie pedals available, but none have the completeness of the Lex, nor its musicality within a mix (take a quick look at our video to see for yourself). The Lex is jam-packed with effect interactions, and the effect is of a complexity and richness that no other Leslie pedal can offer. There is a certain magic that our friends in California have put into this pedal to allow it to perfectly reproduce all the acoustic and mechanical complexity of a Vintage Leslie cabinet. It's warm, nuanced, dynamic, it reacts over a very wide range of frequencies. The Lex is never faulted and remains extremely musical, whatever the settings adopted.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eInputs, outputs and footswitches:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Ultra low noise, high impedance Class A stereo JFET TRS input. \u003cbr data-mce-fragment=\"1\"\u003e● Independent low impedance TS stereo outputs.\u003cbr data-mce-fragment=\"1\"\u003e ● Input for expression pedal and MiniSitch, MultiSwitch Plus or TRS MIDI.\u003cbr data-mce-fragment=\"1\"\u003e ● USB port for controlling via MIDI from a computer or for performing firmware updates.\u003cbr data-mce-fragment=\"1\"\u003e Dedicated footswitches for each effect\/\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAudio quality:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Premium JFET analog input stage\u003cbr data-mce-fragment=\"1\"\u003e 24-bit 96 kHz A\/D and D\/A converters with very low noise and high audio quality\u003cbr data-mce-fragment=\"1\"\u003e 520MHz Superscalar ARM processor\u003cbr data-mce-fragment=\"1\"\u003e ● 32-bit floating point processing\u003cbr data-mce-fragment=\"1\"\u003e ● Frequency response from 20 Hz to 20 kHz\u003cbr data-mce-fragment=\"1\"\u003e ● Audio input impedance: 1 M Ohm\u003cbr data-mce-fragment=\"1\"\u003e Audio output impedance: 100 ohms\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAnd more:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ● Strong and lightweight sky blue anodized aluminum chassis\u003cbr data-mce-fragment=\"1\"\u003e ● 9 V DC power supply included\u003cbr data-mce-fragment=\"1\"\u003e Power requirements: 9 volts DC maximum, center negative, with a minimum current of 300 mA.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e●\u003c\/span\u003e Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31453483532335,"sku":"","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_LEXv2_001.jpg?v=1656438660"},{"product_id":"strymon-multiswitch-plus","title":"MultiSwitch Plus - Extended Control for Sunset, Riverside, Volante et Plus","description":"\u003cp\u003e Do you own a TimeLine, Sunset, Riverside, Volante, or other? Want extended controls on all those pedals? Well, the Strymon MultiSwitch Plus is what you need!\u003cbr\u003e\u003cbr\u003e The MultiSwitch Plus is a mini crankset that uses the brushed aluminum chassis dear to the Californian brand. Inside is a microprocessor that allows you to add many functions to Strymon pedals.\u003cbr\u003e \u003cbr\u003eFor example, you want to access 3 instant presets on your Riverside or your Sunset. You want to control the looper of your TimeLine remotely, or multiply the functions of the Volante. Nothing could be simpler, just connect the MultiSwitch Plus to one of these pedals with the supplied 1\/4″ TRS jack, and voilà, you have a much more powerful system.\u003cbr\u003e\u003cbr\u003e \u003cem\u003eMultiple control modes\u003c\/em\u003e\u003cbr\u003e MultiSwitch Plus can be configured in a variety of ways to extend ground control of compatible Strymon pedals. Depending on the selected mode and connected pedals, you can recall presets, switch banks, use TimeLine's looper, remotely tap tempos, and more. (see compatibility \u003ca href=\"https:\/\/www.strymon.net\/products\/multiswitchplus\/#section-14\" target=\"_blank\" title=\"Strymon MultiSwitch Plus\" rel=\"noopener noreferrer\"\u003echart\u003c\/a\u003e here for details).\u003cbr\u003e\u003cbr\u003e \u003cem\u003eControl up to 3 pedals\u003c\/em\u003e \u003cbr\u003eFeaturing three outputs, MultiSwitch Plus lets you connect up to three compatible Strymon pedals using additional TRS cables. You can now simultaneously activate presets on your Sunset, Riverside and Volante. You can also configure your own custom settings, to control tap tempo tap on your Flint, Favorite on your El Capistan or Boost on your Riverside.\u003cbr\u003e\u003cbr\u003e \u003cem\u003eAccess to instant presets\u003c\/em\u003e\u003cbr\u003e Add a MultiSwitch Plus to your Sunset, Riverside, or Volante and get instant access to presets 1, 2, and 3. You can also connect all 3 pedals to the MultiSwitch Plus using additional TRS cables to access 3 synchronized presets on the 3 pedals simultaneously.\u003cbr\u003e\u003cbr\u003e \u003cem\u003eExpand the functions of the Volante\u003c\/em\u003e \u003cbr\u003eConnect MultiSwitch Plus to your Volante for additional foot controls. Use MultiSwitch Plus for remote control of SPEED, transport or for foot control of Sound on Sound mode.\u003cbr\u003e\u003cbr\u003e \u003cem\u003eControl the Looper mode of the Timeline\u003c\/em\u003e\u003cbr\u003e Not only does MultiSwitch Plus give you full control over the Timeline Looper in a simple and compact format, it also unlocks three additional functions: Reverse, Half Speed ​​and Undo\/Redo. Use MultiSwitch Plus to control your TimeLine Looper in two different ways.\u003cbr\u003e\u003cbr\u003e \u003cem\u003eRemote control of TimeLine, BigSky and Mobius\u003c\/em\u003e\u003cbr\u003e MultiSwitch Plus offers another way to explore presets and set tempos on your TimeLine, BigSky and Mobius.\u003cbr\u003e\u003cbr\u003e - Straight-angled 1\/4″ TRS cable included\u003cbr\u003e - No additional power required\u003cbr\u003e - Sturdy black anodized aluminum frame\u003cbr\u003e - Small and light\u003cbr\u003e - Designed and built in the USA\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484147040303,"sku":"","price":137.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_MultiSwitchPlus_001.jpg?v=1592420706"},{"product_id":"strymon-miniswitch","title":"MiniSwitch - External Tap Tempo \/ Favorite \/ Boost Switch","description":"Got a Strymon pedal that doesn't have the Favorite feature? Want to save your favorite setting and be able to recall it at any time? The Favorite is there for that! Concretely, you connect, save your favorite preset in less than 3 seconds and access it with a simple press of the switch. This gives you the equivalent of two Strymon pedals in one!\u003cbr\u003e But that's not all! Moving the small internal Jumper switches the switch to TAP mode so that you can use it as an external Tap Tempo. Compatible with Brigadier, El Capistan, Lex, Flint, TimeLine etc... with still the same high end build quality and all booteeeyy aluminum dress!!\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Switch between Favorite mode and Tap Tempo mode via an internal jumper\u003cbr\u003e - Use Favorite mode to save and recall your favorite preset settings\u003cbr\u003e - Favorite mode compatible with Brigadier, El Capistan, Lex, and Flint\u003cbr\u003e - Favorite mode can also be used as an external speed switch with Lex \u003cbr\u003e- Use Tap Tempo mode for external tap tempo\u003cbr\u003e - Tap Tempo mode compatible with TimeLine, Mobius, and Flint\u003cbr\u003e - 1\/4\" TRS cable included\u003cbr\u003e - No additional power supply required\u003cbr\u003e - Rugged black anodized aluminum chassis\u003cbr\u003e - Super small and lightweight: measures 2\" W x 2.25\" D x 1.8\" H\u003cbr\u003e - Designed and built in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484153823279,"sku":"","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Mini-Switch_001.jpg?v=1602063340"},{"product_id":"strymon-ojai","title":"OJAI - Compact High Current DC Power Supply","description":"Huge power and flexibility in a tiny package. That's what Strymon OJAI gives you. After more than 2 years of development, Strymon announces at the NAMM Show 2016 the availability of the OJAI, an ultra-compact format of barely 8 cm and 130 grams. The smallest, lightest and most powerful power supply on the market. \u003cbr\u003eThe OJAI provides a perfectly filtered, purified, regulated and stable current. This through 5 fully isolated 9V outputs which deliver 500mA for each of them. That is a total of 2.5A. They can also be routed in series or in parallel to obtain 18V \/ 24V or more than 500mA. Enough to power almost any pedal available. The outputs are opto-isolated, the signal is processed and cleaned using a multi-step process to obtain the most stable power supply possible. A quality power supply isn't just about reducing noise in your effects chain, it's also about consistently better sound and dynamics.\u003cbr\u003e \u003cbr\u003eWith the Strymon OJAI you have a tiny power supply capable of powering an entire pedalboard, without radiation, without noise and without heating. The icing on the cake, it works in 110-240V, so you can use it anywhere in the world. 5 outings not enough for you? No problem, you can chain up to 3 OJAIs in series for a total of 15 outputs with a single transformer. Enough to power the most massive pedalboards with unique comfort.\u003cbr\u003e\u003cbr\u003e The Strymon Ojai combines power and lightness. Its dimensions reduced to a minimum and its extreme modularity (possibility of chaining) make the OJAI unique in its kind. Indispensable for all serious guitarists and lovers of effects.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Dimensions: 3.2″ x 2.3″ x 1.3” (81mm x 58mm x 33mm)\u003cbr\u003e - Weight: 4.7 oz. (133g)\u003cbr\u003e - 5 fully isolated \"high-current\" 9V outputs\u003cbr\u003e - 500mA per output to power almost any pedal \u003cbr\u003e- 5 DC cables included (5.5mm x 2.1mm barrel connectors, center negative, straight\/angled)\u003cbr\u003e - IEC power cable provided\u003cbr\u003e - 24V Thru jack allowing several OJAIs to be connected together\u003cbr\u003e - 5 individual custom transformers (1 per channel) deliver the most stable current possible\u003cbr\u003e - Compatible with worldwide 110-240V\u003cbr\u003e - Ultra-compact and lightweight anodized aluminum housing\u003cbr\u003e - Can be attached under virtually under\/on any pedalboard\u003cbr\u003e - Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484159197231,"sku":"","price":159.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_OJAI.jpg?v=1590172035"},{"product_id":"strymon-ojai-r30","title":"OJAI R30 - Low Profile High Current DC Power Supply","description":"\u003cp\u003eHuge power and flexibility in a tiny package. That's what Strymon OJAI gives you. After more than 2 years of development, Strymon announces at the NAMM Show 2016 the availability of the OJAI, then during the summer of 2017, the R30 version, an ultra-compact format of barely 13 cm and 171 grams. The smallest, flexible, lightest and most powerful power supply on the market. \u003cbr\u003eThe OJAI R30 provides a perfectly filtered, purified, regulated and stable current. This through 5 fully isolated 9V outputs which deliver 500mA for each of them. That is a total of 2.5A. We can also get 12 and 18V on two of them which are fully configurable. Enough to power almost any pedal available. The outputs are opto-isolated, the signal is processed and cleaned using a multi-step process to obtain the most stable power supply possible. A quality power supply isn't just about reducing noise in your effects chain, it's also about consistently better sound and dynamics.\u003cbr\u003e \u003cbr\u003eWith the Strymon OJAI R30 you have a very small power supply capable of powering an entire pedalboard, without radiation, without noise and without heating. The icing on the cake, it works in 110-240V, so you can use it anywhere in the world. 5 outings not enough for you? No problem, you can chain up to 3 OJAIs in series for a total of 15 outputs with a single transformer. Enough to power the most massive pedalboards with unique comfort.\u003cbr\u003e\u003cbr\u003e The Strymon Ojai R30 combines power and lightness. Its dimensions reduced to a minimum and its extreme modularity (possibility of chaining) make the OJAI unique in its kind. Indispensable for all serious guitarists and lovers of effects.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Dimensions: 5.1″ x 2.3″ x 1.15” (130mm x 58mm x 29mm)\u003cbr\u003e - Weight: 6oz. (171g)\u003cbr\u003e - 5 fully isolated \"high-current\" 9V outputs\u003cbr\u003e - 2 of these outputs offer 9V (500mA), 12V (375mA), or 18V (250mA) \u003cbr\u003e- 500mA per output to power almost any pedal\u003cbr\u003e - 5 DC cables included (5.5mm x 2.1mm barrel connectors, center negative, straight\/angled)\u003cbr\u003e - IEC power cable provided\u003cbr\u003e - 24V Thru jack allowing several OJAIs to be connected together\u003cbr\u003e - 5 individual custom transformers (1 per channel) deliver the most stable current possible\u003cbr\u003e - Compatible with worldwide 110-240V\u003cbr\u003e - Ultra-compact and lightweight anodized aluminum housing\u003cbr\u003e - Can be attached under virtually under\/on any pedalboard\u003cbr\u003e - Designed and manufactured in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484168405039,"sku":"","price":177.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_OJAIR30.jpg?v=1592991310"},{"product_id":"strymon-zuma","title":"Zuma - High Current DC Power Supply","description":"A monster of power and flexibility in a box with contained dimensions and for only 680 gr. That's what the Strymon Zuma gives you. After more than 2 years of development, Strymon announces at the NAMM Show 2016 the availability of the Zuma, the most powerful power supply of this size on the market at the time of writing these lines. \u003cbr\u003eThe Zuma delivers a perfectly filtered, purified, regulated and stable current. This through 9 fully isolated 9V outputs which deliver 500mA for each of them. That is a total of 4.5A. They can also be routed in series or in parallel to obtain 18V \/ 24V or more than 500mA. Note, 2 of these outputs can be configured as 9, 12 or 18V. Enough to power almost any pedal available. The outputs are opto-isolated, the signal is processed and cleaned using a multi-step process to obtain the most stable power supply possible. A quality power supply isn't just about reducing noise in your effects chain, it's also about consistently better sound and dynamics.\u003cbr\u003e \u003cbr\u003eWith the Strymon Zuma you have a power supply capable of powering a large size pedalboard, without radiation, without noise and without heating. The icing on the cake, it works in 110-240V, so you can use it anywhere in the world. 9 outings not enough for you? No problem, you can chain up to 6 OJAI in series for a total of 39 outputs!! This, via the 24V output provided for this purpose. Enough to power the most delirious pedalboards with unique comfort.\u003cbr\u003e\u003cbr\u003e The Strymon Zuma combines power and lightness. Its reduced dimensions, its power and its extreme modularity (possibility of chaining) make the Zuma unique in its kind. Indispensable for all serious guitarists and lovers of effects.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Dimensions: 6.8″ x 3.3″ x 1.8” (173mm x 84mm x 46mm)\u003cbr\u003e - Weight: 1.25 lbs. (680g)\u003cbr\u003e - 9 fully isolated \"high-current\" 9V outputs, 2 outputs configurable as 9, 12 or 18V\u003cbr\u003e - 500mA per output to power almost any pedal \u003cbr\u003e- 9 DC cables included (5.5mm x 2.1mm barrel connectors, center negative, straight\/angled)\u003cbr\u003e - IEC power cable provided\u003cbr\u003e - 24V Thru jack for connecting up to 6 OJAI for a total of 39 outputs\u003cbr\u003e - 9 individual custom transformers (1 per channel) deliver the most stable current possible\u003cbr\u003e - Compatible with worldwide 110-240V\u003cbr\u003e - Compact and lightweight anodized aluminum housing\u003cbr\u003e - Can be attached under virtually under\/on any pedalboard\u003cbr\u003e - Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484175646767,"sku":"","price":259.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Zuma.jpg?v=1590174515"},{"product_id":"strymon-zuma-r300","title":"Zuma R300 - Ultra Low Profile DC Power Supply","description":"Huge power and flexibility in a package that fits on absolutely any pedalboard on the market. That's what the Strymon Zuma R300 gives you. After more than 2 years of development, Strymon announces at the NAMM Show 2016 the availability of the Zuma, then at the end of 2017, the R300 version, a compact format of barely 18 cm and 390 grams. The most flexible, light and powerful power supply on the market, among those that you can install even on a Nano type board. \u003cbr\u003eThe Zuma R300 provides a perfectly filtered, purified, regulated and stable current. This through 5 fully isolated 9V outputs which deliver 500mA for each of them. That is a total of 2.5A. You can also get 12 and 18V on one of them. Enough to power almost any pedal available. The outputs are opto-isolated, the signal is processed and cleaned using a multi-step process to obtain the most stable power supply possible. A quality power supply isn't just about reducing noise in your effects chain, it's also about consistently better sound and dynamics.\u003cbr\u003e \u003cbr\u003eWith the Strymon Zuma R300 you have a very small power supply capable of powering an entire pedalboard, without radiation, without noise and without heating. The icing on the cake, it works in 110-240V, so you can use it anywhere in the world. 5 outings not enough for you? No problem, you can chain up to 3 Zuma in series for a total of 15 outputs with a single power supply. Enough to power the most massive pedalboards with unique comfort.\u003cbr\u003e\u003cbr\u003e The Strymon Zuma R300 combines power and lightness. Its reduced dimensions, its \"low profile\" and its extreme modularity (possibility of chaining) make the Zuma unique in its kind. Indispensable for all serious guitarists and lovers of effects.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Dimensions: 7.25″ x 3.5″ x 1.18″ (184mm x 88mm x 30mm)\u003cbr\u003e - Weight: 0.9 lbs. (390g)\u003cbr\u003e - 5 fully isolated \"high-current\" 9V outputs\u003cbr\u003e - 1 of these outputs offers 9V (500mA), 12V (375mA), or 18V (250mA) \u003cbr\u003e- 500mA per output to power almost any pedal\u003cbr\u003e - 5 DC cables included (5.5mm x 2.1mm barrel connectors, center negative, straight\/angled)\u003cbr\u003e - IEC power cable provided\u003cbr\u003e - 24V Thru jack allowing several OJAIs to be connected together\u003cbr\u003e - 5 individual custom transformers (1 per channel) deliver the most stable current possible\u003cbr\u003e - Compatible with worldwide 110-240V\u003cbr\u003e - Ultra-compact and lightweight anodized aluminum housing\u003cbr\u003e - Can be attached under virtually under\/on any pedalboard\u003cbr\u003e - Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484180168751,"sku":"","price":219.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/StrymonZumaR300_001.jpg?v=1602061695"},{"product_id":"strymon-ojai-expansion-kit","title":"OJAI - Expansion Kit","description":"\u003cspan style=\"color: #ff8000;\"\u003eExpansion kit: Includes power supply and cables only. Does not include transformer.\u003c\/span\u003e\u003cbr\u003e Huge power and flexibility in a tiny package. That's what Strymon OJAI gives you. After more than 2 years of development, Strymon announces at the NAMM Show 2016 the availability of the OJAI, an ultra-compact format of barely 8 cm and 130 grams. The smallest, lightest and most powerful power supply on the market. \u003cbr\u003eThe OJAI provides a perfectly filtered, purified, regulated and stable current. This through 5 fully isolated 9V outputs which deliver 500mA for each of them. That is a total of 2.5A. They can also be routed in series or in parallel to obtain 18V \/ 24V or more than 500mA. Enough to power almost any pedal available. The outputs are opto-isolated, the signal is processed and cleaned using a multi-step process to obtain the most stable power supply possible. A quality power supply isn't just about reducing noise in your effects chain, it's also about consistently better sound and dynamics.\u003cbr\u003e \u003cbr\u003eWith the Strymon OJAI you have a tiny power supply capable of powering an entire pedalboard, without radiation, without noise and without heating. The icing on the cake, it works in 110-240V, so you can use it anywhere in the world. 5 outings not enough for you? No problem, you can chain up to 3 OJAI in series for a total of 15 outputs with a single transformer. Enough to power the most massive pedalboards with unique comfort.\u003cbr\u003e\u003cbr\u003e The Strymon Ojai combines power and lightness. Its dimensions reduced to a minimum and its extreme modularity (possibility of chaining) make the OJAI unique in its kind. Indispensable for all serious guitarists and lovers of effects.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Dimensions: 3.2″ x 2.3″ x 1.3” (81mm x 58mm x 33mm)\u003cbr\u003e - Weight: 4.7 oz. (133g)\u003cbr\u003e - 5 fully isolated \"high-current\" 9V outputs\u003cbr\u003e - 500mA per output to power almost any pedal \u003cbr\u003e- 5 DC cables included (5.5mm x 2.1mm barrel connectors, center negative, straight\/angled)\u003cbr\u003e - IEC power cable provided\u003cbr\u003e - 24V Thru jack allowing several OJAIs to be connected together\u003cbr\u003e - 5 individual custom transformers (1 per channel) deliver the most stable current possible\u003cbr\u003e - Compatible with worldwide 110-240V\u003cbr\u003e - Ultra-compact and lightweight anodized aluminum housing\u003cbr\u003e - Can be attached under virtually under\/on any pedalboard\u003cbr\u003e - Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484187934767,"sku":"","price":138.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_OJAIExpansionPack.jpg?v=1592419891"},{"product_id":"strymon-ojai-r30-expansion-kit","title":"OJAI R30 - Expansion Kit","description":"\u003cspan style=\"color: #ff8000;\"\u003eExpansion kit: Includes power supply and cables only. Does not include transformer.\u003c\/span\u003e \u003cbr\u003eHuge power and flexibility in a tiny package. That's what Strymon OJAI gives you. After more than 2 years of development, Strymon announces at the NAMM Show 2016 the availability of the OJAI, then during the summer of 2017, the R30 version, an ultra-compact format of barely 13 cm and 171 grams. The smallest, flexible, lightest and most powerful power supply on the market. \u003cbr\u003eThe OJAI R30 provides a perfectly filtered, purified, regulated and stable current. This through 5 fully isolated 9V outputs which deliver 500mA for each of them. That is a total of 2.5A. We can also get 12 and 18V on two of them which are fully configurable. Enough to power almost any pedal available. The outputs are opto-isolated, the signal is processed and cleaned using a multi-step process to obtain the most stable power supply possible. A quality power supply isn't just about reducing noise in your effects chain, it's also about consistently better sound and dynamics.\u003cbr\u003e \u003cbr\u003eWith the Strymon OJAI R30 you have a very small power supply capable of powering an entire pedalboard, without radiation, without noise and without heating. The icing on the cake, it works in 110-240V, so you can use it anywhere in the world. 5 outings not enough for you? No problem, you can chain up to 3 OJAIs in series for a total of 15 outputs with a single transformer. Enough to power the most massive pedalboards with unique comfort.\u003cbr\u003e\u003cbr\u003e The Strymon Ojai R30 combines power and lightness. Its dimensions reduced to a minimum and its extreme modularity (possibility of chaining) make the OJAI unique in its kind. Indispensable for all serious guitarists and lovers of effects.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Dimensions: 5.1″ x 2.3″ x 1.15” (130mm x 58mm x 29mm)\u003cbr\u003e - Weight: 6oz. (171g)\u003cbr\u003e - 5 fully isolated \"high-current\" 9V outputs\u003cbr\u003e - 2 of these outputs offer 9V (500mA), 12V (375mA), or 18V (250mA) \u003cbr\u003e- 500mA per output to power almost any pedal\u003cbr\u003e - 5 DC cables included (5.5mm x 2.1mm barrel connectors, center negative, straight\/angled)\u003cbr\u003e - IEC power cable provided\u003cbr\u003e - 24V Thru jack allowing several OJAIs to be connected together\u003cbr\u003e - 5 individual custom transformers (1 per channel) deliver the most stable current possible\u003cbr\u003e - Compatible with worldwide 110-240V\u003cbr\u003e - Ultra-compact and lightweight anodized aluminum housing\u003cbr\u003e - Can be attached under virtually under\/on any pedalboard\u003cbr\u003e - Designed and manufactured in the USA","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484195766319,"sku":"","price":159.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_OJAIR30ExpansionPack.jpg?v=1592990587"},{"product_id":"strymon-alimentation-9v-power-supply","title":"9V Power Supply","description":"\u003cp\u003e Power supply 9V DC, 667mA, center negative. Compatible with all Strymon, BOSS, MXR and other effect pedals... Extremely quiet.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31484199764015,"sku":"","price":23.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_9VPowerSupply.jpg?v=1590171862"},{"product_id":"free-the-tone-future-factory-ff-1y","title":"Future Factory FF-1Y - RF Phase Modulation Delay","description":"This is not Yukihiro Hayashi's first delay. Time passes and he even manages to improve them year after year. Delay fans will surely remember the Providence Delay 80 which became a reference in Japan almost 15 years ago. Yukihiro Hayashi then designed a delay in the vein of the best rack delays of the 80's, capable of competing with references of the genre, such as the Pete Cornish delay and others... After having developed the Flight Time , superb machine dedicated to the TC2290 (with much more power than this one); he returns with the Future Factory, a totally unique digital delay. Benefiting from modulation and a stereo image that is totally out of the ordinary. Are you ready? Let's go!\u003cbr\u003e \u003cbr\u003eAs always, from the outside, the pedal looks extremely neat. Case adjusted to the thousandth of a millimetre, ultra-light and high-quality anodized aluminium, perfect finish... it's Free The Tone. The work inside is just as \"perfect\", high quality PCB, selected components, far from the standards of many other more or less high-end brands. Eight years have passed since the creation of the brand, and at our level, we can tell you that Free The Tone remains one of the absolute references on the market, in terms of design, manufacturing quality and musicality. The Japanese know how to do it and they prove it once again with this superb delay.\u003cbr\u003e The interface uses the very broad lines of Flight Time. It can be scary the first time you look at it, but it's actually very very simple and intuitive to use. Much more than cascading drop-down menus. \u003cbr\u003eOn the Future Factory program? a new kind of digital dual delay. Indeed, the DD-1Y is a Stereo delay (which can of course be used in Mono) with two completely separate delay lines, named A and B. On each of the two lines, you can assign all the functions of the pedal. Different tempos, different delays, different modulations, different EQs etc... It's really the equivalent of 2 delays in one, with the possibility of being routed in series or in parallel, or with a bypass for one or the other. Added to this, the midi functions, filters, killdry and everything you need to play this first-rate delay to the maximum.\u003cbr\u003e \u003cbr\u003eGuitar in hand, on two clean Two-Rock bases in stereo configuration (see our video below)... How can I tell you? It's a real wall that stands in front of you. The first thing that strikes you is the enormous spatialization generated by this delay. There's a kind of unique 3D depth with a wonderful modulation that adds even more to this feeling of extra depth and density. Each delay-ified note benefits from this signature which really makes it possible to create a soundscape in its own right. As always with the brand, the modulations, EQs and various filters are of extraordinary musicality. These functions have clearly become one of the specialties of the brand with the know-how acquired by producing the excellent Tri-Avatar and the Prog EQ. The modulation part, let's talk about it, because it is what makes all the difference overall. Indeed, by playing on the phase of the signal which changes randomly from a certain level, the FF-1Y makes it possible to create a very specific effect which generates this unique depth with a very wide image. Imagine, your delay lines sweeping from right to left with different depths, densities, modulation, speed... It's quite simply the dream of all fans of big delays like Lukather, Landau, LA Sound and others. .. And of all those who are looking for a solid base to generate ambient and other very large layers of effects, which the FF-1Y will enhance. \u003cbr\u003e\u003cbr\u003eIn conclusion, if you are looking for an extremely pure multi-line delay, with a very wide diffusion, in short, a delay that is impressive, the Future Factory FF-1Y is made for you! Let's be clear, all fans of big rack delays will jump on this new little Japanese marvel that will seriously shake up competing brands!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31484332179503,"sku":"","price":419.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_FutureFactoryFF-1Y_001.jpg?v=1591980789"},{"product_id":"free-the-tone-flight-time-ft-2y","title":"Flight Time FT-2Y - Digital Delay","description":"Delay fans will surely remember the Providence Delay 80 which became a benchmark in Japan over 10 years ago. Yukihiro Hayashi then designed a delay in the vein of the famous TC2290. It was at the end of 2014 that Yuki came back with the Flight Time, a Dolorean-style delay (if that reminds you of something). 2nd 2017, the brand releases version 2 by adding some small well-felt functions. Externally the pedal adopts the same type of case as the rest of the range, anodized and light. It is also manufactured, exceptionally, in northern Japan and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. \u003cbr\u003eOn the front, there is a set of screens which may seem \"busy\", but which in fact turn out to be of formidable ergonomics and simplicity :) Finally, let's remember, it's important: the Flight Time is designed in a 100% original way with exclusive functions, and above all, the admitted goal of doing better than the TC2290 and its predecessor the Delay 80!!\u003cbr\u003e \u003cbr\u003eStratocaster and Les Paul in hand, plugged into a high quality clean Two-Rock, a quick tour of the owner is in order. The Flight Time has full MIDI support and 99 presets. The two footswitches allow you to activate the effect and enter a value for the tap tempo. And also to scroll through the presets after pressing the TAP switch for 2 seconds. The mode of operation of the dials is very simple. Simply press one of the buttons to activate the dial concerned. We can then adjust the output level, the feedback, the presets etc... All by simply using the + and - and Enter keys. Simple! In the center you can access the modulation settings and the filters. Top right the rhythmic subdivisions. And finally, we will find some buttons for trail, repeat and phase mode.\u003cbr\u003e \u003cbr\u003eWhat to say? On a clean channel at the top... It's... FAT, rich, enveloping and pure. A clean crystal delay, but with a sound signature and a very warm color. We typically find the character of the 2290 (without the possibilities of the rack of course, we are only talking about the sound signature) with a \"we don't know what\" more... The modulation is just huge, it brings thickness and spatialization. Filters are awesome! They actually allow you to tune the echo response very precisely. We also find the Free The Tone key because they remain very musical whatever the setting adopted. In the digital delay style, that's all you can hope for. The Flight Time being a \"pro\" tool, we will also find a Kill Dry which will be well seen by those who use the pedal in a parallel loop, and the phase function, which will allow you to make yourself heard in a complex mix. \/ charge. \u003cbr\u003eThe icing on the cake, Flight Time is equipped with a BPM Analyzer. So what is it? Well if you're not perfectly in place when you play in a group, this one will vary the BPM on the fly and automatically correct your small differences ;) Nice!\u003cbr\u003e\u003cbr\u003e In conclusion, the Free The Tone Flight Time 2 is an elite timeframe. It does one type of delay, but it does it perfectly. If you are looking for an enveloping and complex \"studio\" type delay, this is THE reference delay in pedal format. Version 2 brings a Midi Out, a Line and Instrument Level switch, a 9V voltage and a slightly reworked circuit to make it, definitively, one of the best references on the market. A must!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485482500143,"sku":"","price":419.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_FlightTimeFT-2Y_001.jpg?v=1592335341"},{"product_id":"free-the-tone-ambi-space-as-1r","title":"Ambi Space AS-1R - Digital Reverb","description":"The 3rd MIDI pedal in the range, the long-awaited Ambi Space is a digital reverb incorporating a good part of the bases of the development of the excellent Flight Time! On the program, an ultra-complete Reverb that shakes up the Eventide, Strymon and others...\u003cbr\u003e Externally the pedal adopts the same type of casing as the Tri Avatar and Flight Time, namely, a very light casing and pleasant to the touch, with an anodized finish and a bronze color dress. It does it! It is also manufactured, exceptionally, in Iwate prefecture and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. We will appreciate the gesture! \u003cbr\u003eOn the front, there is a design which in fact proves to be of formidable ergonomics and simplicity. Finally, let's remember, it's a Free The Tone, which means a completely original circuit developed from A to Z by the brand. No, it's not yet another lambda Reverb, a very serious reference, as always with the Japanese brand.\u003cbr\u003e \u003cbr\u003eAt the grip, we therefore have 2 footswitches; one to activate the effect, the other to switch between MIDI presets. You can therefore store up to 4 presets within the Ambi Space. This will satisfy 99.99% of guitarists! The pedal is therefore controllable with an external MIDI controller. On the left, there is a rotary knob that allows you to navigate between the 6 Reverb modes available. A MIX knob adjusts the depth and density of the effect. The Tone acts like an EQ on the effect, allowing you to tune the effect response very precisely. This always in a very musical way (Free The Tone requires). Finally, the Decay adjusts the length of the reverb and the pre-delay its delay time. Ambi Space can be used in Manual or Preset mode. In preset mode, you can modify the parameters of an already saved preset. In Manual mode, you can create a preset from A to Z and choose the destination location. On the rear panel, the usual stereo In and Out, the possibility to adjust the level of the pedal (instr. or line) and to activate the KillDry and finally, a MIDI In. \u003cbr\u003e\u003cbr\u003eConnected to a very nice clean channel, with a stratocaster in hand, we attack with the different modes available,\u003cbr\u003e\u003cbr\u003e - Spring: This emulates, as its name suggests, a spring reverb. This mode is extremely realistic, the Ambi Space delivering an extremely detailed and never caricatural Spring, even with advanced settings.\u003cbr\u003e - Plate: One of the most impressive modes. The Ambi Space gives us a metallic reverb that's just right, without being too stiff or cold. La Plate benefits from a very beautiful all-natural diffusion without being too typical. It will therefore be ideal for those looking for great versatility.\u003cbr\u003e - Room: One of our favorite modes. A very realistic spatialization and a superb rendering, in particular thanks to its perfect integration of the Tone knob which will allow it to be sculpted in detail. \u003cbr\u003e- Hall: A magnificent reverb for those looking for more depth and a more 80's side. It will be perfect accompanied by a modulation. Its \"build up\" is a model of naturalness and its complexity a must of its kind.\u003cbr\u003e - Cave \u0026amp; Serene: These two modes are aimed at fans of ambient, electro and other complex pads. Here, no \"hovering\" Reverb strictly speaking, but two harmonically very rich modes, which base their rendering on multiple lines of delays and rhythmic patterns placed in parallel, which gives very interesting \"cascading\" effects for more adventurous and creative among you.\u003cbr\u003e \u003cbr\u003eAs always with Free The Tone, the transparency and naturalness of the pedal are impressive. The controls are very progressive and not caricatural. The Ambi Space does not give in excess but in efficiency and ease of use. Here, no drawer sub-menus, but an extremely easy-to-use reverb with formidable efficiency. It allows you to combine the best of both worlds by keeping your analog signal intact, this one being processed by a mixer in parallel.\u003cbr\u003e\u003cbr\u003e In summary, the new Free The Tone Ambi-Space is an absolute success. Yukihiro Hayashi hits the mark, as always. The Ambi Space will be the Reverb for those looking for power, flexibility (4 presets) and \"plug 'n play\" access, even for those allergic to digital and other too many buttons. An obvious alternative, ultra-qualitative, compared to other big bikes available on the market.","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485499473967,"sku":"","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_AmbiSpaceAS-1R_001.jpg?v=1592334999"},{"product_id":"free-the-tone-tri-avatar-ta-2h","title":"Tri-Avatar TA-2H - Multi-Dimensional Chorus","description":"Yuki Hayashi continues on his merry way by offering us the Chorus Tri-Avatar on the occasion of the Winter NAMM Show 2016. You think you know everything about choruses, you think you've heard everything? Well, think again! The Tri-Avatar pushes the limits of musicality a little further and manages to surprise us! Externally the pedal adopts the same type of casing as the rest of the range, anodized, light, with a bluish dress of any beauuuteeeyyeu. It is also manufactured, exceptionally, in the north of Japan and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. We will appreciate the gesture! \u003cbr\u003eOn the front, there are screens that may seem \"busy\", but which in fact turn out to be of formidable ergonomics and simplicity :) Finally, let's remember, it's a Free The Tone, which means a completely original circuit developed from A to Z by the brand. It's not a Tri-Chorus, it's not a TCF or a CE-2, it's the Tri-Avatar and believe us, it's going to beat more than one of our \"good old \" references.\u003cbr\u003e \u003cbr\u003eLet's take a quick tour of the owner. 2 footswitches; one to activate the effect, the other to switch between MIDI presets. You can therefore store up to 4 presets within the Tri-Avatar. This will satisfy 99.99% of guitarists!. The pedal is therefore controllable with an external MIDI controller. There is a Level to adjust the overall output level of the pedal, a MIX button that allows you to adjust the amount of effect relative to the dry signal (which remains 100% analog). This MIX button will be very useful when the pedal is used in a parallel loop. 3 Depth buttons (left, center, right) allow you to adjust the depth of the effect and have separate control over the 3 phases. There is of course a Speed ​​control to adjust the speed of the effect. And finally, a Hi-Cut button which will more or less soften the top of the spectrum which will be ideal for going from a round and warm chorus to a much more 80's \/ bright effect. The Tri-Avatar can be used in Manual or Preset mode. In preset mode, you can modify the parameters of an already saved preset. In Manual mode, you can create a preset from A to Z and choose the destination location. \u003cbr\u003eOn the rear panel, the usual stereo In and Out, an input for an expression pedal that will control the Rate and Hi-Cut functions on the fly and finally, a MIDI In.\u003cbr\u003e \u003cbr\u003eAs for the sound, let me tell you right away, the Free The Tone Tri-Avatar is already impressive in Mono, but it's nothing compared to Stereo use thanks to which it reveals all its qualities and, above all , the interest of having the 3 depth settings. Indeed, the Left leaves on the left output, the second phase (central) sends on left and right and the Right leaves on the right output. We therefore obtain a chorus with a depth and spatialization totally out of the ordinary. The Tri-Avatar TA-2H is ultra rich, precise, never messy in the low end, it retains all the attack and dynamics without tunneling or crushing your original sound. It's \"lush\", extremely dense and detailed. Having a Mix knob and a Hi-Cut allows you to really sculpt your sound down to the smallest detail and obtain a wide range of nuances. Whether you are looking for a subtle, very light and discreet Chorus, or a big, slamming and deep 80's Chorus, the Tri-Avatar can do it without any problem. During our tests, we compared it to references of its kind (BOSS CE-1 and CE-2, Jacques, Arion, etc.), none could stand the comparison as the Tri-Avatar crushes them in terms of diffusion, dynamics and above all, silence of use. Indeed, the Tri-Avatar is absolutely \"dead silent\" and absolutely transparent compared to other models. We can therefore note the care given to the power supply stage. As always with Free The Tone, the devil is in the details and these make the difference. \u003cbr\u003eWe also spent a lot of time testing the pedal on big lead sounds. It stacks perfectly, bringing just enough pitch to reproduce the best lead sounds like Landau, Lukather, Tim Pierce and others. This is once again where we see the difference with the competition, the Tri-Avatar maintaining an unparalleled attack and dynamics, and a ridiculously low noise level.\u003cbr\u003e \u003cbr\u003eIn summary, the Free The Tone Tri-Avatar benefits from a HUGE spatialization and a truly impressive 3D rendering as shown in our video below. It's one of the richest choruses on the market (racks and pedals included) and we were truly amazed by its extreme musicality. As always with Free The Tone, the settings are ultra efficient, musical and well thought out. If we add to that the HTS system and the MIDI presets that you can save, we get an impressive Chorus that will make everyone agree. Don't miss our \"stereo jack\" video below to judge the pedal before you spend your pennies! You won't be disappointed for sure! :)","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485516185647,"sku":"","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_Tri-AvatarChorusTA-2H_001_1268abf6-1a68-4b02-8b6e-8767386b0b9f.jpg?v=1641292731"},{"product_id":"free-the-tone-programmable-analog-10-band-eq-pa-1qg","title":"Programmable Analog 10 Band EQ PA-1QG","description":"Announced at the NAMM Show 2018, the Programmable Analog 10 Band EQ is Yuki Hayashi's new \"performance\". For decades, effects manufacturers have almost systematically provided us with EQs in pedal format with audiofile qualities... Often very questionable! And limited functions. Well dear guitarist friends, that period is over! Free The Tone offers us a high-end EQ with the PA-1QG! \u003cbr\u003eExternally the pedal adopts the same type of casing as the rest of the range, anodized, light, with a pearl white dress of any beauuuteeeyyeu. It is also manufactured, exceptionally, in the north of Japan and not in Yokohama, in order to support the local economy which suffered greatly following the events of 2011. We will appreciate the gesture!\u003cbr\u003e On the front, there is a design that reveals formidable ergonomics and simplicity. Finally, let's remember, it's a Free The Tone, which means a completely original circuit developed from A to Z by the brand. No, it's not yet another lambda EQ, but a very serious reference, as always with the Japanese brand.\u003cbr\u003e \u003cbr\u003eQuick overview. 2 footswitches; one to activate the effect, the other to switch from one MIDI preset to another and up to 99. You can therefore access 4 presets within the PA-1QG, this, on the fly. This will satisfy 99.99% of guitarists!. The pedal is therefore controllable with an external MIDI controller. At the interface level, almost everything is done with the Parameter button which allows you to adjust the frequencies and the overall level of the effect, as well as to scroll through the presets. We will go from one frequency range to another with two small arrows and... That's almost all! Simple and efficient. On the rear panel, the usual In and Out audios and Midi as well as an instrument level \/ line level switch.\u003cbr\u003e \u003cbr\u003eGuitar under the fingers, as much to tell you right away, forget what you have known (MXR, Empress...) here we are on ultra-optimized. Above all else, the first major optimization is the signal-to-noise ratio. The Prog. Analog 10 Band EQ works in absolute silence and it is very significant, even with advanced settings. Second important point, it is transparent and impressively natural! Each note is like \"coated\" with a skilful mix of thickness, increased dynamics and excessive complexity in the treble. What does the PA-1QG do? It boosts and magnifies your signal at all levels, with a rare musicality and quality similar to the professional EQs found in racks in the heart of professional studios. Where many products of the genre do more damage than they correct things, the Free The Tone proves to be a tool for sculpting your sound, extremely precise and quickly essential. Oh... Important detail, the PA-1QG is so natural and transparent that it can act as a clean boost, volume pedal (long live MIDI), buffer (it is equipped with the HTS circuit, the brand's high quality buffer) and can be used both in the effects loop and on the front of the amp. \u003cbr\u003e\u003cbr\u003eThe Free The Tone Programmable Analog 10 Band EQ is, at the time of writing, surely the best pedal format EQ available on the market. Best for its on-board functions, its ease of use, its extreme musicality and all the services it will provide to the demanding musicians that we are! Note, there is also a Low version, just ask us! ;) A must of its kind.","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485521428527,"sku":"","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_ProgrammableAnalog10BandEQPA-1QG_001.jpg?v=1592335462"},{"product_id":"free-the-tone-string-slinger-ss-1v","title":"String Slinger SS-1V - Overdrive","description":"It took two years of intensive development to see the birth of the new range of effects from the very serious Japanese brand. The Integrated series, is entirely designed and manufactured by the Custom Shop, based in Yokohama. The String Slinger SS-1V is a very high-end pedal equipped with the best and most reliable components on the market. Here, production was not taken into account with a cost price in mind, but with a need for a goal to be achieved. \u003cbr\u003eThe Free The Tone String Slinger adopts a new case specific to the Integrated range. Extremely well finished, painted in the cabin, with an irreproachable finish and ultra easy access to the battery. Appreciable thing, it will be noted that the food was placed on the top. The pedal has a sober and classy aesthetic. And believe us, it's as pretty on the outside as it is on the inside! Very high-end PCB, sorted components, perfect welds... It's beautiful, a real exercise in style. In terms of controls, very classic. Level, Tone, Drive and that's it!\u003cbr\u003e \u003cbr\u003eStatocaster and 339 in hand, we stack it on a Two-Rock Studio Pro 35. To get all the quintessence of the String Slinger, you need a suitable amp. Namely, a clean channel with plenty of headroom, because the pedal will exploit this reserve of \"complexity\" at 100%. With the Integrated series, Free The Tone simply wants to recreate the naturalness, dynamics and compression of a real tube amp. The goal is to replace a second channel. On a clean channel, your lead channel is the String Slinger! Pedal engaged, the first thing you notice is the ultra transparency of the SS-1V. Gain at 09:00, tone at 12:00 and Level at 11:00, you have the equivalent of a clean boost, except that the clean boost adds dynamics and volume; the SS-1V adds dynamics, compression, volume and above all, and that's all the difference, it thickens and thins your sound. With this configuration you therefore have a very dense \"big\" clean with a slight break-up, more lows, more mids, more binder, without ever modifying the original character of your clean. \u003cbr\u003eBy slightly lowering the Level, with the Tone at 2:00 p.m. and the Drive at 1:00 p.m., you get a drive that symbolizes the very concept of the String Slinger, namely, a Philipp Sayce-style overdrive, punchy, nasty, with a soft attack at the bottom and slightly pinched at the top of the spectrum, all with an ultra-fast response. The dynamics are huge, it's tight, it slaps and you are challenged to tell the difference with a very good crunch channel in the blind test;) Fan of SRV, Sayce, Patlansky and other angry bluesmen playing on Strat is for you! With the gain at the bottom, we fall back on this typical grain of a Black Face pushed to burne, with a slightly extended gain range for even more versatility.\u003cbr\u003e \u003cbr\u003eWhat to say? The Free The Tone String Slinger is a big slap in the face of the competition. The pedal is ultra well made, sounds wonderful, with an impressive signal to noise ratio. If you are a Strato player at heart and you like the artists mentioned above, the SS-1V will be a must. The String Slinger is certainly also premium priced, but it deserves every penny spent!\u003cbr\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485717086255,"sku":"","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_StringSlingerOverdrive_001.jpg?v=1592335499"},{"product_id":"free-the-tone-fire-mist-fm-1v","title":"Fire Mist FM-1V - Distortion","description":"It took two years of intensive development to see the birth of the new range of effects from the very serious Japanese brand. The Integrated series, is entirely designed and manufactured by the Custom Shop, based in Yokohama. The Fire Mist FM-1V is a very high-end pedal equipped with the best and most reliable components on the market. Here, production was not taken into account with a cost price in mind, but with a need for a goal to be achieved. \u003cbr\u003eThe Free The Tone Fire Mist adopts a new case specific to the Integrated range. Extremely well finished, painted in the cabin, with an irreproachable finish and ultra easy access to the battery. Appreciable thing, it will be noted that the food was placed on the top. The pedal has a sober and classy aesthetic. And believe us, it's as pretty on the outside as it is on the inside! Very high-end PCB, sorted components, perfect welds... It's beautiful, a real exercise in style. In terms of controls, very classic. Level, Tone, Drive and that's it!\u003cbr\u003e \u003cbr\u003eThe Fire Mist is a rather high gain OD\/distortion (without going to extremes) and primarily designed to work in conjunction with humbuckers (although it works well on single coil as well). We stack that on a Two-Rock Studio Pro 35. To get all the quintessence of the Fire Mist, you need a suitable amp. Namely, a clean channel with plenty of headroom, because the pedal will exploit this reserve of \"complexity\" at 100%. With the Integrated series, Free The Tone simply wants to recreate the naturalness, dynamics and compression of a real tube amp. The goal is to replace a second channel. On a clean channel, your lead channel is the Fire Mist! Pedal engaged, the first thing you notice is the ultra transparency of the FM-1V. Gain at 10:00, tone at 12:00 and Level at 11:00, you have a big ACDC-style crunch with a thick drive and bite (the Tone knob being ultra-responsive and bringing presence but also a little gain and extra edge when pushed). The pedal is reminiscent of old Plexi sounds and Late 70's \/ Early 80's sounds. \u003cbr\u003eBy slightly lowering the Level, with the Tone at 2:00 p.m. and the Drive at 2:00 p.m., you get a drive that symbolizes the very concept of the Fire Mist, namely, a distortion à la Van Halen, Gary Moore. Very rich in harmonics, complex, which can be both dark and sharper (thanks again to the superb Tone equalization) and with a tone of sustain. It's really stunning, the dynamics are enormous, the pedal reacts very subtly to the slightest change in attack and it can be totally controlled via the guitar's volume knob as it thins out to perfection. Pushed to the limit, we get a fluid distortion, with a loaded lower midrange and an extremely detailed and rich upper end of the spectrum. The pedal compresses a little more but never excessively. At no time do you feel like you're playing a pedal, but a real amp channel. It's simple, there are amp channels that don't have the same dynamics and quick response. A good Les Paul in hand, and you get the epitome of Fire Mist and the best Marshall-like sounds. \u003cbr\u003e\u003cbr\u003eWhat to say? The Free The Tone Fire Mist is a big slap in the face of the competition. The pedal is ultra well made, sounds wonderful, with an impressive signal to noise ratio. If you like double microphones, and you are a fan of the artists mentioned above, the FM-1V will be a must. The Free The Tone Fire Mist is, of course, at an equally high-end price, but it deserves every penny spent!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31485735436335,"sku":"","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_FireMistOverdrive_001.jpg?v=1592335230"},{"product_id":"free-the-tone-black-vehicle-bv-1v","title":"Black Vehicle BV-1V - Bass Overdrive","description":"\u003cp\u003eIt took two years of intensive development to see the birth of the new range of effects from the very serious Japanese brand. The Integrated series, is entirely designed and manufactured by the Custom Shop, based in Yokohama. The Black Vehicle BV-1V is a very high-end pedal equipped with the best and most reliable components on the market. Here, production was not taken into account with a cost price in mind, but with a need for a goal to be achieved.\u003cbr\u003e The Free The Tone Black Vehicle adopts a new box specific to the Integrated range. Extremely well finished, painted in the cabin, with an irreproachable finish and ultra easy access to the battery. Appreciable thing, it will be noted that the food was placed on the top. The pedal has a sober and classy aesthetic. And believe us, it's as pretty on the outside as it is on the inside! Very high-end PCB, sorted components, perfect welds... It's beautiful, a real exercise in style.\u003cbr\u003e \u003cbr\u003eIn terms of controls: Level, Mix, Bass, Treble, Gain and pre-boost \/ post-boost. These controls have very specific modes of operation with a unique interaction between the EQ section and the Mix control. Indeed, Bass and Treble only impact the effected signal, the Mix allowing to measure the quantity of dry signal and wet signal. This helps minimize phase errors and prevents the sound from being drowned out when the amount of gain is large. Clear contours and first-rate dynamics are retained. The “Pre Boost” controls the amount of signal sent to the Overdrive section and the “Post Boost” adjusts the output level. These controls allow you, for example, to only increase the volume without changing the character of your sound, increase the amount of distortion without changing the volume, etc... You have great flexibility in the settings. Note, the pedal is equipped with the latest HTS buffer (Holistic Tonal Solution) which allows you to keep all of your signal and not degrade it even with long cable lengths.\u003c\/p\u003e\n\n \u003cp\u003eThe Black Vehicle is an ultra versatile Overdrive - Distortion. It covers a maximum of styles without having to add other pedals. If you have a fuzz on top of that, that's all you need! \u003cbr\u003eThe first thing you notice once plugged in is the very low noise it generates even with high gain settings. The second thing is an immediately identifiable \"amp like\" side from the first notes. It's fat, very thick, very fluid, it doesn't sound \"pedal\" but clearly like a tube pre-amp. You've got all the dynamics and responsiveness of a real amp at your toes. Likewise, the Black Vehicle cleans very well at the volume knob, so you can sculpt it with your bass controls without having to tweak the controls. pedal settings. It gives you a whole range of sounds, from light overdrive to very dense fat drive with huge sustain. This drive is very complex, with lots of headroom and an extremely rich top end. It's sparkly, it slaps, the dynamics of your bass is not impacted thanks to the very effective EQ section and Mix control. The 2 boosts are incredibly effective. If you have a small rig and only need to bring a single drive pedal, the Black Vehicle will create a comfort zone in any circumstance.\u003c\/p\u003e\n\n \u003cp\u003eWith the Black Vehicle BV-1V Bass Overdrive, Free The Tone offers us a real Swiss army knife of insolent quality. As always with the Japanese brand, nothing has been left to chance, everything is precise and designed to offer you the best of its kind. A benchmark of its kind!\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31489045692463,"sku":"","price":359.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_BassOverdrive_001.jpg?v=1592335117"},{"product_id":"free-the-tone-mc-3-midi-controller","title":"MC-3 - MIDI Controller","description":"The Free The Tone MC-3 is a lightweight and extremely small MIDI controller that will allow you to simplify the management of your MIDI effects on your pedalboard. Made from top-notch materials and components and 100% in Japan, the MC-3 sports the same black anodized finish as the other products in the routing range (ARC-3, ARC-53, etc...). Ultra light, extremely well finished and benefiting from many functions, it will make life easier for all owners of pedals integrating MIDI functions such as Strymon, Eventide, TC Electronic and others...\u003cbr\u003e \u003cbr\u003eIndeed, with the MC-3, you can create presets, send program and control changes (through two different modes of use) and automate access to presets from all your pedals and other MIDI devices. In addition, associated with Free The Tone hardware, it allows you to extend the possibilities of interaction with them: Remote switching for the ARC-3, remote Tap Tempo for the Flight Time, etc...\u003cbr\u003e\u003cbr\u003e Indispensable for all owners of MIDI pedals who do not want to bother with a huge control pedalboard.\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e Terminal: MIDI OUT (DIN 5-pin connector)\u003cbr\u003e Power supply: 9 V battery (006P) or AC adapter\u003cbr\u003e Consumption current: max. 25mA \/9VDC\u003cbr\u003e Dimensions (W x D x H, incl. protuberances such as footswitches): 120 x 95.7 x 54.1 mm (4.72 x 3.77 x 2.13 inches)\u003cbr\u003e Weight (excl. battery): approx. 315g (0.69 lbs)","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31489058930735,"sku":"","price":235.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/GuitarsRebellion_Comingsoonpedale-1_01ca2b28-492f-433d-ab02-c021018ea8f9.jpg?v=1592223601"},{"product_id":"free-the-tone-arc-4","title":"ARC-4 Audio Routing Controller","description":"\u003cp\u003eIn Japan, controllers designed specifically for pedals have been around for over 25 years. Yukihiro Hayashi was the forerunner in the field by developing the Providence PEC-1 many years ago, then its updated version integrating MIDI support (PEC-2) and a more compact version called PEC-04. It was in 2013 that Yuki, after founding his own brand, launched his latest high-end audio MIDI controller, completely redesigned and improved. This is called the ARC-3. \u003cspan\u003eSuccessor of the excellent ARC-3, the ARC-4 takes up the basics while maintaining its status as the flagship of the Japanese brand\u003c\/span\u003e and now benefits from its latest technical innovations as well as a revised and corrected interface while integrating many new features.\u003cbr\u003e \u003cbr\u003eDeveloped over the past few years, the ARC-4 is the ideal control interface for professional guitarists and bassists, having been proven for over 100 hours live on the biggest Japanese stages (Tokyo Budokan, Tokyo Dome, Yokohama Arena etc...) and the biggest recording studios. The most important Japanese groups use it: Luna Sea, L'Arc-En-Ciel, One Ok Rock, Aimer, Tube, Mr. Children, Gazette and many others. All the difference is there, as always with Free The Tone, the biggest Japanese groups and professionals in the sector have a role in the development of the brand's products. The ARC-4 is designed for musicians first and foremost, so it benefits from an extremely clear, intuitive interface and a \"bulletproof\" design.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eFor this version 4, all functions have been improved. Now each bank and preset can be named. A Setlist mode has been added to allow you to combine banks with setlists at will. Support for a MIDI clock and bank select function is also added. You can easily synchronize the ARC-4 with external sequencer software. In addition, the ARC-4 offers you many practical features such as Stereo Loops, Boost, Phase Invert, etc... Everything you need for gigs or recording.\u003c\/p\u003e\n\n\u003cp\u003e What makes the difference between the Free The Tone ARC-4 and all other switchers of its kind?\u003c\/p\u003e\n\n \u003cp\u003eTransparency - The ARC-4 is the nerve center of your system, it must offer zero coloration, zero loss of dynamics and absolutely no modification of your original sound. The only thing it should do is allow your effects to sound their best without any degradation. It does, with the greatest transparency and best buffer of its kind on the market.\u003cbr\u003e Reliability - Every piece of PCB, every switch, every section that makes up the ARC-4 is replaceable without any tools, except a screwdriver to open the case, in less than a few seconds. This unique design allows the ARC-4 to be the most reliable and best-engineered machine available today. \u003cbr\u003eEase of use - A paramount thing for all guitar tech and users on the planet. The programming is extremely simple and the maintenance is a model of its kind. The foot-switches are stepped and spaced 80mm apart for optimal use. The number of sub-menus has been reduced to a strict minimum and the interface has been designed to have as many direct accesses as possible and to be able to edit presets very quickly.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e The specifications are exhaustive:\u003cbr\u003e - Entirely made in Yokohama, Japan\u003cbr\u003e - Quality of Military Grade components, minimum tolerance thresholds\u003cbr\u003e - Aluminum frame, screen and circuit insulated (water, humidity etc...)\u003cbr\u003e - Simplified repair and maintenance thanks to an intelligent design\u003cbr\u003e - Clear and logical interface, control panel grouping access to all the different functions for quick and intuitive use\u003cbr\u003e - Master \/ Slave function via Link cable to be able to combine two ARC-3s (one on stage, the other backstage) \u003cbr\u003e- Mute function (can be assigned to different locations in the audio chain) that can be controlled remotely\u003cbr\u003e - Advanced MIDI functions (copy, swap, PC, CC...)\u003cbr\u003e - Ultra transparent HTS buffer and phase inversion\u003cbr\u003e - Number of effect loops: 8 [Serial loops: 7 (mono loops: 5 \/ stereo loops: 2), independent loop: 1]\u003cbr\u003e - Number of presets: 200 banks x 10 presets. A total of 2000 accessible presets.\u003cbr\u003e - Additional (remote) controls: 4 (latch or momentary)\u003cbr\u003e - Input impedance: 1 MΩ (HTS-IN)\u003cbr\u003e - Output load impedance: min. 10kΩ (HTS-OUT \/ OUT-A \/ OUT-B)\u003cbr\u003e - Boost: 0 to +14dB\u003cbr\u003e - Mains adapter: 12VDC\u003cbr\u003e - Consumption: approx. 750mA\u003cbr\u003e - Dimensions: 38.6 cm (W) x 15.2 cm (D) x 8.15 cm (H all inclusive)\u003cbr\u003e - Weight: 2.1 kg (without accessories)\u003c\/p\u003e\n\n \u003cp\u003eThe ARC-4 will be the centerpiece of your system and will centralize \/ automate your configuration. The possibilities for interaction and connection are exhaustive, so the ARC-4 will be an indispensable tool for all guitarists with an advanced audio system. To top it off, the ARC is one of the most compact machines on the market. Tested and approved on some of the biggest stages in the world. THE benchmark of its kind.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31504097902639,"sku":"","price":999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_ARC-4AudioRoutingController_001.jpg?v=1593707696"},{"product_id":"free-the-tone-arc-53m","title":"ARC-53M Audio Routing Controller","description":"In Japan, controllers designed specifically for pedals have been around for over 15 years. Yukihiro Hayashi was the forerunner in the field by developing the Providence PEC-1 many years ago, then its updated version integrating MIDI support (PEC-2) and a more compact version called PEC-04. It was in 2013 that Yuki launched its latest high-end audio MIDI controller, completely redesigned and improved. Little brother of the ARC-3, the ARC-53M takes up the main lines and most of the functions, while adopting an ultra-compact format. The Free the Tone ARC-53M benefits from the brand's latest technical innovations, as well as a revised and corrected interface that incorporates many new features.\u003cbr\u003e \u003cbr\u003eDeveloped over the past two years, the ARC-53 is the ideal control interface for professional guitarists and bassists, having been proven for 100 hours live on the biggest Japanese stages (Tokyo Budokan, Tokyo Dome, Yokohama Arena etc...) and in the biggest recording studios. All the difference is there, as always with Free The Tone, the biggest Japanese groups and professionals in the sector have a role in the development of the brand's products. The ARC-53M, nomadic version of the ARC-3, is designed for musicians first and foremost, so it benefits from an extremely clear, intuitive interface and a \"bulletproof\" design. ;)\u003cbr\u003e\u003cbr\u003e - Entirely made in Yokohama, Japan\u003cbr\u003e - Quality of Military Grade components, minimum tolerance thresholds\u003cbr\u003e - Aluminum chassis, insulated screen and circuit (water, humidity etc...)\u003cbr\u003e - Angled panel for more comfort. Great sturdiness and maximum visibility \u003cbr\u003e- Simplified repair and maintenance thanks to an intelligent design\u003cbr\u003e - Clear and logical interface, control panel grouping access to all the different functions for quick and intuitive use\u003cbr\u003e - 5 loops including 1 independent that can be routed to the desired location in the audio chain\u003cbr\u003e - HTS Buffer\/Driver\u003cbr\u003e - Preset \/ Bank or Direct mode (activation of loops on the fly) in one click\u003cbr\u003e - Mute function\u003cbr\u003e - Advanced MIDI functions (copy, swap, PC, CC...)\u003cbr\u003e - 200 accessible presets\u003cbr\u003e - Isolated tuner\u003cbr\u003e - Silent foot-switches. Space of 7 cm between each switch for optimal comfort of use.\u003cbr\u003e - Latch \/ Momentary functions to switch amp channels, effects loops, etc...\u003cbr\u003e \u003cbr\u003eOnce plugged in, the ARC-53M benefits from the same \"professional\" processing quality as the ARC-3. It is therefore extremely transparent. The operating silence is a model of its kind and the responsiveness of the system is simply uncriticable. This will be the centerpiece of your configuration and will centralize \/ automate all your equipment. The possibilities of interaction and connection are simple but exhaustive, the ARC-53M will therefore be an essential tool for all guitarists wishing to benefit from advanced control over effects, without weighing down their pedalboard. To avoid spoiling anything and \"with equivalent functions\", the ARC-53M is the most compact switcher on the market.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e Input Impedance: 1 MΩ (HTS-IN)\u003cbr\u003e Output Impedance: Less than 200Ω\u003cbr\u003e Power Supply: Dedicated AC adapter - For Europe: FA-1220D-EU\u003cbr\u003e Power Consumption: 12VDC, approx. 400mA (Max.) \u003cbr\u003eDimensions: 330 x 60.5 x 92.5 mm, 12.99 x 2.38 x 3.64 inches (incl. protuberances such as footswitches, jacks, etc.)\u003cbr\u003e Weight (excl. AC adapter): approx. 1.1kg (38.8oz)","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31504102621231,"sku":"","price":599.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeeTheTone_ARC-53MBlack_001.jpg?v=1617283815"},{"product_id":"free-the-tone-junction-box-jb-41s","title":"Junction Box JB-41S","description":"Junction box allowing you to organize your pedalboard as well as possible, to expand the available connections and to centralize it. The JB-41 has 4 inputs \/ outputs and a MIDI Thru. A totally essential tool for those who have an advanced pedalboard \/ system (stereo, effects loops etc...)\u003cbr\u003e Attention, the JB-41 is made entirely by hand, to order and in extremely limited quantities. To book in advance!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31504104292399,"sku":"","price":159.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/GuitarsRebellion_Comingsoonpedale-1_f53d5c49-c46a-499e-90be-c60211664b0e.jpg?v=1592223575"},{"product_id":"free-the-tone-junction-box-jb-82s","title":"Junction Box JB-82S","description":"Junction box allowing you to organize your pedalboard as well as possible, to expand the available connections and to centralize it. The JB-82 has 8 inputs \/ outputs and a MIDI Thru. A totally essential tool for those who have an advanced pedalboard \/ system (stereo, effects loops etc...)\u003cbr\u003e Attention, the JB-82 is made entirely by hand, to order and in extremely limited quantities. To book in advance!","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31504106029103,"sku":"","price":189.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/GuitarsRebellion_Comingsoonpedale-1_22045fdc-e2bd-401f-a834-14e2d6cd376d.jpg?v=1592223589"},{"product_id":"free-the-tone-sl-4","title":"SL-4 | Plug Jack Solderless Ultra-Compact","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSOLD INDIVIDUALLY\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003eWith only 5mm of footprint when plugged in, the SL-4 is one of the most compact solderless plugs on the market. Its main innovation over the SL-8: the tip and the core wire connection pin are now integrated into a single piece, for more direct signal transmission. Assembly is simple and fast. The CU-416 cable is inserted directly inside the plug, with a tip piercing its center to establish the electrical connection. An adjustable screw then partially penetrates the cable sheath to ensure grounding and mechanical retention. This is the exact point that sets the SL-4 apart from generic solderless systems: pull-out resistance is unmatched. The cap is replaceable and available in 6 colors via the SLC-4A series, ideal for visually coding inputs, outputs, and effect loops. The SL-4 comes in straight (SL-4S) and L-angle (SL-4L) configurations, each available in nickel (NI) or gold (GD) finish. The paired cable, the CU-416, is 4mm in diameter, features shape memory, and can be cut to any desired length with standard wire cutters. It also supports DC power from 9V to 24V.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CU-416 is the cable of neutrality and precision. Its sonic character is natural and balanced: present and detailed mids, tight and dynamic bass. The solderless construction ensures total consistency from one cable to the next, without the inevitable variations of hand-soldered connections. It is the thinnest cable in the Free The Tone lineup, the ideal choice for compact pedalboards where every centimeter counts. The CU-416 is also backward compatible with the older SL-8 plugs, making a gradual migration to the new series straightforward.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe SL-4 combined with the CU-416 is aimed at guitarists who want a precisely organized pedalboard with zero compromise on signal quality. It is the go-to solderless system for compact setups. For a reinforced frequency range in the lower end of the spectrum or increased solidity for use without a fixed pedalboard, the SL-5 series paired with the CU-5050 cable is the alternative to consider.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Straight","offer_id":31511318102063,"sku":"","price":9.9,"currency_code":"EUR","in_stock":true},{"title":"L-shaped","offer_id":31511318134831,"sku":"","price":9.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_SL-4SolderlessPlug_001.jpg?v=1593791123"},{"product_id":"free-the-tone-cu-416","title":"CU-416 | Solderless Cable for Audio \u0026 DC Pedalboard Wiring","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CU-416 is the cable at the heart of Free The Tone's solderless system. It is the common cable across both plug families: the SL-4 audio plugs for connections between pedals, and the SL-21DCL DC plugs for power supply connections. One cable, two uses, one standard of quality. Made in Japan.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt 4mm in diameter, the CU-416 is the thinnest cable in the Free The Tone lineup. It features shape memory that makes routing on a pedalboard easy, and can be cut to any desired length with standard wire cutters: no fixed lengths, no excess cable. It is the ideal choice for compact pedalboards where every centimeter counts. It is also backward compatible with the older SL-8 plugs.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eFor audio connections, the CU-416 delivers a natural and balanced sound: present and detailed mids, tight and dynamic bass. The solderless construction ensures total consistency from one cable to the next, without the inevitable variations of hand-soldered connections. For power supply connections, the CU-416 acts as a shielded DC cable: its shielding blocks external electromagnetic interference on the DC line, and its very low resistance minimizes transmission loss from the power supply to the pedals. Effects are powered without stress, with stable voltage. Compatible with DC power from 9V to 24V.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CU-416 is for guitarists who want full control over their pedalboard, from audio signal to power supply. Paired with SL-4 plugs for audio and SL-21DCL plugs for DC, it provides a complete and consistent wiring solution. For setups that require a reinforced frequency range in the lower end of the spectrum or increased solidity for use without a fixed pedalboard, the CU-5050 cable paired with SL-5 plugs is the alternative to consider.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"1.0m","offer_id":31511322394671,"sku":"","price":7.0,"currency_code":"EUR","in_stock":true},{"title":"2.0m","offer_id":31511322427439,"sku":"","price":14.0,"currency_code":"EUR","in_stock":true},{"title":"3.0m","offer_id":31511322460207,"sku":"","price":21.0,"currency_code":"EUR","in_stock":true},{"title":"5.0m","offer_id":31511322492975,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"10.0m","offer_id":31511322525743,"sku":"","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_CU-416Cable.jpg?v=1593790839"},{"product_id":"free-the-tone-slc-4a","title":"SLC-4A Solderless Plug Cap (4 Pieces Pack)","description":"\u003cp\u003eThe Free The Tone SL-4 plug is an ultra-compact connector \/ plug. With a size of only 5mm, it allows you to keep a maximum of space on your pedalboard and also to reduce as much as possible the distance between the conductor and the tip of the jack by promoting an optimal contact surface. It was specially developed for the CU-416 cable. Since the Free The Tone patch cable is solderless, it is not affected by the variable quality of the solders and therefore allows high quality sound reproduction that is equivalent from one cable to another.\u003c\/p\u003e\n\n\u003cp\u003e The SLC-4A is the top of the connector. This is available in different colors and sold separately from the SL-4 connector. You can thus customize your wiring with different color codes.\u003c\/p\u003e\n\n \u003cp\u003eThe SL-4 is paired with the Free The Tone CU-416 cable. A very high-end \"patch\" cable made in Japan, which has been designed to be mounted directly without soldering. It can therefore be cut with a simple cutting pliers to the desired length to create precise wiring and organize your pedalboard in an optimal way. The CU-416 offers a very simple, fast and reliable assembly with resistance to tearing (big weak point of \"solder-less\") without equivalence. Indeed, its patented system allows you to connect the cable directly inside the plug, a tip being inserted in its center. An adjustable screw securely holds it by perforating it in part.\u003cbr\u003e For optimal installation, the CU-416 has a shape memory and is only 4mm in diameter. It can be used to wire pedalboards, racks and also serve as a DC cable (9V - 24V power supply).\u003c\/p\u003e\n\n \u003cp\u003eThe CU-416 respects all the nuances of your playing, producing a sound with rich and detailed mids as well as tight and dynamic bass.\u003c\/p\u003e\n\n\u003cp\u003e If you've always dreamed of an organized, tailor-made pedalboard, without compromising on quality, the Free The Tone CU-416 is made for you!\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Straight (4pcs) \/ Blue","offer_id":31524581834799,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Straight (4pcs) \/ Red","offer_id":31524581867567,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Straight (4pcs) \/ Green","offer_id":31524581900335,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Angle (4pcs) \/ Blue","offer_id":31524581933103,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Angle (4pcs) \/ Red","offer_id":31524581965871,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false},{"title":"Angle (4pcs) \/ Green","offer_id":31524581998639,"sku":"","price":14.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_SLC-4AL.jpg?v=1593785645"},{"product_id":"king-tone-guitar-vibe-1968","title":"Vibes 1968","description":"\u003cp\u003e Developing products that sound is above all having a \"musical ear\". Yes, it may seem surprising to talk about musicality when talking about musical instruments, but it's a fact. The ear and what our English-speaking friends call \"sound design\" are essential to obtain something of quality. Well that's what Jesse Davey has. A great ear for tweaking existing material into something huge. This is the case with this 1968 Vibe which stands out as a small masterpiece of the genre, as we will see below.\u003cbr\u003e \u003cbr\u003eLevel finish, it's pretty. We match the great high-end \"boutique\" standards. Quality case, firm knobs with the face of hell, very thick PCB with a very well done assembly. What are the guitar people asking for? Nothing more, everything is there! It's top quality and will last for years without flinching.\u003cbr\u003e So what do we see on this pedal? The 1968 is in fact two totally separate vibes with the possibility of switching from one to the other. The controls are simple, we have per channel: 1 speed control, a depth control of the effect and a mini switch to switch from Chorus mode to Vibrato mode. So!\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe 1968 is based on the best circuits of the genre of the 60s, with of course the usual \"magic touch\" dear to the brand. Here, no umpteenth clone, but an original Vibe with everything that makes you appreciate this effect, only better! More level, a wider spectrum, a richer and more complex effect, 2 channels and a multitude of possible uses for this particular effect. In use, plugged into a Strato, we immediately appreciate the fact that the attack is preserved with all the original dynamics. The effect reacts in a very dynamic way and brings a superb color to the sound, whether it is clear or saturated. The big advantage of the 1968 is being able to have a very expressive Leslie on channel A and a Vibe with an ultra-dense effect on channel B, for example. Big plus, even with different speed and depth settings, the transition is smooth and progressive when you switch from one channel to another.\u003c\/p\u003e\n\n \u003cp\u003eThe King Tone Guitar Vibe 1968 is a premium Vibe, which will satisfy the purists and the most demanding among you, offering an effect of rare richness and well thought-out functions. A must of its kind!\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"King Tone Guitar","offers":[{"title":"Default Title","offer_id":31715647258671,"sku":"","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/KingToneGuitar_1968Vibe_001.jpg?v=1592222343"},{"product_id":"free-the-tone-dvl-1h-series-direct-volume","title":"DVL-1H Series \/ Direct Volume","description":"\u003cp\u003e In the volume pedal market, competitors do not jostle, especially when it comes to high-end products. Let's be clear, it is very difficult to find a pedal that combines all the required qualities. Yes, but that was before! Before the DVL-1H! After two years of development and the design of a 100% custom chassis, Free The Tone launches its volume pedal, and the least we can say is that the Free The Tone DVL-1H is impressive!\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Entirely made in Japan, this volume pedal benefits from the best materials available and precision manufacturing. \u003cbr\u003eMost volume pedals suffer from the same recurring defects: fragility of the parts used, little transparency, not very progressive control and weaknesses relating to the construction which result in a short lifespan, particularly with intensive use.\u003cbr\u003e To solve all these problems, the brand has developed its own aluminum \/ steel frame 5 mm thick. This provides ultra rigidity and precise assembly to prevent the structure from deforming when you press on it and avoid the famous \"click\" of the case when you press too hard on it.\u003cbr\u003e The brand has also developed a reinforced and braided strap which, unlike ropes and other plastic parts, will not break over time and allows much better fluidity and progressiveness with use. \u003cbr\u003eThe custom potentiometer and \u003cspan\u003ethe\u003c\/span\u003e \u003cspan\u003eselected components\u003c\/span\u003e make it possible to sweep over the entire stroke without loss of volume and to obtain maximum transparency with impeccable linearity.\u003c\/p\u003e\n\n\u003cp\u003e The DVL-1 volume pedal is available in two versions, H (high impedance, \u003cspan\u003e500kΩ\u003c\/span\u003e ) and L (low impedance, \u003cspan\u003e50KΩ\u003c\/span\u003e ). It's a must of its kind, its price is accordingly, but it's also a pedal that won't let you down for 10 years. With this DVL-1, Free The Tone continues to do what it knows how to do: to offer products with exemplary design and reliability, cut for the stage and for demanding professionals.\u003c\/p\u003e","brand":"Free The Tone","offers":[{"title":"Default Title","offer_id":31795674578991,"sku":"","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/FreeTheTone_DVL-1HSeries-DirectVolume_006.jpg?v=1586682621"},{"product_id":"strymon-compadre","title":"Compadre Dual Voice Compressor \u0026 Boost","description":"\u003cp\u003e 10 years after the release of the OB.1, one of the first pedals designed by the brand, it bows out to make way for the Compadre, a Boost Compressor that incorporates the brand's latest technologies.\u003cbr\u003e \u003cbr\u003eFor the Compadre, the brand has chosen its usual brushed aluminum chassis: indestructible, classy, ​​with, as always, a connection on the top. Inside, pure Strymon with high quality PCBs and selected components. The Compadre is also the only pedal in the range to be 100% analog. The input stage, the compression and boost circuit are analog and digitally controlled. This makes it possible to integrate MIDI functions for each parameter and to be able to integrate the Compadre into a complete MIDI system.\u003c\/p\u003e\n\n\u003cp\u003e The Compadre is two pedals in one. A totally independent compressor and boost. The Compressor section offers two distinct compression modes: \u003cbr\u003e- STUDIO: This mode gives you Studio quality compression, similar to the best professional racks of its kind. You get soft, natural compression that you can dose to perfection. This mode is ideal for bringing thickness and dynamics to your sound in complete transparency.\u003cbr\u003e - SQUEEZE: This mode offers you a typical compression of the pedals of the genre with a profusion of \"squash\". This can be more extreme, with more massive compression and maximum sustain. Ideal for solos and other funk rhythms.\u003c\/p\u003e\n\n\u003cp\u003e Paramount parameter, the Dry button allows you to reinject dry signal in parallel with the compression stage. This way, even with the most extreme compression settings, you can keep your natural attack uncompressed and add \"air\" to the most processed signal.\u003c\/p\u003e\n\n \u003cp\u003eThe Boost part is not left out. You have two distinct analog boosts: A Clean boost which allows a level boost by highlighting the harmonic content in a transparent way. A Dirty boost that allows a very light drive, close to that of a low-gain Overdrive. Additionally, you get 3 different EQ modes: Treble, Mid, Flat. So you can boost the high end for more snap and shine, the mids to gain thickness and fluidity, and the overall spectrum with the Flat mod (perfect for adding complexity to your clean sounds).\u003c\/p\u003e\n\n \u003cp\u003eEvery parameter in your chain has an impact on your sound. Microphones, strings, guitar, cable, amp, speakers etc... With the Compadre activated, it's simple, you hear all these parameters better. More harmonics, more dynamics, more thickness and sustain. It magnifies each note by adding more content and sonic richness. Put in front of the Strymon Iridium, it brings an analog touch to this magnificent \"digital\" amp by adding warmth and complexity that only a quality analog circuit can offer. These two pedals are made to work in perfect symbiosis. But don't worry, Compadre brings this \"more of everything\" to any configuration!\u003cbr\u003e\u003cbr\u003e Note, associated with the brand's MultiSwitch Plus, you can save 3 presets directly accessible and more up to 300 via MIDI support.\u003c\/p\u003e\n\n \u003cp\u003eAll in all, the Strymon Compadre is a great tool for customizing your sound, and\/or for adding analog flair to a digital system. As always with the Californian brand, the sound signature is very musical, Strymon offering us a beautiful machine to magnify your sound very simply.\u003cbr\u003e\u003cbr\u003e - Premium analog circuitry VCA (Voltage Controlled Amplifier)\u003cbr\u003e - Two voicings available: studio compression (soft and nuanced) and stompbox-style hard compression\u003cbr\u003e - Independent Clean or Dirty Boost with 3 EQ options\u003cbr\u003e - Dirty Boost provides overdrive when boost is engaged\u003cbr\u003e - The DRY button allows you to mix the dry signal with the compressed signal to preserve attack transients\u003cbr\u003e - JFET input stage (discrete) with high impedance and ultra low noise\u003cbr\u003e - Low impedance mono output \u003cbr\u003e- VCA output allows the Compadre to function as a volume pedal when a standard TRS type expression pedal is plugged into the dedicated volume jack\u003cbr\u003e - Compatible with the MiniSwitch for remote selection of a preset\u003cbr\u003e - Compatible with MultiSwitch Plus for remote selection of 3 presets\u003cbr\u003e - Full MIDI control. Access to 300 presets and remote parameter control via 1\/4 TRS cable. (requires Strymon MIDI EXP cable or MIDI \u0026gt; TRS interface)\u003cbr\u003e - Selectable True Bypass (electromechanical relay) or Buffered Bypass\u003cbr\u003e - Dark red anodized aluminum frame, strong and light\u003cbr\u003e - 9V DC power supply included.\u003cbr\u003e Power Requirements: Maximum 9 VDC Center Negative, with a minimum of 150mA\u003cbr\u003e - Compressor signal\/noise: 109 dB typical\u003cbr\u003e - Dimensions: 11.4 cm deep x 10.2 cm wide x 6 cm high\u003cbr\u003e - Designed and built in the USA\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31988259815471,"sku":"","price":319.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Compadre_001.jpg?v=1592423555"},{"product_id":"strymon-iridium","title":"Iridium Amp Modeler \u0026 Impulse Response Cabinet","description":"\u003cp\u003eDigital solutions are taking up more and more space compared to traditional analog amplification. This, thanks to the enormous progress made in recent years. Multiple manufacturers now offer very complete products, including Strymon with Iridium, an all-in-one concept, designed for the most demanding guitarists. Presented at NAMM 2020, the Iridium is THE solution for all mobile musicians or for those looking for an ultra-portable, versatile system with formidable power. Years of development were needed to perfect this \"game changer\" which revolutionizes guitar amplification whether on stage, in the studio or at home.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e For the Iridium, the brand has chosen its usual brushed aluminum chassis: indestructible, classy, ​​with, as always, connectivity on the top. Inside, pure Strymon with high quality PCBs and selected components.\u003cbr\u003e \u003cbr\u003eWhat is Strymon Iridium? Well it's a real amp in pedal format. With the Iridium you find the dynamics, compression and harmonic richness of a tube amp, but without the bulk, without the volume of horse and with a connection and extended possibilities of use. Place the Iridium on your pedalboard, press the footswitch, voilà! Are you ready! You have the pre-amp and the virtual power section, the cabinet and the natural reverb of the room integrated into this small chassis, with stereo connections to exploit your best reverbs, delays and others... as well as MIDI support total that allows you to integrate Iridium into any complex MIDI system, recalling up to 300 presets.\u003c\/p\u003e\n\n\u003cp\u003e How it works?\u003c\/p\u003e\n\n\u003cp\u003e You can use the Strymon Iridium in different ways: \u003cbr\u003e- At home: it becomes your amp, which you can connect to a power amp, an amp head monitor, a full range cabinet, an audio interface to record yourself, or simply use the headphone output to play live quiet at home. So many possibilities!\u003cbr\u003e - On stage: Connect the Iridium to a DI, and send the Iridium signal directly to a mixer, full range speakers or a sound system. You don't need any mic, you can adjust your amplified sound directly from your pedalboard and you can experience identical feedback to the amplified sound in your ears.\u003cbr\u003e - In the Studio: Plug the Iridium directly into your audio interface, open a track, you're ready to record.\u003c\/p\u003e\n\n \u003cp\u003eYour guitar in hand, you attack the Iridium through its analog JFET input stage, then choose one of the 3 available amps: Round (Fender Deluxe), Chime (Vox AC30), Punch (Marshall Plexi Super Lead). Matrix Modeling technology captures the essence of each of these legendary amps. Once you have chosen your amp, you can select a virtual ball from the 9 HP \/ Impulse Response simulations available. Note, you can modify these IRs via the Strymon software provided for this purpose and load any IR of your choice. Iridium allows the use of \u003cspan\u003eimpulse responses that\u003c\/span\u003e provide 24-bit resolution at 96 kHz stereo 500 milliseconds. \u003cbr\u003eIridium also includes a \"Room\" setting that allows you to adjust the natural reverberation of the room where the amp and cabinet you have selected are virtually placed. This reverb combines a stereo impulse response of 256 milliseconds with a spring reverb algorithm developed by the brand.\u003c\/p\u003e\n\n\u003cp\u003e Where to place the Iridium?\u003c\/p\u003e\n\n\u003cp\u003e Several choices are available to you. You can use the Iridium as a clean platform, putting it at the end of the chain on your pedalboard. Drive at 12:00, Level fully, for maximum headroom. You will be able to stack your pedals at best and benefit from a maximum of \"reserve\" of clean. You can also position it just before your Reverb and Delay, so you can use the Distortion of it, without impacting your delay \/ reverb. You have basically the equivalent of a post preamp effects loop. \u003cbr\u003eNothing prevents you, moreover, from placing a volume pedal just after the Iridium to manage the output volume while keeping the tails of reverbs and delays. But there is even better. You don't need a volume pedal. If you have an expression pedal, connect it directly to the EXP\/MIDI input, you can transform it into a volume pedal and choose its pre or post Amp, Cab and Room positioning. Amazing?!\u003c\/p\u003e\n\n\u003cp\u003e For management of the many possibilities, you can save up to 300 MIDI presets that you can save and recall. This stores the settings for each button, switch or assigned parameter. Finally, depending on your configuration, you can choose to bypass the pre-amplification stage, or the Cab Sim \/ IR part. Convenient if you want to use an external pre-amp and\/or another HP simulator.\u003c\/p\u003e\n\n\u003cp\u003e List of IRs included with purchase:\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eDeluxe Reverb® 1×12″ by OwnHammer\u003c\/strong\u003e \u003cbr\u003eImpulse of a Fender® Deluxe Reverb 1×12″ open back combo with a 1978 Fender CTS ceramic 12″ HP.\u003cbr\u003e \u003cstrong\u003eBlues Junior® 1×12″ by cabIR\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003eImpulse\u003c\/span\u003e of a 1×12″ Blues Junior cabinet with an HP Jensen® C12N.\u003cbr\u003e \u003cstrong\u003eVibrolux® 2×10″ by cabIR\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003eImpulse\u003c\/span\u003e of a 1965 Fender Vibrolux 2×10″ with Jensen C10NS speakers.\u003cbr\u003e \u003cstrong\u003eAC30 2×12″ AlNiCo by OwnHammer\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003eImpulse of a\u003c\/span\u003e Vox® AC30\/6 open back 2×12″ combo with 2001 Celestion® T0530 Blue AlNiCo loudspeakers.\u003cbr\u003e \u003cstrong\u003e1×12″ AlNiCo by Celestion\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003eImpulse\u003c\/span\u003e of an HP Celestion Blue AlNiCo in a 1×12″ cab closed back cabinet.\u003cbr\u003e \u003cstrong\u003eMesa® 4×12″ by Valhallir\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003eImpulse\u003c\/span\u003e of a 4×12″ Mesa Boogie halfback cabinet with two Celestion Black Shadow® MC-90 speakers and two ElectroVoice® Black Shadow EVM12-L.\u003cbr\u003e \u003cstrong\u003eGNR 4×12″ by OwnHammer\u003c\/strong\u003e \u003cbr\u003e\u003cspan\u003eImpulse\u003c\/span\u003e of a 1971 Marshall® 1960B “basketweave” 4×12″ cabinet with 1971 Celestion T1221 G12M-25 speakers.\u003cbr\u003e \u003cstrong\u003e2×12″ Vintage 30 by Celestion\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003ePulse\u003c\/span\u003e of a Celestion Vintage 30 in a 2×12″ cab open back cabinet.\u003cbr\u003e \u003cstrong\u003eMarshall 8×12″ AlNiCo by cabIR\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003eImpulse\u003c\/span\u003e of a 1965 Marshall 8×12″ re-issue full stack cabinet, with Celestion T652 AlNiCo speakers.\u003c\/p\u003e\n\n\u003cp\u003e And the sound in all this?\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe 24bit 96kHz 500 milliseconds resolution allows the Iridium to deliver more detail than any other IR launcher of its kind. Every speaker resonance, speaker vibration, and reflections between speaker, mic, floor, and ceiling are recreated. All the tiny details that make all the difference when we play and that impact our feeling are recreated in great detail. All the dynamics, the harmonic complexity, the thickness of the notes typical of a tube amp are there. Each Tone Stack of available amps has been meticulously recreated for never-before-seen realism. The interaction with the EQ section is total and allows you to tailor the sound you have in your head.\u003c\/p\u003e\n\n \u003cp\u003eThe Strymon Iridium redistributes the cards of digital amplification by offering a unique experience in a format that can be transported absolutely anywhere. It's all there, the feel of the game and what you're used to hearing and expecting from a high-end amp. This makes it an ultra-qualitative alternative to conventional amplification and other digital solutions. A must, whether at home or on the biggest stages in the world.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":31993456984111,"sku":"","price":377.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Iridium_001.jpg?v=1593623774"},{"product_id":"strymon-volante-magnetic-echo-machine","title":"Volante Magnetic Echo Machine","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVOLANTE! \u003c\/span\u003e This is the new machine\u0026nbsp;from the Californian geeks announced at winter NAMM 2019. And on this occasion, Strymoniens shows us that there is change! New case and new connectors that set the brand standards, coming in 2019 and later. And of course, always the same creativity and the same fabulous algorithms that made the brand so successful. \u003cbr\u003eSo what is it? Well Volante is the ultimate magnetic Echo that will make everyone agree. Within this pretty olive green pedal, there are 3 types of magnetic delays with unique multi-head management: Drums, Tape and Reel-to-reel. The pinnacle of tape echo. With simply the best in tape echo and a fabulous recreation of the famous Binson Echorec. Please note, we are not talking here about a commercial adaptation as many brands could offer, just with a catchy name. But indeed a global analysis of an original concept, its understanding, its adaptation and its transformation into something even more powerful and inspiring than the original. Wait, that's not all! The icing on the cake, the Volante also includes a magnificent Spring Reverb and a Looper for the most creative among you.\u003cbr\u003e \u003cbr\u003eThe Volante is loaded with features that will allow you to capture all the nuances and complexity of machines of this type, recreating the atmosphere of the best albums of the genre, from Pink Floyd to Led Zeppelin and others. Every detail, every physical and random phenomenon that makes up the mythical sound of magnetic machines has been skilfully integrated into this superb, totally unique delay. Besides, it's not just a delay for a guitarist, but a huge sound machine for all instrumentalists.\u003cbr\u003e\u003cbr\u003e At the heart of the Volante, a control surface allowing access to 4 reading heads and as many possible interactions. You can create complex rhythmic patterns and totally unique and atmospheric moods and textures.\u003cbr\u003e \u003cbr\u003eAnd the sound in all this? Simply the best machine of its kind. With an analog input stage and a 100% analog dry signal that has never been converted, it in no way alters the original character of your instrument and the rest of your audio system. Here, no drastic and unwelcome digital conversion, no noise, no outrageous attenuation... The Volante is transparent for your signal, natural and extremely musical. The original dynamics and response of the instrument (or otherwise!) are retained and the overall quality of the effect is equivalent to the best pro audio benchmarks of its kind (but for a fraction of the price!) \u003cbr\u003eWe could write hundreds of lines about the amazing qualities and possibilities of the Volante, but the easiest way is simply to try it. Because once your first layer has been created and turned on a loop, it's a safe bet that you will remain glued to its bewitching magnetic tapes and planing, almost infinite sounds...\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Multi-head magnetic delay with 4 playback heads with individual feedback, panning, and level\u003cbr\u003e - Powerful algorithms delivering meticulous and nuanced recreations of vintage magnetic echo systems (drum echo, tape echo, studio reel-to-reel echo)\u003cbr\u003e - Dedicated advanced controls of the selected media and its sound through various controls: Low Cut, Mechanics, Wear\u003cbr\u003e - Record Level input for a perfect reproduction of the natural saturations typical of these machines. From the clearest to the warmest and most saturated\u003cbr\u003e - Fully independent vintage spring reverb \u003cbr\u003e- Sound on Sound type looper with reverse mode, pause, cut and repeats \/ infinite loops\u003cbr\u003e - High impedance stereo inputs, stereo outputs\u003cbr\u003e - Input level selection for instrument or line level\u003cbr\u003e - Footswitches: On, Favorite, and Tap Tempo\u003cbr\u003e - Expression input to connect an expression pedal, an external tap tempo, a 1\/4″ MIDI cable or a MultiSwitch Plus.\u003cbr\u003e - Full MIDI support with MIDI CCs, program changes and more...\u003cbr\u003e - USB output to control MIDI functions via a computer\u003cbr\u003e - 100% analog dry signal, zero latency, zero digital conversion\u003cbr\u003e - JFET type input stage, ultra transparent.\u003cbr\u003e - Ultra low noise level and 24-bit 96kHz converters, 32-bit processing\u003cbr\u003e - Latest generation SHARC processor.\u003cbr\u003e - Frequency response from 20Hz to 20kHz\u003cbr\u003e - True bypass, analog buffer, killdry...\u003cbr\u003e - Rugged construction with studio-grade knobs, buttons and jacks\u003cbr\u003e - Chassis in anodized aluminum, laser engraved\u003cbr\u003e - Made and designed in the USA\u003cbr\u003e\u003cbr\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":32112138092591,"sku":"","price":407.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/06042020-2Y5A4411.jpg?v=1590138881"},{"product_id":"strymon-mobius-multidimensional-modulation","title":"Mobius Multidimensional Modulation","description":"Mobius is the second entirely MIDI and \"Multi-Effects\" pedal from the Californians at Strymon. An ultra-complete machine entirely dedicated to modulations (and much more!) of all kinds, the Mobius offers you 12 different types of modulations that are totally configurable down to the smallest detail! Impossible to review everything on this page, but you will find among other things: 5 different Choruses ranging from Multi to Digital via Detune... 6 Flanger, Rotary, Vibe, Phaser (2 to 16 floors!) Filters (wah, high pass...) Auto Swell, Pattern Trem, Vintage Trem and finally exclusive modes for the most creative, such as Formant, Destroyer and Quadrature modes.\u003cbr\u003e Mobius is not just a simple effect pedal. Above all, it will be an extremely advanced tool for composition and musical creation for guitarists, keyboards, DJs, creators of electronic music or films, etc.\u003cbr\u003e \u003cbr\u003eFirst contact with the pedal, the interface. It generally takes over that of the TimeLine. Simple and user-friendly, Strymon geeks always keep in mind this very appreciable \"user friendly\" side. In terms of controls, we find the usual speed \/ depth \/ level specific to most modulation effects, but also the possibility of assigning any function to the two Param knobs, this by preset which makes it even simpler interaction with each user preset that can be \"customized\" at will. About the presets, there are 200 immediately accessible to \"unpacking\". Attention, here no window dressing, all of these are totally usable in a multitude of contexts without making the slightest modification! \u003cbr\u003eThe various accessible modes make it possible to cover 99.99% of the needs of a current guitarist. The possibilities offered are enormous (while remaining simple to set up). MIDI support will finally allow you to have 10 different Flangers, or 5 Choruses and 7 Tremolos if you like! (and why not MÔsieur???) All this in less than a second. \u003cbr\u003eThe Mobius also benefits from an extremely powerful function. The \"PRE\/POST\". To put it simply, this configurable function for each preset will allow you to place the Mobius in two different places within your effects chain. For example, you want to use a Flanger before the preamp of your amp \"à la Van Halen\", but also a very spacialized Chorus via the effects loop? It's possible! Do you want to use a Vibe at the head of your effects and also a Chorus after your Distortion pedals? It is again possible. All you have to do is use the insert provided for this purpose (instead of the Stereo connector) and set the desired position for each of your presets. Flexibility at the top. \u003cbr\u003eAh yes... We haven't talked about the sound yet? Well, we invite you to watch the many videos available, these being very representative of the exceptional qualities of the Mobius... It's a Strymon, so it's quite simply a reference of its kind!\u003cbr\u003e Small additional note, the 100% analog input stage allows you to retain all the thickness and density of your original sound. So you have a 100% analog \"dry\" signal, paralleled with the digitally generated effect, which benefits from 24-bit 96kHz converters.\u003cbr\u003e\u003cbr\u003e Mobius benefits from stereo inputs and outputs, a true bypass as well as a \"trail\" mode (allows you to interrupt the effect gradually when you turn it off). It is entirely made in the USA and built around a brushed aluminum frame, like all the brand's models. The ultimate modulation pedal! 9V power supply provided\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Specifications:\u003cbr\u003e - Handcrafted, studio-class multi-modulation \u003cbr\u003e- 12 modulation types: Chorus, Flanger, Rotary, Vibe, Phaser, Filter, Formant, Vintage Trem, Pattern Trem, Autoswell, Destroyer, Quadrature\u003cbr\u003e - 5 potentiometers allow you to sculpt your custom sound: Speed, Depth, Level, Param 1, Param 2 (Param 1 and 2 are customizable)\u003cbr\u003e - User-friendly menus \/ many additional settings for maximum flexibility\u003cbr\u003e - 200 accessible MIDI presets, backup and recall immediately accessible through a single footswitch\u003cbr\u003e - LED screen to show information about presets, BPM and other parameters\u003cbr\u003e - MIDI implementation for full interaction with complete MIDI configurations (rack, studio use, etc.)\u003cbr\u003e - 3 main footswitches for preset, bypass and tap tempo selections\u003cbr\u003e - Stereo inputs and outputs\u003cbr\u003e - Possibility to connect an expression pedal to control, on the fly, the parameters of one or more buttons (saving by active preset)\u003cbr\u003e - MIDI input and output \u003cbr\u003e- PRE\/POST mode to insert Mobius at 2 different places in your effects chain in a fraction of a second\u003cbr\u003e - 110db signal-to-noise ratio, high quality 24-bit 96kHz A\/D and D\/A converters\u003cbr\u003e - Line and Instrument levels supported\u003cbr\u003e - Analog dry path, the “dry” signal is never converted. Zero latency\u003cbr\u003e - High performance DSPs\u003cbr\u003e - 32-bit processing\u003cbr\u003e - Crafted with love in the USA\u003cbr\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":32112159031343,"sku":"","price":444.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/06042020-2Y5A4427.jpg?v=1590138842"},{"product_id":"strymon-zuma-mounting-kit-pedaltrain-brackets","title":"Zuma Mounting Kit - Pedaltrain Brackets","description":"\u003cp\u003e For Pedaltrain owners.\u003c\/p\u003e\n\n\u003cp\u003e These mounting brackets are designed for use with your Zuma power supply. With these \"brackets\", you can easily attach the Zuma under your PedalTrain® crankset.\u003cbr\u003e\u003cbr\u003e These brackets are compatible with:\u003cbr\u003e\u003cbr\u003e Pedaltrain PT-3 \/ Pro \/ Large\u003cbr\u003e Pedal train Novo 18 \/ 24 \/ 32\u003cbr\u003e Pedaltrain Classic Jr \/ 1 \/ 2 \/ Pro\u003cbr\u003e Pedal train Terra 42\u003cbr\u003e Pedaltrain Fly\u003cbr\u003e \u003cbr\u003eThe mounting kit is not compatible with older Pedaltrain versions (PT-1, PT-2, PT-JR). That is to say, those with holes on the rear part instead of an open passage along the length of the pedalboard. For these models, we recommend securing the Zuma with Dual-Lock® Velcro.\u003cbr\u003e\u003cbr\u003e The Zuma mounting kit is not compatible with the Zuma R300.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":32153309511727,"sku":"","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/20052020-2Y5A5456.jpg?v=1590140029"},{"product_id":"strymon-neckstrap","title":"Neckstrap","description":"Strymon strap to attach keys, badge etc...","brand":"Strymon","offers":[{"title":"Default Title","offer_id":32176023535663,"sku":"","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0235\/2185\/3487\/products\/Strymon_Neckstrap.jpg?v=1590176628"}],"url":"https:\/\/www.guitarsrebellion.com\/en\/collections\/effects-routing.oembed?page=4","provider":"Guitars Rebellion","version":"1.0","type":"link"}